Co-producer
Get Out (2017)
Directed by: Jordan Peele
Cinematography by: Toby Oliver
Edited by: Gregory Plotkin
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Zoom Lenses
Co-producer
The Veil (2016)
Directed by: Phil Joanou
Cinematography by: Steeven Petitteville
Edited by: Paul Norling
Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
Editing System: Adobe Premiere Editing System, Avid Editing System
Post Production Executive
'Eye Candy' K3U (2015)
Directed by: Russell Mulcahy
Cinematography by: David Daniel
Post Production Executive
'Eye Candy' BRB (2015)
Directed by: Russell Mulcahy
Cinematography by: David Daniel
Edited by: Edward R. Abroms
Post Production Executive
'Eye Candy' HBTU (2015)
Directed by: Scott Speer
Cinematography by: David Daniel
Post Production Executive
'Eye Candy' YOLO (2015)
Directed by: Scott Speer
Cinematography by: David Daniel
Edited by: Geoffrey O'Brien
Post Production Executive
'Eye Candy' IRL (2015)
Directed by: Nathan Hope
Cinematography by: David Daniel
Edited by: Edward R. Abroms
Post Production Executive
'Eye Candy' ICU (2015)
Directed by: Nathan Hope
Cinematography by: David Daniel
Edited by: Peter Gvozdas
Post Production Executive
'Eye Candy' SOS (2015)
Directed by: David Platt
Cinematography by: David Daniel
Edited by: Imelda Betiong
Post Production Executive
'Eye Candy' AMA (2015)
Directed by: David Platt
Cinematography by: David Daniel
Edited by: Geoffrey O'Brien
Post Production Executive
'Eye Candy' A4U (2015)
Directed by: Martha Mitchell
Cinematography by: David Daniel
Post Production Executive
'Eye Candy' FYEO (2015)
Directed by: Martha Mitchell
Cinematography by: David Daniel
Edited by: Edward R. Abroms
Post Production Executive - 11 Episodes, 2015
Eye Candy (2015)
Directed by: Nathan Hope, Martha Mitchell, Russell Mulcahy, David Platt, Scott Speer, Catherine Hardwicke
Edited by: Edward R. Abroms, Imelda Betiong, Peter Gvozdas, Geoffrey O'Brien, Gregory Cusumano, Mark Manos, Terel Gibson
Cameras: Canon EOS-C300 Camera
Co-producer, Head Of Post Production
Insidious: Chapter 3 (2015)
Directed by: Leigh Whannell
Cinematography by: Brian Pearson
Edited by: Timothy Alverson
Cameras: Sony PMW-F55 Camera
Associate Producer
Whiplash (2014)
Directed by: Damien Chazelle
Cinematography by: Sharone Meir
Edited by: Tom Cross
Cameras: ARRI ALEXA Camera, Canon EOS-7D Camera
Associate Producer
The Purge: Anarchy (2014)
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Associate Producer
Insidious: Chapter 2 (2013)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Post-production Executive / Post-production Supervisor
The Purge (2013)
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Associate Producer, Post-production Executive
Dark Skies (2013)
Directed by: Scott Stewart
Cinematography by: David Boyd
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Post-production Coordinator
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Post-production Coordinator
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Post-production Coordinator
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
Post-production Coordinator
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Post-production Coordinator: Los Angeles
The Adventures of Tintin (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Post-production Coordinator
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Post-production Executive
Like Crazy (2011)
Directed by: Drake Doremus
Cinematography by: John Guleserian
Edited by: Jonathan Alberts
Cameras: Canon EOS-7D Camera
Lenses: Zeiss Ultra Prime Lenses
Post-production Coordinator
Dinner for Schmucks (2010)
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Post-production Coordinator
Dance Flick (2009)
Directed by: Damien Dante Wayans
Cinematography by: Mark Irwin
Edited by: Scott Hill
Cameras: Moviecam Compact Camera
Post-production Coordinator
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Post-production Coordinator
Paranormal Activity (2007)
Directed by: Oren Peli
Cinematography by: Oren Peli
Edited by: Oren Peli
Cameras: Sony HDR-FX1 Camera
Lenses: Zeiss Zoom Lenses
Editing System: Sony Vegas Editing System
Post-production Coordinator
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Post Production Executive
'Eye Candy' Unaired Original Pilot (0)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Terel Gibson
