Taku Dazai

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Kin | ShotOnWhat?

Specialty Prop Designer/builder

Kin (2018)

Directed by: Jonathan Baker, Josh Baker

Cinematography by: Larkin Seiple

Edited by: Mark Day

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

It | ShotOnWhat?

Specialty Prop Designer/builder

It (2017)

Directed by: Andy Muschietti

Cinematography by: Chung-hoon Chung

Edited by: Jason Ballantine

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Shape of Water | ShotOnWhat?

Prop Designer: Prop Maker

The Shape of Water (2017)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Sidney Wolinsky

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Zeiss Master Prime Lenses

Suicide Squad | ShotOnWhat?

Specialty Prop Designer/builder

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Crimson Peak | ShotOnWhat?

Specialty Prop Designer/builder

Crimson Peak (2015)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

RoboCop | ShotOnWhat?

Weapons/props Fabricator

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Pacific Rim | ShotOnWhat?

Speciality Props

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Total Recall | ShotOnWhat?

Specialty Props

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Resident Evil: Retribution | ShotOnWhat?

Specialty Prop Designer/builder

Resident Evil: Retribution (2012)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Niven Howie

Cameras: Red Epic Camera

Lenses: Zeiss Ultra Prime Lenses

Resident Evil: Afterlife | ShotOnWhat?

Specialty Prop Designer/builder

Resident Evil: Afterlife (2010)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Niven Howie

Cameras: Phantom HD Gold Camera, Sony CineAlta F35 Camera

Lenses: Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Editing System: Avid Editing System

Repo Men | ShotOnWhat?

Specialty Props

Repo Men (2010)

Directed by: Miguel Sapochnik

Cinematography by: Enrique Chediak

Edited by: Richard Francis-Bruce

RED | ShotOnWhat?

Specialty Prop Designer/builder

RED (2010)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

Scott Pilgrim vs. the World | ShotOnWhat?

Specialty Props

Scott Pilgrim vs. the World (2010)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Jumper | ShotOnWhat?

Specialty Prop Designer/builder

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

The Incredible Hulk | ShotOnWhat?

Speciality Props

The Incredible Hulk (2008)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

Slither | ShotOnWhat?

Animatronic Designer: Deer

Slither (2006)

Directed by: James Gunn

Cinematography by: Gregory Middleton

Edited by: John Axelrad

Tideland | ShotOnWhat?

Special Mechanical Props

Tideland (2005)

Directed by: Terry Gilliam

Cinematography by: Nicola Pecorini

Edited by: Lesley Walker

Are We There Yet? | ShotOnWhat?

Animatronic Effects: Deer

Are We There Yet? (2005)

Directed by: Brian Levant

Cinematography by: Thomas E. Ackerman

Edited by: Lawrence Jordan

Resident Evil: Apocalypse | ShotOnWhat?

Specialty Props

Resident Evil: Apocalypse (2004)

Directed by: Alexander Witt

Cinematography by: Derek Rogers, Christian Sebaldt

Edited by: Eddie Hamilton

The Safety of Objects | ShotOnWhat?

Special Effects Animatronics

The Safety of Objects (2001)

Directed by: Rose Troche

Cinematography by: Enrique Chediak

Edited by: Geraldine Peroni

Lenses: Panavision Primo Anamorphic Lenses

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