Set Designer
'Queen of the South' El Mundo (2018)
Directed by: Eduardo Sánchez
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Set Designer
'Queen of the South' Justicia (2018)
Directed by: Laura Belsey
Cinematography by: Abraham Martinez
Edited by: Nicole Brik
Set Designer
'Queen of the South' Diez de Copas (2018)
Directed by: Nick Copus
Cinematography by: Abraham Martinez
Edited by: Philip Carr Neel
Set Designer
'Queen of the South' La Muerte (2018)
Directed by: David Boyd
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Set Designer
'Queen of the South' El Diablo (2018)
Directed by: Eduardo Sánchez
Cinematography by: Abraham Martinez
Edited by: Nicole Brik
Set Designer
'Queen of the South' El Carro (2018)
Directed by: Ben Hernandez Bray
Cinematography by: Abraham Martinez
Edited by: Philip Carr Neel
Set Designer
'Queen of the South' El Colgado (2018)
Directed by: David Boyd
Cinematography by: Abraham Martinez
Edited by: Nicole Brik
Set Designer
'Queen of the South' La Ermitaña (2018)
Directed by: David Boyd
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Set Designer
'Queen of the South' Reina de Oros (2018)
Directed by: David Grossman
Cinematography by: Abraham Martinez
Edited by: Betsy C. Thompson
Set Designer
'Queen of the South' El Juicio (2018)
Directed by: Eduardo Sánchez
Cinematography by: Abraham Martinez
Edited by: Nicole Brik
Set Designer
'Queen of the South' La Fuerza (2018)
Directed by: Darren Grant
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Set Designer
'Queen of the South' Reina de Espadas (2018)
Directed by: Meera Menon
Cinematography by: Abraham Martinez
Edited by: Betsy C. Thompson
Set Designer
'Queen of the South' Los Enamorados (2018)
Directed by: Rebecca Rodriguez
Cinematography by: Abraham Martinez
Edited by: Matthew Philip Smith
Set Designer
'Sleepy Hollow' In Plain Sight (2017)
Directed by: Marc Roskin
Cinematography by: Jan Richter-Friis
Edited by: Kaja Fehr
Set Designer
'Sleepy Hollow' Heads of State (2017)
Directed by: Kellie Cyrus
Cinematography by: Niels Alpert
Edited by: Tim Brinker
Set Designer
'Queen of the South' El Precio de la Fe (2017)
Directed by: Joe Menendez
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
Set Designer
'Queen of the South' Dios y el Abogado (2017)
Directed by: Nick Gomez
Cinematography by: John Brawley
Edited by: Briana London
Set Designer
'Queen of the South' Un Pacto con el Diablo (2017)
Directed by: Eduardo Sánchez
Cinematography by: John Brawley
Edited by: Matthew Philip Smith
Set Designer
'Queen of the South' El Beso de Judas (2017)
Directed by: Ami Canaan Mann
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
Set Designer
'Queen of the South' El Nacimiento de Bolivia (2017)
Directed by: Nick Copus
Cinematography by: John Brawley
Edited by: Briana London
Set Designer
'Queen of the South' El Camino de la Muerte (2017)
Directed by: David Boyd
Cinematography by: John Brawley
Edited by: Matthew Philip Smith
Set Designer
'Queen of the South' El Cuerpo de Cristo (2017)
Directed by: David Boyd
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
Set Designer - 20 Episodes, 2017-2018
Queen of the South (2016)
Directed by: Eduardo Sánchez, David Boyd, David Rodriguez, Rebecca Rodriguez, Matthew Penn, Scott Peters, Nick Copus, Laura Belsey, Ben Hernandez Bray, Darren Grant, Zetna Fuentes, Constantine Makris, Jamie Payne, David Platt, T.J. Scott, Charlotte Sieling, Nick Gomez, Bronwen Hughes, Tina Mabry, Ami Canaan Mann, Joe Menendez, Loni Peristere, David Grossman, Meera Menon, Steve Acevedo, Leon Ichaso, Jessica Lowrey, Tawnia McKiernan, Batan Silva
Edited by: Matthew Philip Smith, Priscilla Nedd-Friendly, Briana London, Juan Carlos Garza, Philip Carr Neel, Nicole Brik, Amy M. Fleming, Betsy C. Thompson, Harvey Rosenstock, Benjamin Howdeshell
