John H. Schulz

21 Titles

Is this you? Add a Profile

Divergent | ShotOnWhat?

Paint Foreman: Chicago

Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Transformers: Age of Extinction | ShotOnWhat?

Paint Foreman: Chicago

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Dilemma | ShotOnWhat?

Paint Foreman

The Dilemma (2011)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Transformers: Dark of the Moon | ShotOnWhat?

Paint Supervisor: Chicago

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Contagion | ShotOnWhat?

Paint Supervisor: Chicago

Contagion (2011)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

The Experiment | ShotOnWhat?

Lead Scenic

The Experiment (2010)

Directed by: Paul Scheuring

Cinematography by: Amy Vincent

Edited by: Peter S. Elliot

Public Enemies | ShotOnWhat?

Paint Foreman

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

The Dark Knight | ShotOnWhat?

Paint Supervisor: Chicago

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Eagle Eye | ShotOnWhat?

Paint Supervisor: Chicago

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Promotion | ShotOnWhat?

Head Painter

The Promotion (2008)

Directed by: Steve Conrad

Cinematography by: Lawrence Sher

Edited by: Myron Kerstein, Tim Streeto

Nothing Like the Holidays | ShotOnWhat?

Paint Supervisor

Nothing Like the Holidays (2008)

Directed by: Alfredo Rodriguez de Villa

Cinematography by: Scott Kevan

Edited by: John Coniglio, Amy E. Duddleston

Flags of Our Fathers | ShotOnWhat?

Paint Supervisor: Chicago

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Stranger Than Fiction | ShotOnWhat?

Painter

Stranger Than Fiction (2006)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Let's Go to Prison | ShotOnWhat?

Paint Supervisor

Let's Go to Prison (2006)

Directed by: Bob Odenkirk

Cinematography by: Ramsey Nickell

Edited by: Eric L. Beason, Dennis Thorlaksen

The Break-Up | ShotOnWhat?

Head Painter

The Break-Up (2006)

Directed by: Peyton Reed

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental, David Rosenbloom

Barbershop | ShotOnWhat?

Paint Foreman

Barbershop (2002)

Directed by: Tim Story

Cinematography by: Tom Priestley Jr.

Edited by: John Carter

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Road to Perdition | ShotOnWhat?

Location Paint Foreman

Road to Perdition (2002)

Directed by: Sam Mendes

Cinematography by: Conrad L. Hall

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Novocaine | ShotOnWhat?

Painter

Novocaine (2001)

Directed by: David Atkins

Cinematography by: Vilko Filac

Edited by: Melody London

Sleepless in Seattle | ShotOnWhat?

Stand-by Painter: Chicago

Sleepless in Seattle (1993)

Directed by: Nora Ephron

Cinematography by: Sven Nykvist

Edited by: Robert M. Reitano

Folks! | ShotOnWhat?

Head Painter

Folks! (1992)

Directed by: Ted Kotcheff

Cinematography by: Larry Pizer

Edited by: Joan E. Chapman

Backdraft | ShotOnWhat?

Location Paint Foreman

Backdraft (1991)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

©2012 - 2025 ShotOnWhat?

20254.20