Andrey Drogobetski

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The Color Purple | ShotOnWhat?

Visual Effects Supervisor/producer: Static Chair

The Color Purple (2023)

Directed by: Blitz Bazawule

Cinematography by: Dan Laustsen

Edited by: Jon Poll

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses

The Batman | ShotOnWhat?

Visual Effects Supervisor: Static Chair

The Batman (2022)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

The Mummy | ShotOnWhat?

Digital Compositor

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Fast 8 | ShotOnWhat?

Digital Compositor

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

"Glee" The Rise and Fall of Sue Sylvester | ShotOnWhat?

Digital Compositor

'Glee' The Rise and Fall of Sue Sylvester (2015)

Television Episode

Directed by: Anthony Hemingway

Cinematography by: Joaquin Sedillo

Edited by: Andrew Groves

"Bones" The Promise in the Palace | ShotOnWhat?

Digital Compositor

'Bones' The Promise in the Palace (2015)

Television Episode

Directed by: Jeannot Szwarc

Cinematography by: Robert Reed Altman

Edited by: Kimberly Ettinger

"Bones" The Doom in the Boom | ShotOnWhat?

Digital Compositor

'Bones' The Doom in the Boom (2015)

Television Episode

Directed by: Michael Lange

Cinematography by: Robert Reed Altman

Edited by: Kimberly Ettinger

"Bones" The Conspiracy in the Corpse | ShotOnWhat?

Digital Compositor

'Bones' The Conspiracy in the Corpse (2014)

Television Episode

Directed by: Ian Toynton

Cinematography by: Gregory Paul Collier

Edited by: Bill Lynch

"Bones" The Lance to the Heart | ShotOnWhat?

Digital Compositor

'Bones' The Lance to the Heart (2014)

Television Episode

Directed by: Dwight H. Little

Cinematography by: Gregory Paul Collier

Edited by: Richard Currie

"Glee" The Untitled Rachel Berry Project | ShotOnWhat?

Digital Compositor

'Glee' The Untitled Rachel Berry Project (2014)

Television Episode

Directed by: Brad Falchuk

Cinematography by: Joaquin Sedillo

Edited by: Andrew Groves, Philip Harrison

"Glee" New New York | ShotOnWhat?

Digital Compositor

'Glee' New New York (2014)

Television Episode

Directed by: Sanaa Hamri

Cinematography by: Joaquin Sedillo

Edited by: Andrew Groves

"Agents of S.H.I.E.L.D." The Magical Place | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' The Magical Place (2014)

Television Episode

Directed by: Kevin Hooks

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." Seeds | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Seeds (2014)

Television Episode

Directed by: Kenneth Fink

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." T.R.A.C.K.S. | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' T.R.A.C.K.S. (2014)

Television Episode

Directed by: Paul A. Edwards

Cinematography by: Feliks Parnell

Edited by: Paul Trejo

"Agents of S.H.I.E.L.D." Yes Men | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Yes Men (2014)

Television Episode

Directed by: John Terlesky

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." Turn, Turn, Turn | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Turn, Turn, Turn (2014)

Television Episode

Directed by: Vincent Misiano

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." The Only Light in the Darkness | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' The Only Light in the Darkness (2014)

Television Episode

Directed by: Vincent Misiano

Cinematography by: David Boyd, Jeffrey C. Mygatt, Feliks Parnell

Edited by: Joshua Charson, David Crabtree, Debby Germino, Paul Trejo

"Agents of S.H.I.E.L.D." Ragtag | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Ragtag (2014)

Television Episode

Directed by: Roxann Dawson

Cinematography by: Feliks Parnell

Edited by: Conrad Smart

"Agents of S.H.I.E.L.D." Beginning of the End | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Beginning of the End (2014)

Television Episode

Directed by: David Straiton

Cinematography by: Feliks Parnell

Edited by: David Crabtree

"Bones" The Purging of the Pundit | ShotOnWhat?

Digital Compositor

'Bones' The Purging of the Pundit (2014)

Television Episode

Directed by: Tim Southam

Cinematography by: Gregory Paul Collier

Edited by: Kimberly Ettinger

"Bones" The Corpse at the Convention | ShotOnWhat?

Digital Compositor

'Bones' The Corpse at the Convention (2014)

Television Episode

Directed by: Chad Lowe

Cinematography by: Gregory Paul Collier

Edited by: Richard Currie

"Bones" The Lost Love in the Foreign Land | ShotOnWhat?

Digital Compositor

'Bones' The Lost Love in the Foreign Land (2014)

Television Episode

Directed by: Allison Liddi-Brown

Cinematography by: Gregory Paul Collier

Edited by: Kimberly Ettinger

Zombeavers | ShotOnWhat?

Digital Artist

Zombeavers (2014)

Directed by: Jordan Rubin

Cinematography by: Jonathan Hall

Edited by: Seth Flaum, Ed Marx

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

Selma | ShotOnWhat?

Digital Compositor

Selma (2014)

Directed by: Ava DuVernay

Cinematography by: Bradford Young

Edited by: Spencer Averick

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses

Annabelle | ShotOnWhat?

