Supervising Sound Editor
Into the Woods (2014)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Music Mixer
'Treme' Sunset on Louisianne (2013)
Directed by: Alex Hall
Cinematography by: Ivan Strasburg
Edited by: Matthew Booras
Music Supervisor
'Treme' Everything I Do Gonh Be Funky (2011)
Directed by: Tim Robbins
Edited by: Malcolm Jamieson
Music Supervisor
'Treme' That's What Lovers Do (2011)
Directed by: Agnieszka Holland
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Music Supervisor
'Treme' Can I Change My Mind? (2011)
Directed by: Ernest R. Dickerson
Edited by: Alex Hall
Music Supervisor
'Treme' What is New Orleans? (2011)
Directed by: Adam Davidson
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Music Supervisor
'Treme' Carnival Time (2011)
Directed by: Brad Anderson
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Supervising Sound Editor
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Music Supervisor
'Treme' Slip Away (2011)
Directed by: Rob Bailey
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Music Supervisor
'Treme' Santa Claus, Do You Ever Get the Blues? (2011)
Directed by: Alex Zakrzewski
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Music Supervisor
'Treme' Accentuate the Positive (2011)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Music Supervisor
'Treme' I'll Fly Away (2010)
Directed by: Agnieszka Holland
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Music Supervisor / Music Mixer - 21 Episodes, 2010-2013
Treme (2010)
Directed by: Anthony Hemingway, Ernest R. Dickerson, Agnieszka Holland, Jim McKay, Brad Anderson, Simon Cellan Jones, Adam Davidson, Roxann Dawson, Tim Robbins, Alex Hall, Daniel Attias, Christine Moore, Rob Bailey, Alex Zakrzewski
Edited by: Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow
Sound Designer / Supervising Sound Editor
The Tempest (2010)
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Music Supervisor
'Treme' Wish Someone Would Care (2010)
Directed by: Daniel Attias
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Music Supervisor
'Treme' All on a Mardi Gras Day (2010)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Music Supervisor
'Treme' Smoke My Peace Pipe (2010)
Directed by: Simon Cellan Jones
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Music Supervisor
'Treme' Shallow Water, Oh Mama (2010)
Directed by: Brad Anderson
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Music Supervisor
'Treme' Shame, Shame, Shame (2010)
Directed by: Christine Moore
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Music Supervisor
'Treme' At the Foot of Canal Street (2010)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Music Supervisor
'Treme' Right Place, Wrong Time (2010)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Music Supervisor
'Treme' Meet De Boys on the Battlefront (2010)
Directed by: Jim McKay
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Music Supervisor
'Treme' Treme: Beyond Bourbon Street (2010)
Music Supervisor
Henry's Crime (2010)
Directed by: Malcolm Venville
Cinematography by: Paul Cameron
Edited by: Curtiss Clayton
Music Supervisor
'The Wire' More with Less (2008)
Directed by: Joe Chappelle
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Sound Designer / Supervising Sound Editor
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Sound Designer
Rachel Getting Married (2008)
Directed by: Jonathan Demme
Cinematography by: Declan Quinn
Edited by: Tim Squyres
Cameras: Sony HDW-F900R Camera
Sound Designer / Supervising Sound Editor
Across the Universe (2007)
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Music Supervisor
'The Wire' Soft Eyes (2006)
Directed by: Christine Moore
Cinematography by: Russell Lee Fine
Edited by: Meg Reticker
Pee & Vibrator Consultant
Shortbus (2006)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Brian A. Kates
Music Supervisor
'The Wire' Boys of Summer (2006)
Directed by: Joe Chappelle
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Music Supervisor
'The Wire' Hamsterdam (2004)
Directed by: Ernest R. Dickerson
Edited by: Deborah Moran
Music Supervisor
'The Wire' Dead Soldiers (2004)
Directed by: Rob Bailey
Cinematography by: Uta Briesewitz
Edited by: Michael Berenbaum
Music Supervisor
'The Wire' All Due Respect (2004)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Music Supervisor
'The Wire' Time After Time (2004)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Music Supervisor
'The Wire' Straight and True (2004)
Directed by: Daniel Attias
Cinematography by: Dave Insley
Edited by: Kate Sanford
Music Supervisor
'The Wire' Homecoming (2004)
Directed by: Leslie Libman
Cinematography by: Eagle Egilsson
Edited by: Thom Zimny
Music Supervisor
'The Wire' Back Burners (2004)
Directed by: Timothy Van Patten
Cinematography by: Eagle Egilsson
Edited by: Michael Berenbaum
Composer
Tell Them Who You Are (2004)
Directed by: Mark Wexler
Cinematography by: Mark Wexler
Edited by: Robert DeMaio
Sound Designer
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Sound Designer / Supervising Sound Editor
A Dirty Shame (2004)
Directed by: John Waters
Cinematography by: Steve Gainer
Edited by: Jeffrey Wolf
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Composer, Music Supervisor
Twist of Faith (2004)
Directed by: Kirby Dick
Edited by: Matthew Wispy Clarke
Music Supervisor
'The Wire' Slapstick (2004)
Directed by: Alex Zakrzewski
Cinematography by: Eagle Egilsson
Edited by: Thom Zimny
Music Supervisor
'The Wire' Reformation (2004)
Directed by: Christine Moore
Cinematography by: Eagle Egilsson
Edited by: Michael Berenbaum
Music Supervisor
'The Wire' Middle Ground (2004)
Directed by: Joe Chappelle
Cinematography by: Eagle Egilsson
