Tim Werner

21 Titles

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Logan | ShotOnWhat?

Stunts

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Planet of the Apes | ShotOnWhat?

Stunts

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Wild Wild West | ShotOnWhat?

Stunts

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Blade | ShotOnWhat?

Stunts

Blade (1998)

Directed by: Stephen Norrington

Cinematography by: Theo van de Sande

Edited by: Paul Rubell

Cameras: Moviecam Compact Camera

Lenses: Clairmont Anamorphic Lenses, Hawk C-Series 100 mm T3.0 Lens

Mighty Joe Young | ShotOnWhat?

Stunts

Mighty Joe Young (1998)

Directed by: Ron Underwood

Cinematography by: Donald Peterman, Oliver Wood

Edited by: Paul Hirsch

Susan's Plan | ShotOnWhat?

Stunts

Susan's Plan (1998)

Directed by: John Landis

Cinematography by: Ken Kelsch

Edited by: Nancy Morrison

Break Up | ShotOnWhat?

Stunts

Break Up (1998)

Directed by: Paul Marcus

Cinematography by: Hubert Taczanowski

Edited by: Arthur Coburn

Rush Hour | ShotOnWhat?

Stunts

Rush Hour (1998)

Directed by: Brett Ratner

Cinematography by: Adam Greenberg

Edited by: Mark Helfrich

Cameras: Panavision Cameras

Lenses: Panavision Lenses

I'll Be Home for Christmas | ShotOnWhat?

Stunts

I'll Be Home for Christmas (1998)

Directed by: Arlene Sanford

Cinematography by: Hiro Narita

Edited by: Anita Brandt Burgoyne

Con Air | ShotOnWhat?

Stunts

Con Air (1997)

Directed by: Simon West

Cinematography by: David Tattersall

Edited by: Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Dante's Peak | ShotOnWhat?

Stunts

Dante's Peak (1997)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Fathers' Day | ShotOnWhat?

Stunts

Fathers' Day (1997)

Directed by: Ivan Reitman

Cinematography by: Stephen H. Burum

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Daylight | ShotOnWhat?

Stunts

Daylight (1996)

Directed by: Rob Cohen

Cinematography by: David Eggby

Edited by: Peter Amundson

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Eraser | ShotOnWhat?

Stunts

Eraser (1996)

Directed by: Chuck Russell

Cinematography by: Adam Greenberg

Edited by: Michael Tronick

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

3 Ninjas Knuckle Up | ShotOnWhat?

Stunts

3 Ninjas Knuckle Up (1995)

Directed by: Sang-ok Shin

Cinematography by: Eugene D. Shlugleit

Edited by: Pamela Choules

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Heat | ShotOnWhat?

Bank Guard, Stunts

Heat (1995)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Wild Bill | ShotOnWhat?

Stunts

Wild Bill (1995)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Freeman A. Davies

Tall Tale | ShotOnWhat?

Stunts

Tall Tale (1995)

Directed by: Jeremiah S. Chechik

Cinematography by: Janusz Kaminski

Edited by: Richard Chew

Beverly Hills Cop III | ShotOnWhat?

Stunts

Beverly Hills Cop III (1994)

Directed by: John Landis

Cinematography by: Mac Ahlberg

Edited by: Dale Beldin

The Evil Inside Me | ShotOnWhat?

Stunt Coordinator / Stunts

The Evil Inside Me (1993)

Directed by: Tim Everitt

The Man Who Fell to Earth | ShotOnWhat?

Stunts

The Man Who Fell to Earth (1987)

Television Movie

Directed by: Bobby Roth

Cinematography by: Frederick Moore

Edited by: John Carnochan, Gail Yasunaga

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