Sound Utility / Sound
'Mindhunter' Episode #1.1 (2017)
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Sound / Utility Sound Technician
'Mindhunter' Episode #1.4 (2017)
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Sound / Utility Sound Technician
'Mindhunter' Episode #1.3 (2017)
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Sound / Utility Sound Technician
'Mindhunter' Episode #1.2 (2017)
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Sound / Utility Sound Technician
'Mindhunter' Episode #1.5 (2017)
Directed by: Tobias Lindholm
Cinematography by: Erik Messerschmidt
Sound / Utility Sound Technician
'Mindhunter' Episode #1.6 (2017)
Directed by: Tobias Lindholm
Cinematography by: Erik Messerschmidt
Sound / Utility Sound Technician
'Mindhunter' Episode #1.8 (2017)
Directed by: Andrew Douglas
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Sound / Utility Sound Technician
'Mindhunter' Episode #1.7 (2017)
Directed by: Andrew Douglas
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Sound / Utility Sound Technician
'Mindhunter' Episode #1.10 (2017)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Sound / Utility Sound Technician
'Mindhunter' Episode #1.9 (2017)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Sound / Utility Sound Technician / Sound Utility - 10 Episodes, 2017
Mindhunter (2017)
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Grip
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Rigging Grip: Cleveland
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Grip
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Additional Grip
The Lifeguard (2013)
Directed by: Liz W. Garcia
Cinematography by: John Peters
Cameras: ARRI ALEXA Camera
Grip
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Grip
Won't Back Down (2012)
Directed by: Daniel Barnz
Cinematography by: Roman Osin
Edited by: Kristina Boden
Cameras: ARRICAM Lite (LT) Camera
Grip
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Grip
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Grip
One for the Money (2012)
Directed by: Julie Anne Robinson
Cinematography by: Jim Whitaker
Edited by: Lisa Zeno Churgin
Grip
The Perks of Being a Wallflower (2012)
Directed by: Stephen Chbosky
Cinematography by: Andrew Dunn
Edited by: Mary Jo Markey
Grip
Abduction (2011)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
Rigging Grip
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Grip
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Rigging Grip
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
