Samuel Wayne Beitz

18 Titles

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Boy Erased | ShotOnWhat?

Transportation Captain

Boy Erased (2018)

Directed by: Joel Edgerton

Cinematography by: Eduard Grau

Edited by: Jay Rabinowitz

Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera

Lenses: Zeiss Super Speed Lenses

Fast 8 | ShotOnWhat?

2nd Unit Captain

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Driver

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Live by Night | ShotOnWhat?

Transportation Captain

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Magic Mike XXL | ShotOnWhat?

Transportation Captain

Magic Mike XXL (2015)

Directed by: Gregory Jacobs

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Red Epic Dragon Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Taken 3 | ShotOnWhat?

Captain

Taken 3 (2014)

Directed by: Olivier Megaton

Cinematography by: Eric Kress

Edited by: Audrey Simonaud, Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Dumb and Dumber To | ShotOnWhat?

Co-captain

Dumb and Dumber To (2014)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Steven Rasch

Cameras: ARRI ALEXA Camera

Lenses: Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Prisoners | ShotOnWhat?

Driver

Prisoners (2013)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Flight | ShotOnWhat?

Driver: Honeywagon

Flight (2012)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

American Reunion | ShotOnWhat?

Driver

American Reunion (2012)

Directed by: Jon Hurwitz, Hayden Schlossberg

Cinematography by: Daryn Okada

Edited by: Jeff Betancourt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Welcome to the Rileys | ShotOnWhat?

Driver / Driver: Honeywagon

Welcome to the Rileys (2010)

Directed by: Jake Scott

Cinematography by: Christopher Soos

Edited by: Nicolas Gaster

The New Daughter | ShotOnWhat?

Driver: Honeywagon

The New Daughter (2009)

Directed by: Luiso Berdejo

Cinematography by: Checco Varese

Edited by: Tom Elkins, Robb Sullivan

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Zombieland | ShotOnWhat?

Driver: Honeywagon

Zombieland (2009)

Directed by: Ruben Fleischer

Cinematography by: Michael Bonvillain

Edited by: Alan Baumgarten

Cameras: Panavision Genesis Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

The Blind Side | ShotOnWhat?

Driver

The Blind Side (2009)

Directed by: John Lee Hancock

Cinematography by: Alar Kivilo

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

Bad Lieutenant: Port of Call New Orleans | ShotOnWhat?

Driver: Honeywagon

Bad Lieutenant: Port of Call New Orleans (2009)

Directed by: Werner Herzog

Cinematography by: Peter Zeitlinger

Edited by: Joe Bini

Cameras: Moviecam Compact MK2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

The Loss of a Teardrop Diamond | ShotOnWhat?

Driver: Honeywagon

The Loss of a Teardrop Diamond (2008)

Directed by: Jodie Markell

Cinematography by: Giles Nuttgens

Edited by: Susan E. Morse, Jeremy Workman

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

In the Valley of Elah | ShotOnWhat?

Transportation Driver: Tennessee

In the Valley of Elah (2007)

Directed by: Paul Haggis

Cinematography by: Roger Deakins

Edited by: Jo Francis

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Stomp the Yard | ShotOnWhat?

Driver

Stomp the Yard (2007)

Directed by: Sylvain White

Cinematography by: Scott Kevan

Edited by: David Checel

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