Hair Department Head
Mank (2020)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Cameras: Red Digital Cinema Cameras
Lenses: Leitz Summilux-C Series Lenses
Hair Department Head
Seberg (2019)
Directed by: Benedict Andrews
Cinematography by: Rachel Morrison
Edited by: Pamela Martin
Hair Department Head
Five Feet Apart (2019)
Directed by: Justin Baldoni
Cinematography by: Frank G. DeMarco
Edited by: Angela M. Catanzaro
Cameras: ARRI AMIRA Camera
Lenses: Cooke Lenses, Cooke Spherical Lenses
Hair Department Head
'Barry' Chapter Eight: Know Your Truth (2018)
Directed by: Alec Berg
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Hair Department Head
'Barry' Chapter Seven: Loud, Fast, and Keep Going (2018)
Directed by: Alec Berg
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Hair Department Head
'Barry' Chapter Six: Listen with Your Ears, React with Your Face (2018)
Directed by: Hiro Murai
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Hair Department Head
'Barry' Chapter Five: Do Your Job (2018)
Directed by: Hiro Murai
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Hair Department Head
'Barry' Chapter Four: Commit ... to YOU (2018)
Directed by: Maggie Carey
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Hair Department Head
'Barry' Chapter Three: Make the Unsafe Choice (2018)
Directed by: Bill Hader
Cinematography by: Paula Huidobro
Edited by: Jeff Buchanan
Hair Department Head
'Barry' Chapter Two: Use It (2018)
Directed by: Bill Hader
Cinematography by: Paula Huidobro
Edited by: Kyle Reiter
Hair Department Head
'Barry' Chapter One: Make Your Mark (2018)
Directed by: Bill Hader
Edited by: Jeff Buchanan
Hair Department Head
Geostorm (2017)
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Hair Department Head
War Dogs (2016)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Cameras: ARRI ALEXA XT Camera
Department Head Hair Stylist
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Department Head Hair Stylist-additional Photography
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Hair Stylist
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Hair Stylist
Hitchcock (2012)
Directed by: Sacha Gervasi
Cinematography by: Jeff Cronenweth
Edited by: Pamela Martin
Cameras: Red Epic Camera
Hair Department Head: Los Angeles
This Means War (2012)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Key Hair Stylist
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Hair Department Head
The Details (2011)
Directed by: Jacob Estes
Cinematography by: Sharone Meir
Edited by: Madeleine Gavin
Cameras: ARRIFLEX 435 Camera
Hair Stylist
The Artist (2011)
Directed by: Michel Hazanavicius
Cinematography by: Guillaume Schiffman
Cameras: ARRIFLEX 435 ES Camera
Editing System: Avid Editing System
Department Head Hair Stylist: Second Unit
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Hair Stylist
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Key Hair Stylist
Charlie Wilson's War (2007)
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Hair Stylist
The Prestige (2006)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Hair Stylist
Flags of our Fathers (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Hair Stylist
Bobby (2006)
Directed by: Emilio Estevez
Cinematography by: Michael Barrett
Edited by: Richard Chew
Department Head Hair Stylist
Crash (2004)
Directed by: Paul Haggis
Cinematography by: James M. Muro
Edited by: Hughes Winborne
Lenses: Panavision Super Speed Lenses
Editing System: Avid Editing System
Assistant Hair Stylist
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Hair Stylist
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Hair Stylist
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Key Hair Stylist
Moonlight Mile (2002)
Directed by: Brad Silberling
Cinematography by: Phedon Papamichael
Edited by: Lisa Zeno Churgin
Cameras: Panavision Panaflex Camera
Hair Stylist
James Dean (2001)
Directed by: Mark Rydell
Cinematography by: Robbie Greenberg
Edited by: Antony Gibbs
Hair Stylist
Pushed to the Limit (1992)
Directed by: Michael Mileham
Cinematography by: Bodo Holst
Edited by: Peter Cohen
