Executive In Charge Of Post Production
Nomadland (2020)
Directed by: Chloé Zhao
Cinematography by: Joshua James Richards
Cameras: ARRI ALEXA Mini Camera, ARRI AMIRA Camera
Post-production Supervisor
Jojo Rabbit (2019)
Directed by: Taika Waititi
Cinematography by: Mihai Malaimare Jr.
Cameras: ARRI ALEXA SXT Plus Camera
Post-production Supervisor
The Maze Runner (2014)
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Post-production Supervisor
Epic (2013)
Directed by: Chris Wedge
Cinematography by: Renato Falcão
Edited by: Andy Keir
Post-production Supervisor
A Good Day to Die Hard (2013)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Post-production Supervisor
What's Your Number? (2011)
Directed by: Mark Mylod
Cinematography by: James M. Muro
Edited by: Julie Monroe
Post-production Supervisor
Alvin and the Chipmunks: Chipwrecked (2011)
Directed by: Mike Mitchell
Cinematography by: Thomas E. Ackerman
Edited by: Peter Amundson
Post-production Supervisor
Vampires Suck (2010)
Cinematography by: Shawn Maurer
Edited by: Peck Prior
Cameras: Moviecam Compact Camera
Post-production Supervisor
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Post-production Supervisor
Aliens in the Attic (2009)
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Post-production Supervisor
Aliens vs. Predator: Requiem (2007)
Cinematography by: Daniel Pearl
Edited by: Dan Zimmerman
Post-production Supervisor
Flicka (2006)
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Post-production Supervisor
Idiocracy (2006)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Post-production Coordinator
Kingdom of Heaven (2005)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Post-production Supervisor
Little Manhattan (2005)
Directed by: Mark Levin
Cinematography by: Tim Orr
Edited by: Alan Edward Bell
Editing System: Final Cut Pro Editing System
Post-production Coordinator
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Post-production Coordinator
Welcome to Mooseport (2004)
Directed by: Donald Petrie
Cinematography by: Victor Hammer
Edited by: Debra Neil-Fisher
Post-production Coordinator
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Post-production Coordinator
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Assistant Production Coordinator
Full Frontal (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Sarah Flack
Cameras: Canon XL1S Camera
Editing System: Final Cut Pro Editing System
Assistant Production Coordinator
Clockstoppers (2002)
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
Production Coordinator
Mulholland Dr. (2001)
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Platinum Camera
Assistant Production Coordinator
What Women Want (2000)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Assistant Production Coordinator
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Production Secretary
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Office Production Assistant
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
