Mark Gasbarro

25 Titles

Is this you? Add a Profile

Incredibles 2 | ShotOnWhat?

Pianist

Incredibles 2 (2018)

Directed by: Brad Bird

Cinematography by: Mahyar Abousaeedi, Erik Smitt

Edited by: Stephen Schaffer

Coco | ShotOnWhat?

Orchestrator

Coco (2017)

Directed by: Lee Unkrich, Adrian Molina

Edited by: Steve Bloom, Lee Unkrich

Spider-Man: Homecoming | ShotOnWhat?

Musician: Piano

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

The Book of Henry | ShotOnWhat?

Orchestrator

The Book of Henry (2017)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Lenses

War for the Planet of the Apes | ShotOnWhat?

Pianist

War for the Planet of the Apes (2017)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Star Trek Beyond | ShotOnWhat?

Pianist

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Rogue One: A Star Wars Story | ShotOnWhat?

Orchestrator / Pianist

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Zootopia | ShotOnWhat?

Pianist

Zootopia (2016)

Directed by: Byron Howard, Rich Moore, Jared Bush

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Jurassic World | ShotOnWhat?

Orchestrator / Pianist

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Inside Out | ShotOnWhat?

Additional Orchestrator / Pianist

Inside Out (2015)

Directed by: Pete Docter, Ronnie Del Carmen

Edited by: Kevin Nolting

Tomorrowland | ShotOnWhat?

Musician: Featured Piano

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

This Is Where I Leave You | ShotOnWhat?

Pianist

This Is Where I Leave You (2014)

Directed by: Shawn Levy

Cinematography by: Terry Stacey

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Piano

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Star Trek Into Darkness | ShotOnWhat?

Musician

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

John Carter | ShotOnWhat?

Musician: Keyboards / Orchestrator

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Trade of Innocents | ShotOnWhat?

Orchestrator

Trade of Innocents (2012)

Directed by: Christopher M. Bessette

Cinematography by: Philip Hurn

Edited by: Diane Brunjes

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Musician, Orchestrator

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Monte Carlo | ShotOnWhat?

Musician / Orchestrator

Monte Carlo (2011)

Directed by: Thomas Bezucha

Cinematography by: Jonathan Brown

Edited by: Jeffrey Ford

Super 8 | ShotOnWhat?

Additional Orchestrator

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

Up | ShotOnWhat?

Pianist

Up (2009)

Directed by: Pete Docter, Bob Peterson

Cinematography by: Patrick Lin

Edited by: Kevin Nolting

Ratatouille | ShotOnWhat?

Musician / Piano And Celeste

Ratatouille (2007)

Directed by: Brad Bird, Jan Pinkava

Cinematography by: Robert Anderson

Edited by: Darren T. Holmes

Mission: Impossible III | ShotOnWhat?

Additional Orchestrator

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Sky High | ShotOnWhat?

Additional Orchestrator

Sky High (2005)

Directed by: Mike Mitchell

Cinematography by: Shelly Johnson

Edited by: Peter Amundson

The Incredibles | ShotOnWhat?

Pianist

The Incredibles (2004)

Directed by: Brad Bird

Cinematography by: Andrew Jimenez, Patrick Lin, Janet Lucroy

Edited by: Stephen Schaffer

The Company | ShotOnWhat?

Additional Orchestrator

The Company (2003)

Directed by: Robert Altman

Cinematography by: Andrew Dunn

Edited by: Geraldine Peroni

©2012 - 2025 ShotOnWhat?

20254.20