Production Coordinator
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Production Supervisor
Runner Runner (2013)
Directed by: Brad Furman
Cinematography by: Mauro Fiore
Edited by: Jeff McEvoy
Production Coordinator
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Production Coordinator: Los Angeles Unit
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Production Coordinator: Tokyo
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Production Coordinator
'Leverage' The Second David Job (2009)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Production Coordinator
'Leverage' The Juror #6 Job (2009)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: David Siegel
Production Coordinator
'Leverage' The First David Job (2009)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: David Siegel
Production Coordinator
'Leverage' The Stork Job (2009)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Chris A. Peterson
Production Coordinator
'Leverage' The Mile High Job (2009)
Directed by: Rob Minkoff
Cinematography by: David Connell
Edited by: Chris A. Peterson
Production Coordinator
'Leverage' The Wedding Job (2009)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: David Siegel
Production Coordinator
'Leverage' The Snow Job (2009)
Directed by: Tony Bill
Cinematography by: David Connell
Edited by: Chris A. Peterson
Production Coordinator
'Leverage' The 12-Step Job (2009)
Directed by: Rod Hardy
Cinematography by: David Connell
Edited by: Sonny Baskin
Production Coordinator - 13 Episodes, 2008-2009
Leverage (2008)
Directed by: Marc Roskin, Dean Devlin, Jonathan Frakes, John Harrison, Arvin Brown, John Rogers, Jeremiah S. Chechik, Peter Winther, Rod Hardy, P.J. Pesce, Tawnia McKiernan, Craig R. Baxley, Tony Bill, Rob Minkoff, Peter O'Fallon, Millicent Shelton, Frank Oz
Editing System: Final Cut Pro Editing System
Production Coordinator
'Leverage' The Miracle Job (2008)
Directed by: Arvin Brown
Cinematography by: David Connell
Edited by: Sonny Baskin
Production Coordinator
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Production Coordinator
'Leverage' The Bank Shot Job (2008)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Production Coordinator
'Leverage' The Two-Horse Job (2008)
Directed by: Craig R. Baxley
Cinematography by: David Connell
Edited by: Sonny Baskin
Production Coordinator
'Leverage' The Homecoming Job (2008)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: David Siegel
Production Coordinator
'Leverage' The Nigerian Job (2008)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Production Coordinator: Second Unit
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Assistant Production Coordinator
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Production Coordinator: Second Unit
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Hair Coordinator / Makeup Coordinator
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Production Coordinator: Additional Photography
The Dukes of Hazzard (2005)
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Assistant Production Associate
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Production Associate
Sweet Home Alabama (2002)
Directed by: Andy Tennant
Cinematography by: Andrew Dunn
Assistant Production Coordinator
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Assistant Production Coordinator
Charlie's Angels (2000)
Directed by: McG
Cinematography by: Russell Carpenter
Assistant Production Associate
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Office Assistant
Turbulence (1997)
Directed by: Robert Butler
Cinematography by: Lloyd Ahern II
Edited by: John Duffy
Production Secretary
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Production Assistant
Space Jam (1996)
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn