Doug Wright

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Ford v Ferrari | ShotOnWhat?

Transportation Coordinator: Georgia

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

The Hate U Give | ShotOnWhat?

Transportation Coordinator

The Hate U Give (2018)

Directed by: George Tillman Jr.

Cinematography by: Mihai Malaimare Jr.

Edited by: Alex Blatt, Craig Hayes

Cameras: Panavision Millennium DXL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision Primo 70 Lenses, Panavision Ultra Panatar Anamorphic Lenses

Love, Simon | ShotOnWhat?

Transportation Coordinator

Love, Simon (2018)

Directed by: Greg Berlanti

Cinematography by: John Guleserian

Edited by: Harry Jierjian

Cameras: ARRI ALEXA XT Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

The 5th Wave | ShotOnWhat?

Transportation Coordinator

The 5th Wave (2016)

Directed by: J Blakeson

Cinematography by: Enrique Chediak

Edited by: Paul Rubell

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Maze Runner | ShotOnWhat?

Transportation Captain

The Maze Runner (2014)

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Secret Life of Walter Mitty | ShotOnWhat?

Transportation Co-captain: Iceland

The Secret Life of Walter Mitty (2013)

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Percy Jackson: Sea of Monsters | ShotOnWhat?

Transportation Coordinator

Percy Jackson: Sea of Monsters (2013)

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

X: First Class | ShotOnWhat?

Transportation Co-captain

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Dear John | ShotOnWhat?

Transportation Captain

Dear John (2010)

Directed by: Lasse Hallström

Cinematography by: Terry Stacey

Edited by: Kristina Boden

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Unstoppable | ShotOnWhat?

Driver

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The New Daughter | ShotOnWhat?

Transportation Captain

The New Daughter (2009)

Directed by: Luiso Berdejo

Cinematography by: Checco Varese

Edited by: Tom Elkins, Robb Sullivan

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

What Doesn't Kill You | ShotOnWhat?

Driver: Honeywagon

What Doesn't Kill You (2008)

Directed by: Brian Goodman

Cinematography by: Christopher Norr

Edited by: Robert Hoffman

The Happening | ShotOnWhat?

Driver

The Happening (2008)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Pride and Glory | ShotOnWhat?

Driver

Pride and Glory (2008)

Directed by: Gavin O'Connor

Cinematography by: Declan Quinn

Edited by: Lisa Zeno Churgin, John Gilroy

American Gangster | ShotOnWhat?

Driver

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Gone Baby Gone | ShotOnWhat?

Driver: Honeywagon

Gone Baby Gone (2007)

Directed by: Ben Affleck

Cinematography by: John Toll

Edited by: William Goldenberg

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Clerks II | ShotOnWhat?

Driver: New Jersey

Clerks II (2006)

Directed by: Kevin Smith

Cinematography by: David Klein

Edited by: Kevin Smith

World Trade Center | ShotOnWhat?

Driver

World Trade Center (2006)

Directed by: Oliver Stone

Cinematography by: Seamus McGarvey

Edited by: David Brenner, Julie Monroe

Fur: An Imaginary Portrait of Diane Arbus | ShotOnWhat?

Driver

Fur: An Imaginary Portrait of Diane Arbus (2006)

Directed by: Steven Shainberg

Cinematography by: Bill Pope

Edited by: Kristina Boden, Keiko Deguchi

Get Rich or Die Tryin' | ShotOnWhat?

Driver

Get Rich or Die Tryin' (2005)

Directed by: Jim Sheridan

Cinematography by: Declan Quinn

Edited by: Roger Barton, Conrad Buff IV

Cameras: Panavision Cameras

The Island | ShotOnWhat?

Driver

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

xXx: State of the Union | ShotOnWhat?

Driver

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

The Notebook | ShotOnWhat?

Driver

The Notebook (2004)

Directed by: Nick Cassavetes

Cinematography by: Robert Fraisse

Edited by: Alan Heim

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