Special Effects Coordinator
Blood Ties (2013)
Directed by: Guillaume Canet
Cinematography by: Christophe Offenstein
Edited by: Hervé de Luze
Cameras: ARRI ALEXA Plus Camera
Special Effects Coordinator: Los Angeles
The Apparition (2012)
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Coordinator
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Special Effects Coordinator
End of Watch (2012)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: Dody Dorn
Special Effects Coordinator
30 Minutes or Less (2011)
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Special Effects Coordinator
Haywire (2011)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Special Effects Coordinator: Additional Photography, U.S.
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Special Effects Coordinator
Che: Part One (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Special Effects Supervisor
Che: Part Two (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Cameras: Red One Camera
Special Effects Coordinator
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Special Effects Coordinator
Ocean's Thirteen (2007)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Coordinator
Nancy Drew (2007)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Special Effects Supervisor: Morocco
Babel (2006)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Special Effects Coordinator
The Good German (2006)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Special Effects Coordinator: USA
The Black Dahlia (2006)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Special Effects Coordinator - Segment "Equilibrium"
Eros (2004)
Special Effects Coordinator
Ocean's Twelve (2004)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Special Effects Coordinator / Special Effects Supervisor
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Special Effects Coordinator
Ocean's Eleven (2001)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Editing System: Avid Editing System
Special Effects Coordinator
Erin Brockovich (2000)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Special Effects Coordinator
Traffic (2000)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Special Effects Coordinator
The Limey (1999)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Sarah Flack
Special Effects Coordinator: Reshoots
In Dreams (1999)
Directed by: Neil Jordan
Cinematography by: Darius Khondji
Edited by: Tony Lawson
Special Effects Foreman: Gold Mine Location
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Senior Special Effects / Special Effects Coordinator
Kundun (1997)
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
Special Effects Foreman
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Special Effects Coordinator
He Said, She Said (1991)
Cinematography by: Stephen H. Burum
Edited by: Sidney Levin
Cameras: Panavision Cameras
Set Effects
Freddy's Dead: The Final Nightmare (1991)
Directed by: Rachel Talalay
Cinematography by: Declan Quinn
Edited by: Janice Hampton