Edited by: Deborah Moran
Music Supervisor
'The Wire' Mission Accomplished (2004)
Directed by: Ernest R. Dickerson
Cinematography by: Eagle Egilsson
Edited by: Thom Zimny
Music Supervisor
'The Wire' Moral Midgetry (2004)
Directed by: Agnieszka Holland
Cinematography by: Eagle Egilsson
Edited by: Kate Sanford
Music Supervisor
'The Wire' Ebb Tide (2003)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Music Supervisor
'The Wire' Collateral Damage (2003)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Music Supervisor
'The Wire' Hot Shots (2003)
Directed by: Elodie Keene
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Music Supervisor
'The Wire' Hard Cases (2003)
Directed by: Elodie Keene
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Music Supervisor
'The Wire' Undertow (2003)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Allyson C. Johnson
Music Supervisor
'The Wire' All Prologue (2003)
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Allyson C. Johnson
Music Supervisor
'The Wire' Backwash (2003)
Directed by: Thomas J. Wright
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Music Supervisor
'The Wire' Duck and Cover (2003)
Directed by: Daniel Attias
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Music Supervisor
'The Wire' Stray Rounds (2003)
Directed by: Timothy Van Patten
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Music Supervisor
'The Wire' Storm Warnings (2003)
Directed by: Rob Bailey
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Music Supervisor
'The Wire' Bad Dreams (2003)
Directed by: Ernest R. Dickerson
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Music Supervisor
'The Wire' Port in a Storm (2003)
Directed by: Robert F. Colesberry
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Music Supervisor, Sound Designer
'The Wire' One Arrest (2002)
Directed by: Joe Chappelle
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Music Supervisor, Sound Designer
'The Wire' Sentencing (2002)
Directed by: Timothy Van Patten
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Music Supervisor, Sound Designer
'The Wire' Lessons (2002)
Directed by: Gloria Muzio
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Music Supervisor, Sound Designer
'The Wire' The Wire (2002)
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Music Supervisor, Sound Designer
'The Wire' The Pager (2002)
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Music Supervisor, Sound Designer
'The Wire' Old Cases (2002)
Directed by: Clement Virgo
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Music Supervisor, Sound Designer
'The Wire' The Buys (2002)
Directed by: Peter Medak
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Music Supervisor, Sound Designer
'The Wire' The Detail (2002)
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Music Supervisor, Sound Designer
'The Wire' The Target (2002)
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Music Supervisor - 36 Episodes, 2002-2008, Sound Designer - 9 Episodes, 2002
The Wire (2002)
Directed by: Joe Chappelle, Ernest R. Dickerson, Clark Johnson, Ed Bianchi, Steve Shill, Daniel Attias, Timothy Van Patten, Agnieszka Holland, Brad Anderson, Clement Virgo, Rob Bailey, Elodie Keene, Christine Moore, Alex Zakrzewski, Anthony Hemingway, Seith Mann, Milcho Manchevski, Peter Medak, Gloria Muzio, Robert F. Colesberry, Thomas J. Wright, Leslie Libman, Jim McKay, David Platt, Joy Kecken, Scott Kecken, Dominic West
Edited by: Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran
Lenses: Panavision Lenses
Sound Designer / Supervising Sound Editor
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Sound Effects Editor
Wit (2001)
Directed by: Mike Nichols
Cinematography by: Seamus McGarvey
Edited by: John Bloom
Sound Effects Editor
Y Tu Mamá También (2001)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Super Speed Lenses
Supervising Sound Editor
The Safety of Objects (2001)
Directed by: Rose Troche
Cinematography by: Enrique Chediak
Edited by: Geraldine Peroni
Sound Effects Editor
Bamboozled (2000)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Samuel D. Pollard
Sound Effects Editor
Crouching Tiger, Hidden Dragon (2000)
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Sound Designer
Summer of Sam (1999)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Barry Alexander Brown
Supervising Sound Editor
The Astronaut's Wife (1999)
Directed by: Rand Ravich
Cinematography by: Allen Daviau
Sound Designer / Supervising Sound Editor
Titus (1999)
Directed by: Julie Taymor
Cinematography by: Luciano Tovoli
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Sound Effects Editor
The Naked Man (1998)
Directed by: J. Todd Anderson
Cinematography by: Jeff Barklage
Sound Effects Recordist
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Recordist
Get Shorty (1995)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Sound Effects Recordist
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Supervising Sound Editor
Final Analysis (1992)
Directed by: Phil Joanou
Cinematography by: Jordan Cronenweth
Edited by: Thom Noble
Cameras: Panavision Panaflex Platinum Camera
Supervising Sound Editor
State of Grace (1990)
Cinematography by: Jordan Cronenweth
Edited by: Claire Simpson
Supervising Sound Editor
The Big Picture (1989)
Directed by: Christopher Guest
Cinematography by: Jeffrey Jur
Edited by: Martin Nicholson
Additional Sound Effects Created By - Special Version / Sound Designer
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
Supervising Sound Editor
Back to the Beach (1987)
Directed by: Lyndall Hobbs
Cinematography by: Bruce Surtees
Edited by: David Finfer
Cameras: Panavision Cameras
