Paula Case

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Three Billboards Outside Ebbing, Missouri | ShotOnWhat?

Second Assistant Director

Three Billboards Outside Ebbing, Missouri (2017)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Jon Gregory

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

La La Land | ShotOnWhat?

Second Assistant Director

La La Land (2016)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

American Sniper | ShotOnWhat?

Second Assistant Director

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Saving Mr. Banks | ShotOnWhat?

Additional Second Assistant Director

Saving Mr. Banks (2013)

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

2 Guns | ShotOnWhat?

Second Assistant Director: Second Unit, Los Angeles

2 Guns (2013)

Directed by: Baltasar Kormákur

Cinematography by: Oliver Wood

Edited by: Michael Tronick

Cameras: Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Seven Psychopaths | ShotOnWhat?

Second Assistant Director

Seven Psychopaths (2012)

Directed by: Martin McDonagh

Cinematography by: Ben Davis

Edited by: Lisa Gunning

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Trouble with the Curve | ShotOnWhat?

Second Assistant Director

Trouble with the Curve (2012)

Directed by: Robert Lorenz

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Larry Crowne | ShotOnWhat?

Second Assistant Director

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

J. Edgar | ShotOnWhat?

Second Assistant Director

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

We Bought a Zoo | ShotOnWhat?

Second Assistant Director

We Bought a Zoo (2011)

Directed by: Cameron Crowe

Cinematography by: Rodrigo Prieto

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

Little Fockers | ShotOnWhat?

Second Assistant Director

Little Fockers (2010)

Directed by: Paul Weitz

Cinematography by: Remi Adefarasin

Edited by: Greg Hayden, Leslie Jones, Myron Kerstein

Cameras: ARRI Cameras

It's Complicated | ShotOnWhat?

Second Assistant Director

It's Complicated (2009)

Directed by: Nancy Meyers

Cinematography by: John Toll

Edited by: Joe Hutshing, David Moritz

An American Carol | ShotOnWhat?

Second Assistant Director

An American Carol (2008)

Directed by: David Zucker

Cinematography by: Brian Baugh

Edited by: Vashi Nedomansky

The Mist | ShotOnWhat?

Second Assistant Director

The Mist (2007)

Directed by: Frank Darabont

Cinematography by: Rohn Schmidt

Edited by: Hunter M. Via

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Jane Austen Book Club | ShotOnWhat?

Additional Second Second Assistant Director

The Jane Austen Book Club (2007)

Directed by: Robin Swicord

Cinematography by: John Toon

Edited by: Maryann Brandon

The Holiday | ShotOnWhat?

Second Assistant Director

The Holiday (2006)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Must Love Dogs | ShotOnWhat?

Second Assistant Director

Must Love Dogs (2005)

Directed by: Gary David Goldberg

Cinematography by: John Bailey

Edited by: Roger Bondelli, Eric A. Sears

Cameras: Panavision Cameras

Something's Gotta Give | ShotOnWhat?

Second Assistant Director

Something's Gotta Give (2003)

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Tears of the Sun | ShotOnWhat?

Second Second Assistant Director

Tears of the Sun (2003)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV, Christopher Holmes

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Radio | ShotOnWhat?

Second Assistant Director

Radio (2003)

Directed by: Michael Tollin

Cinematography by: Don Burgess

Edited by: Chris Lebenzon, Harvey Rosenstock

Cameras: Panavision Cameras

The Majestic | ShotOnWhat?

Second Assistant Director

The Majestic (2001)

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Jim Page

The Princess Diaries | ShotOnWhat?

Second Second Assistant Director

The Princess Diaries (2001)

Directed by: Garry Marshall

Cinematography by: Karl Walter Lindenlaub

Edited by: Bruce Green

What Lies Beneath | ShotOnWhat?

Second Second Assistant Director

What Lies Beneath (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

What Women Want | ShotOnWhat?

First Assistant Director: Second Unit / Second Second Assistant Director

What Women Want (2000)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Thomas J. Nordberg, Stephen A. Rotter

The Astronaut's Wife | ShotOnWhat?

Second Second Assistant Director

The Astronaut's Wife (1999)

Directed by: Rand Ravich

Cinematography by: Allen Daviau

Edited by: Timothy Alverson, Steve Mirkovich

Deep Impact | ShotOnWhat?

Second Second Assistant Director

Deep Impact (1998)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

Switchback | ShotOnWhat?

Dga Trainee

Switchback (1997)

Directed by: Jeb Stuart

Cinematography by: Oliver Wood

Edited by: Conrad Buff IV

Air Force One | ShotOnWhat?

Second Second Assistant Director

Air Force One (1997)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Variable Prime Lenses

The Trigger Effect | ShotOnWhat?

Dga Trainee

The Trigger Effect (1996)

Directed by: David Koepp

Cinematography by: Newton Thomas Sigel

Edited by: Jill Savitt

Outbreak | ShotOnWhat?

Dga Trainee

Outbreak (1995)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis

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