Digital Compositor

Annabelle (2014)

Directed by: John R. Leonetti

Cinematography by: James Kniest

Edited by: Tom Elkins

Cameras: ARRI ALEXA XT Camera, Canon EOS-5D Mark III Camera, Red Epic Camera

Lenses: Canon L Series Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

12 Years a Slave | ShotOnWhat?

Lead Visual Effects Compositor: Wildfire Post NOLA

12 Years a Slave (2013)

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Agents of S.H.I.E.L.D. | ShotOnWhat?

Digital Compositor - 10 Episodes, 2013-2014

Agents of S.H.I.E.L.D. (2013)

Television Series

Cinematography by: Feliks Parnell, Allan Westbrook, Jeffrey C. Mygatt, David Boyd, Kyle Jewell

Edited by: Eric Litman, Kelly Stuyvesant, Joshua Charson, Paul Trejo, Dexter N. Adriano, Debby Germino, David Crabtree, Michael Benni Pierce, Conrad Smart, Jennifer Macfarlane

The Incredible Burt Wonderstone | ShotOnWhat?

Compositor

The Incredible Burt Wonderstone (2013)

Directed by: Don Scardino

Cinematography by: Matthew Clark

Edited by: Lee Haxall

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

"Agents of S.H.I.E.L.D." The Bridge | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' The Bridge (2013)

Television Episode

Directed by: Holly Dale

Cinematography by: Feliks Parnell

Edited by: Paul Trejo

"Agents of S.H.I.E.L.D." Repairs | ShotOnWhat?

Digital Compositor

'Agents of S.H.I.E.L.D.' Repairs (2013)

Television Episode

Directed by: Billy Gierhart

Cinematography by: Jeffrey C. Mygatt

Edited by: Joshua Charson

Killing Them Softly | ShotOnWhat?

Compositor

Killing Them Softly (2012)

Directed by: Andrew Dominik

Cinematography by: Greig Fraser

Edited by: John Paul Horstmann, Brian A. Kates

Cameras: Pan-Arri 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision HS50 50 mm T1.1 Lens

For Greater Glory: The True Story of Cristiada | ShotOnWhat?

Compositor

For Greater Glory: The True Story of Cristiada (2012)

Directed by: Dean Wright

Cinematography by: Eduardo Martínez Solares

Edited by: Richard Francis-Bruce, Mike Jackson

Cameras: ARRIFLEX 435 Camera

Lenses: Zeiss Lenses

Big Miracle | ShotOnWhat?

Compositor

Big Miracle (2012)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

Step Up Revolution | ShotOnWhat?

Compositor

Step Up Revolution (2012)

Directed by: Scott Speer

Cinematography by: Karsten Gopinath

Edited by: Matt Friedman, Avi Youabian

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Looper | ShotOnWhat?

Compositor

Looper (2012)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Harry Potter and the Deathly Hallows: Part 2 | ShotOnWhat?

Digital Compositor

Harry Potter and the Deathly Hallows: Part 2 (2011)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Glee | ShotOnWhat?

Digital Compositor - 3 Episodes, 2014-2015

Glee (2009)

Television Series

Cinematography by: Christopher Baffa, Joaquin Sedillo, Michael Goi, Duane Mieliwocki

Edited by: Joe Leonard, Doc Crotzer, Bradley Buecker, John Roberts, Philip Harrison, Andrew Groves, Alexander Soskin, Nathan Allen, David Dean, Rich Fox, Fabienne Bouville, Jason Gourson, Ishai Setton, Zack Arnold

Cameras: Digital Bolex D16, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Bones | ShotOnWhat?

Digital Compositor - 7 Episodes, 2014-2015

Bones (2005)

Television Series

Directed by: Ian Toynton, Dwight H. Little, Jeannot Szwarc, Chad Lowe, David Boreanaz, Milan Cheylov, Allan Kroeker, Tim Southam, Kate Woods, Steven DePaul, Jeff Woolnough, Michael Lange, Randy Zisk, Alex Chapple, Jesús Salvador Treviño, Tony Wharmby, Allison Liddi-Brown, François Velle, Sanford Bookstaver, Craig Ross Jr., Kevin Hooks, Greg Yaitanes, Gordon Lonsdale, Emile B. Levisetti, Rob Hardy, Anne Renton, David Grossman, Tawnia McKiernan, James Whitmore Jr., Scott Lautanen, Jessica Landaw, Brad Turner, Jeffrey Walker, Arlene Sanford, David Hugh Jones, Patrick R. Norris, Donna Deitch, David Duchovny, Karen Gaviola, Joe Napolitano, Jonathan Pontell, Bryan Spicer, Thomas J. Wright, Caleb Deschanel, Marita Grabiak, Mark Helfrich, Daniel Sackheim, Reginald Hudlin, Steve Robin, Silver Tree, Robert Reed Altman, Anton Cropper, Emily Deschanel, Denise Di Novi

Cinematography by: Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli

Edited by: Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post

Cameras: ARRIFLEX Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

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