Lenses: Panavision PVintage 100 mm T1.6 Lens, Panavision PVintage 14 mm T1.9 Lens, Panavision PVintage 17 mm T1.9 Lens, Panavision PVintage 24 mm T1.2 Lens, Panavision PVintage 29 mm T1.2 Lens, Panavision PVintage 35 mm T1.6 Lens, Panavision PVintage 40 mm T1.3 Lens, Panavision PVintage 50 mm T1.0 Lens, Panavision PVintage 75 mm T1.6 Lens
Visual Effects Artist
'True Detective' The Long Bright Dark (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Visual Effects Artist
'True Detective' Seeing Things (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Visual Effects Artist
'True Detective' Who Goes There (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Visual Effects Artist
'True Detective' The Locked Room (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Visual Effects Artist
'Blue Bloods' Above and Beyond (2014)
Directed by: Greg Beeman
Cinematography by: Alex Nepomniaschy
Edited by: Jackeline Tejada
Visual Effects Artist
'Blue Bloods' Exiles (2014)
Directed by: David Barrett
Cinematography by: Craig DiBona
Visual Effects Artist - 4 Episodes, 2014
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Project Manager
Homefront (2013)
Directed by: Gary Fleder
Cinematography by: Theo van de Sande
Edited by: Padraic McKinley
Cameras: ARRI ALEXA Camera
Visual Effects Project Manager
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Visual Effects Project Manager: WWFX, Louisiana
Olympus Has Fallen (2013)
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Set Designer - 2 Episodes, 2017
Sleepy Hollow (2013)
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
Visual Effects Artist
'Blue Bloods' Ties That Bind (2013)
Directed by: Christine Moore
Cinematography by: Craig DiBona
Edited by: Peter C. Frank
Visual Effects Project Manager: Worldwide FX
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Visual Effects Project Manager
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Visual Effects Project Manager: Worldwide FX
The Iceman (2012)
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Lead 2d Artist: Worldwide FX, USA / Vfx Lead Artist
Drive Angry (2011)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Visual Effects Coordinator
Trespass (2011)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Additional Photography / Lead Visual Effects Artist: 2D
The Mechanic (2011)
Directed by: Simon West
Cinematography by: Eric Schmidt
Visual Effects Artist - 3 Episodes, 2013-2014
Blue Bloods (2010)
Directed by: David Barrett, Robert Harmon, Ralph Hemecker, Alex Chapple, John Behring, Alex Zakrzewski, Eric Laneuville, Michael Pressman, John Polson, Peter Werner, Heather Cappiello, Félix Enríquez Alcalá, Jane Raab, Frederick King Keller, Christine Moore, Tawnia McKiernan, Stephen Gyllenhaal, James Whitmore Jr., Martha Mitchell, Robert Duncan McNeill, Thomas R. Moore, P.J. Pesce, Michael Cuesta, Gwyneth Horder-Payton, Rosemary Rodriguez, Jan Eliasberg, Karen Gaviola, Steve Gomer, Matthew Penn, Nick Gomez, Jim McKay, Alex Hall, Oz Scott, David Solomon, Larry Teng, Greg Beeman, Donnie Wahlberg, Holly Dale, Kellie Cyrus, Peter Leto, Donald E. Thorin Jr., Deran Sarafian, Jackeline Tejada, Douglas Aarniokoski, Rachel Feldman, Dean White
Cinematography by: Gene Engels, Craig DiBona, Dave Insley, Donald E. Thorin Jr., Alex Nepomniaschy, Teodoro Maniaci, Jim McConkey, Tim Ives, Larry McConkey
Edited by: Thomas R. Moore, Jackeline Tejada, Brice Bishop-Pullan, Peter C. Frank, Charles McClelland, David Ray, Alex Hall, Noah Amos, Daniel A. Valverde, Dan Erickson, Julian Cornwell, Conrad Smart, Annette Davey, Dawn Rider, Sidney Wolinsky
Cameras: ARRI ALEXA Camera, Red One MX Camera
Digital Compositor
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Production Assistant
Beyond a Reasonable Doubt (2009)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Jeff Gullo
Craft Assistant
Year One (2009)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Cameras: Panavision Cameras
