Ethan Helms

29 Titles

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Puss in Boots: The Last Wish | ShotOnWhat?

Compositor

Puss in Boots: The Last Wish (2022)

Directed by: Joel Crawford, Januel Mercado

Cinematography by: Chris Stover

Edited by: James Ryan

Black Panther: Wakanda Forever | ShotOnWhat?

Compositor

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Compositor

Avatar: The Way of Water (2022)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta VENICE Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

No Time to Die | ShotOnWhat?

Lead Paint Artist: Stereo D , Paint Lead

No Time to Die (2021)

Directed by: Cary Joji Fukunaga

Cinematography by: Linus Sandgren

Edited by: Tom Cross, Elliot Graham

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Paint Lead / Stereo Compositing Lead

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Ready or Not | ShotOnWhat?

Lead Compositor

Ready or Not (2019)

Movie

Directed by: Matt Bettinelli-Olpin, Tyler Gillett

Cinematography by: Brett Jutkiewicz

Edited by: Terel Gibson

Cameras: ARRI ALEXA Mini Camera

Lenses: Cooke 5/i Lenses

Avengers: Endgame | ShotOnWhat?

Stereoscopic Compositing Lead

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Solo: A Star Wars Story | ShotOnWhat?

Assistant Lead Stereoscopic Compositor

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

The Predator | ShotOnWhat?

Stereoscopic Compositing Lead

The Predator (2018)

Directed by: Shane Black

Cinematography by: Larry Fong

Edited by: Harry B. Miller III

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision Ultra Speed MKII Lenses

Skyscraper | ShotOnWhat?

Stereoscopic Compositing Lead

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ready Player One | ShotOnWhat?

Assistant Lead Stereoscopic Compositor

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Avengers: Infinity War | ShotOnWhat?

Assistant Stereoscopic Compositing Lead

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Black Panther | ShotOnWhat?

Assistant Lead Stereoscopic Compositor, Stereoscopic Compositing Lead

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Knights of the Roundtable: King Arthur | ShotOnWhat?

Stereoscopic Compositor

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Stereoscopic Compositor / Visual Effects

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Star Wars: Episode VIII - The Last Jedi | ShotOnWhat?

Geostorm | ShotOnWhat?

Senior Stereoscopic Compositor

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Thor: Ragnarok | ShotOnWhat?

Stereoscopic Compositing Lead

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Fast 8 | ShotOnWhat?

Stereoscopic Compositor / Visual Effects Artist

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Spider-Man: Homecoming | ShotOnWhat?

Finaling Department: Stereo D, Senior Stereoscopic Compositor

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Blade Runner 2049 | ShotOnWhat?

Assistant Lead Stereoscopic Compositor / Assistant Stereoscopic Compositing Lead

Blade Runner 2049 (2017)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

War for the Planet of the Apes | ShotOnWhat?

Senior Stereoscopic Compositor

War for the Planet of the Apes (2017)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Star Trek Beyond | ShotOnWhat?

Visual Effects Artist

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Doctor Strange | ShotOnWhat?

Stereo Compositor, Stereoscopic Compositor

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The BFG | ShotOnWhat?

Visual Effects Artist

The BFG (2016)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Stereoscopic Compositor

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Assassin's Creed | ShotOnWhat?

Stereo Compositor

Assassin's Creed (2016)

Directed by: Justin Kurzel

Cinematography by: Adam Arkapaw

Edited by: Christopher Tellefsen

Cameras: ARRI ALEXA 65 Camera

Rogue One: A Star Wars Story | ShotOnWhat?

Stereo Compositor

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Star Wars: The Force Awakens | ShotOnWhat?

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