Production Coordinator
Miracles from Heaven (2016)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Lenses: ARRI Lenses
Production Coordinator
No Good Deed (2014)
Directed by: Sam Miller
Cinematography by: Michael Barrett
Cameras: Sony CineAlta F65 Camera
Production Coordinator
Atlas Shrugged: Who Is John Galt? (2014)
Directed by: James Manera
Cinematography by: Gale Tattersall
Cameras: Canon EOS-C500 Camera
Lenses: Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
Editing System: Adobe Premiere Editing System, Avid Editing System
Production Coordinator
Friends with Benefits (2011)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony CineAlta F35 Camera, Sony Other Camera
Production Coordinator
Death at a Funeral (2010)
Directed by: Neil LaBute
Cinematography by: Rogier Stoffers
Edited by: Tracey Wadmore-Smith
Cameras: Panavision Genesis Camera
Production Coordinator
Takers (2010)
Directed by: John Luessenhop
Cinematography by: Michael Barrett
Edited by: Armen Minasian
Production Coordinator
Obsessed (2009)
Directed by: Steve Shill
Cinematography by: Ken Seng
Edited by: Paul Seydor
Cameras: Panavision Panaflex Platinum Camera
Assistant Production Coordinator
Prom Night (2008)
Directed by: Nelson McCormick
Cinematography by: Checco Varese
Edited by: Jason Ballantine
Assistant Production Coordinator
Quarantine (2008)
Directed by: John Erick Dowdle
Cinematography by: Ken Seng
Edited by: Elliot Greenberg
Assistant Production Coordinator
The Number 23 (2007)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Assistant Production Coordinator
Vacancy (2007)
Directed by: Nimród Antal
Cinematography by: Andrzej Sekula
Edited by: Armen Minasian
Assistant Production Coordinator: Marfa, Texas Unit
No Country for Old Men (2007)
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Assistant Production Coordinator
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Assistant Production Coordinator
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Second Assistant Production Coordinator
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Production Secretary
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Production Secretary
Kill Bill: Vol. 2 (2004)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Production Secretary
Kill Bill: Vol. 1 (2003)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Production Secretary
Orange County (2002)
Directed by: Jake Kasdan
Cinematography by: Greg Gardiner
Edited by: Tara Timpone
Production Secretary
Stuart Little 2 (2002)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
Assistant Production Coordinator
Riding in Cars with Boys (2001)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Extras Casting Associate
What's the Worst That Could Happen? (2001)
Directed by: Sam Weisman
Cinematography by: Anastas N. Michos
Cameras: Panavision Cameras
Production Assistant
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
