Production Assistant
If Beale Street Could Talk (2018)
Directed by: Barry Jenkins
Cinematography by: James Laxton
Cameras: ARRI ALEXA 65 Camera
Lenses: ARRI Rental Prime DNA Lenses
Local Key Production Assistant
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Production Assistant
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Production Assistant
'The Blacklist' Miles McGrath (No. 65) (2016)
Directed by: John Terlesky
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Production Assistant
'The Blacklist' Gaia (No. 81) (2016)
Directed by: Bill Roe
Cinematography by: Saade Mustafa
Edited by: Chris Brookshire
Production Assistant
'The Blacklist' The Lindquist Concern (No. 105) (2016)
Directed by: Kurt Kuenne
Cinematography by: Michael Caracciolo
Edited by: David Post
Production Assistant
'The Blacklist' Dr. Adrian Shaw (No. 98) (2016)
Directed by: Andrew McCarthy
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Production Assistant
'The Blacklist' The Thrushes (No. 53) (2016)
Directed by: Terrence O'Hara
Cinematography by: Saade Mustafa
Edited by: Emily Greene
Production Assistant
'The Blacklist' Dr. Adrian Shaw (No. 98): Conclusion (2016)
Directed by: Michael W. Watkins
Cinematography by: Saade Mustafa
Edited by: David Post
On-set Production Assistant
Triple 9 (2016)
Directed by: John Hillcoat
Cinematography by: Nicolas Karakatsanis
Edited by: Dylan Tichenor
Additional Set Production Assistant: Second Unit
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
On-set Production Assistant
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
On-set Production Assistant
'The Walking Dead' No Sanctuary (2014)
Directed by: Greg Nicotero
Cinematography by: Michael E. Satrazemis
Edited by: Julius Ramsay
Staff Production Assistant: Transpo Pa
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Production Assistant
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Production Assistant - 6 Episodes, 2016
The Blacklist (2013)
Directed by: Michael W. Watkins, Bill Roe, Andrew McCarthy, Donald E. Thorin Jr., Terrence O'Hara, Steven A. Adelson, John Terlesky, Michael Caracciolo, Karen Gaviola, Kurt Kuenne, Joe Carnahan, Christine Gee, Vincent Misiano, David Platt, Paul A. Edwards, Michael Zinberg, Alex Zakrzewski, Adam T. Weisinger, Jean de Segonzac, Cort Hessler, Solvan Naim, Jace Alexander, Adam Arkin, Nick Gomez, Stephen Surjik, Dan Lerner, Peter Werner, Randy Zisk, Guy Ferland, Omar Madha, Ami Canaan Mann, Michael Waxman, Anton Cropper, Michael Dinner, Eagle Egilsson, Tim Hunter, Mary Lambert, Edward Ornelas, Paul Holahan, Bethany Rooney, Stephanie A. Marquardt, Lin Oeding, Lisa Robinson, Daniel Willis
Cinematography by: Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers
Edited by: Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Kevin, Production Assistant
The Perks of Being a Wallflower (2012)
Directed by: Stephen Chbosky
Cinematography by: Andrew Dunn
Edited by: Mary Jo Markey
Kevin
Promised Land (2012)
Directed by: Gus Van Sant
Cinematography by: Linus Sandgren
Edited by: Billy Rich
Lenses: Hawk V-Lite Lenses
Production Assistant
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Production Assistant
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Driver / Passenger
One for the Money (2012)
Directed by: Julie Anne Robinson
Cinematography by: Jim Whitaker
Edited by: Lisa Zeno Churgin
Kevin, Production Assistant
Abduction (2011)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
On-set Production Assistant - 1 Episode, 2014
The Walking Dead (2010)
Directed by: Greg Nicotero, Michael E. Satrazemis, Ernest R. Dickerson, David Boyd, Guy Ferland, Billy Gierhart, Jeffrey F. January, Michelle MacLaren, Tricia Brock, Seith Mann, Michael Slovis, Rosemary Rodriguez, Alrick Riley, Gwyneth Horder-Payton, Daniel Sackheim, Julius Ramsay, Jennifer Lynch, Kari Skogland, Dan Liu, Larry Teng, Michael Cudlitz, Frank Darabont, Johan Renck, Phil Abraham, Daniel Attias, Clark Johnson, Lesli Linka Glatter, Jeremy Podeswa, Stefan Schwartz, Michael Uppendahl, Larysa Kondracki, Stephen Williams, Avi Youabian, Darnell Martin, John Polson, Daisy von Scherler Mayer, Laura Belsey, Meera Menon, Millicent Shelton, Liesl Tommy
Cinematography by: Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall
Market Square Patron
She's Out of My League (2010)
Directed by: Jim Field Smith
Cinematography by: Jim Denault
Edited by: Dan Schalk
