Sound Effects Recordist
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Sound Effects Editor
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Supervising Sound Editor
Gone (2012)
Directed by: Heitor Dhalia
Cinematography by: Michael Grady
Edited by: John Axelrad
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Sound Effects Editor
Jonah Hex (2010)
Directed by: Jimmy Hayward
Cinematography by: Mitchell Amundsen
Sound Effects Editor
The Town (2010)
Directed by: Ben Affleck
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Location Sound Effects Mixer
Hereafter (2010)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Sound Effects Editor
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sound Effects Editor
Invictus (2009)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Sound Effects Editor
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Co-supervising Sound Editor
RocknRolla (2008)
Directed by: Guy Ritchie
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: ARRIFLEX D-20 Camera
Sound Effects Editor
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Sound Designer: Danetracks
Bigger Stronger Faster* (2008)
Directed by: Chris Bell
Cinematography by: Alexander Buono
Edited by: Brian Singbiel
Sound Effects Editor
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Sound Effects Editor
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Sound Effects Editor
The Hills Have Eyes (2006)
Directed by: Alexandre Aja
Cinematography by: Maxime Alexandre
Edited by: Baxter
Sound Effects Editor
American Dreamz (2006)
Directed by: Paul Weitz
Cinematography by: Robert Elswit
Edited by: Myron Kerstein
Sound Effects Editor
The Marine (2006)
Directed by: John Bonito
Cinematography by: David Eggby
Edited by: Dallas Puett
Sound Effects Recordist
Spartan (2004)
Directed by: David Mamet
Cinematography by: Juan Ruiz Anchía
Edited by: Barbara Tulliver
Sound Effects Editor
In Good Company (2004)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Edited by: Myron Kerstein
Sound Effects Editor
Gothika (2003)
Directed by: Mathieu Kassovitz
Cinematography by: Matthew Libatique
Edited by: Yannick Kergoat
Sound Effects Recordist
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Sound Effects Recordist
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Re-recording Mixer
Jackpot (2001)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Shawna Callahan
Backgrounds Editor
Homeward Bound II: Lost in San Francisco (1996)
Directed by: David R. Ellis
Cinematography by: Jack Conroy
Sound Effects Editor
Eddie (1996)
Directed by: Steve Rash
Cinematography by: Victor J. Kemper
Edited by: Richard Halsey
Sound Editor
Mad Love (1995)
Directed by: Antonia Bird
Cinematography by: Fred Tammes
Edited by: Jeff Freeman
Cameras: Panavision Cameras
Assistant Adr Editor
Iron Will (1994)
Directed by: Charles Haid
Cinematography by: William Wages
Edited by: Andrew Doerfer
Assistant Sound Editor
Holy Matrimony (1994)
Directed by: Leonard Nimoy
Cinematography by: Bobby Bukowski
Edited by: Peter E. Berger
Sound Effects Editor
Camp Nowhere (1994)
Directed by: Jonathan Prince
Cinematography by: Sandi Sissel
Edited by: Jon Poll
Assistant Sound Editor
Mother's Boys (1993)
Directed by: Yves Simoneau
Cinematography by: Elliot Davis
Edited by: Michael D. Ornstein
