Digital Intermediate Associate Producer
The Butterfly Effect (2004)
Cinematography by: Matthew F. Leonetti
Edited by: Peter Amundson
Digital Intermediate Assistant Producer
Finding Neverland (2004)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Editing System: Avid Editing System
Digital Intermediate Associate Producer
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Digital Intermediate Producer: EFilm
21 Grams (2003)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Producer
The Company (2003)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Geraldine Peroni
Digital Intermediate Producer
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Intermediate Associate Producer
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Digital Intermediate Producer
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Digital Intermediate Producer
Intolerable Cruelty (2003)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Digital Intermediate Producer
Spy Kids 3-D: Game Over (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Digital Intermediate Producer
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Digital Intermediate Producer: EFilm
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Digital Intermediate Coordinator
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Digital Intermediate Coordinator
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Digital Intermediate Coordinator
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Digital Intermediate Assistant Producer
25th Hour (2002)
Directed by: Spike Lee
Cinematography by: Rodrigo Prieto
Edited by: Barry Alexander Brown
Lenses: Zeiss Ultra Prime Lenses
Assistant Visual Effects Editor
Hannibal (2001)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Assistant Visual Effects Editor
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Assistant Visual Effects Editor
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Assistant Visual Effects Editor
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Assistant Visual Effects Editor
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
Assistant Visual Effects Editor
Heist (2001)
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Assistant Visual Effects Editor
The Mummy Returns (2001)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Assistant Visual Effects Editor
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
