Special Effects Coordinator
'The Mentalist' His Thoughts Were Red Thoughts (2012)
Directed by: Charles Beeson
Cinematography by: Frank Perl
Edited by: David Ekstrom
Special Effects Coordinator
'The Mentalist' The Crimson Hat (2012)
Directed by: Chris Long
Cinematography by: Geary McLeod
Edited by: Christopher Cibelli
Special Effects Coordinator
'The Mentalist' Pink Tops (2011)
Directed by: Tom Verica
Cinematography by: Frank Perl
Edited by: Glenn Farr
Special Effects Supervisor
'The Cape' Tarot (2011)
Directed by: Deran Sarafian
Cinematography by: John Newby
Edited by: Heather MacDougall
Special Effects Supervisor - 1 Episode, 2011
The Cape (2011)
Directed by: Deran Sarafian, Roxann Dawson, Ernest R. Dickerson, Karen Gaviola, Dennie Gordon, David Jackson, Michael Nankin, David Straiton, Simon West
Edited by: Casey Brown, Heather MacDougall, Michael O'Halloran, Sue Blainey, Ray Daniels III, John Duffy
Special Effects Coordinator
A Single Man (2009)
Directed by: Tom Ford
Cinematography by: Eduard Grau
Edited by: Joan Sobel
Special Effects Coordinator: Second Unit
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Snow Effects Coordinator
Marley & Me (2008)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Special Effects Coordinator - 3 Episodes, 2011-2012
The Mentalist (2008)
Directed by: Chris Long, Eric Laneuville, John F. Showalter, Charles Beeson, Randy Zisk, David Barrett, John Polson, Simon Baker, Guy Ferland, Geary McLeod, Martha Mitchell, Norberto Barba, Lesli Linka Glatter, Roxann Dawson, Tom Verica, Elodie Keene, Robert Duncan McNeill, David Nutter, Adam Kane, Stephen Gyllenhaal, Bobby Roth, Anton Cropper, W. Thomas Snyder, James Hayman, Paris Barclay, Matt Earl Beesley, John Behring, Kevin Dowling, Rod Hardy, Paul Holahan, Dean White, Bill D'Elia, Dan Lerner, Darnell Martin, Bruno Heller, Kevin Hooks, David Von Ancken, Allison Anders, Tawnia McKiernan, David Paymer, Bill Eagles, Michael Nankin, J. Miller Tobin, Sylvain White, Rod Holcomb, Paul A. Kaufman, Nina Lopez-Corrado, Edward Ornelas
Cinematography by: Geary McLeod, Tom Camarda, Frank Perl, Christopher Faloona, Michael Goi, Alex Nepomniaschy, Jeffrey Jur, Bill Roe
Special Effects Supervisor
Electroma (2006)
Cinematography by: Thomas Bangalter
Edited by: Cédric Hervet
Aerial Motion Effects: Reelistic Effects
Nearing Grace (2005)
Directed by: Rick Rosenthal
Cinematography by: David Geddes
Edited by: Madeleine Gavin
Special Effects Coordinator: Blue Screen Unit
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Special Effects Coordinator
Jeepers Creepers 2 (2003)
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Special Effects Coordinator
Love and a Bullet (2002)
Cinematography by: Keith L. Smith
Edited by: Christopher Koefoed
Special Effects Coordinator
Reign of Fire (2002)
Directed by: Rob Bowman
Cinematography by: Adrian Biddle
Cameras: Panavision Cameras
Special Effects Supervisor
Crocodile Dundee in Los Angeles (2001)
Directed by: Simon Wincer
Cinematography by: David Burr
Edited by: Terry Blythe
Special Effects Coordinator: Reelistic F/X, Dream Quest Images
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Special Effects Coordinator: DQI
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Special Effects Coordinator
Being John Malkovich (1999)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Lenses: Cooke S4 Lenses
Special Effects Coordinator
The Insider (1999)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Special Effects Coordinator: High-speed Miniatures Unit: DQI
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Pyrotechnics Coordinator: Motion Control Stage, High-speed Second Unit, Dream Quest Images
Deep Rising (1998)
Directed by: Stephen Sommers
Cinematography by: Howard Atherton
Special Effects Coordinator
Winchell (1998)
Directed by: Paul Mazursky
Cinematography by: Robbie Greenberg
Edited by: Stuart H. Pappé
Special Effects Coordinator
Bella Mafia (1997)
Directed by: David Greene
Cinematography by: Gordon Lonsdale
Edited by: Michael Brown
Special Effects Coordinator: Hi-speed Miniatures Unit
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Special Effects Coordinator
Trial and Error (1997)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Special Effects Coordinator
Barb Wire (1996)
Directed by: David Hogan
Cinematography by: Rick Bota
Edited by: Peter Schink
Pyrotechnics Supervisor: Digital Domain
The Island of Dr. Moreau (1996)
Cinematography by: William A. Fraker
Special Effects: Dream Quest
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Special Effects Coordinator
White Man's Burden (1995)
Directed by: Desmond Nakano
Cinematography by: Willy Kurant
Edited by: Nancy Richardson
Special Effects
Crimson Tide (1995)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Special Effects Coordinator
D2: The Mighty Ducks (1994)
Directed by: Sam Weisman
Cinematography by: Mark Irwin
Special Effects: Second Unit
Death Becomes Her (1992)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lead Pyrotechnician
Grand Tour: Disaster in Time (1992)
Directed by: David Twohy
Cinematography by: Harry Mathias
Special Effects Coordinator
Curly Sue (1991)
Directed by: John Hughes
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Special Effects Supervisor
Men Don't Leave (1990)
Directed by: Paul Brickman
Cinematography by: Bruce Surtees
Edited by: Richard Chew
Special Effects
Heat Wave (1990)
Directed by: Kevin Hooks
Cinematography by: Mark Irwin
Edited by: Debra Neil-Fisher
Special Effects
Satisfaction (1988)
Directed by: Joan Freeman
Cinematography by: Thomas Del Ruth
Edited by: Joel Goodman
