Stephanie Ahlen

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The Monuments Men | ShotOnWhat?

Operations Manager: Aerial Unit UK

The Monuments Men (2014)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Editing System: Avid Editing System

Pompeii | ShotOnWhat?

Operations Manager: Aerial Unit Naples

Pompeii (2014)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Michele Conroy

Cameras: Red Epic Camera

Editing System: Avid Editing System

A Most Wanted Man | ShotOnWhat?

Operations Manager: Aerial Unit, Hamburg

A Most Wanted Man (2014)

Directed by: Anton Corbijn

Cinematography by: Benoît Delhomme

Edited by: Claire Simpson

Cameras: ARRI ALEXA M Camera

Lenses: Zeiss Super Speed Lenses

Calvary | ShotOnWhat?

Operations Manager: Aerial Unit

Calvary (2014)

Directed by: John Michael McDonagh

Cinematography by: Larry Smith

Edited by: Chris Gill

Cameras: ARRI ALEXA Series Cameras

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo Zoom Lenses

Thor: The Dark World | ShotOnWhat?

Operations Manager: Plates/aerial Filming Norway

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Captain Phillips | ShotOnWhat?

Operations Manager: Aerial Unit Malta

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Rush | ShotOnWhat?

Operations Manager: Aerial Filming And Tracking Cars

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

Diana | ShotOnWhat?

Operations Manager: Aerial Unit UK

Diana (2013)

Directed by: Oliver Hirschbiegel

Cinematography by: Rainer Klausmann

Edited by: Hans Funck

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Rubinrot | ShotOnWhat?

Operations Manager: Aerial Unit UK

Rubinrot (2013)

Directed by: Felix Fuchssteiner

Cinematography by: Sonja Rom

Edited by: Wolfgang Weigl

Cameras: Red Epic Camera, Red One MX Camera

The American | ShotOnWhat?

Operations Manager: Aerial Unit Italy

The American (2010)

Directed by: Anton Corbijn

Cinematography by: Martin Ruhe

Edited by: Andrew Hulme

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

StreetDance 3D | ShotOnWhat?

Operations Manager: Aerial Unit

StreetDance 3D (2010)

Directed by: Max Giwa, Dania Pasquini

Cinematography by: Sam McCurdy

Edited by: Tim Murrell

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