Visual Effects Consultant: Flash Film Works
Geostorm (2017)
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Visual Effects Co-supervisor: Flash Film Works
'The Librarians' And the Rule of Three (2015)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Visual Effects Consultant: Flash Film Works
Spy (2015)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Visual Effects Co-supervisor: Flash Film Works - 2 Episodes, 2014-2015
The Librarians (2014)
Directed by: Marc Roskin, Jonathan Frakes, Dean Devlin, Noah Wyle, Rod Hardy, John Harrison, Emile B. Levisetti, Tawnia McKiernan, Courtney Rowe, Eriq La Salle, Nina Lopez-Corrado, Lindy Booth, Valerie Weiss
Cinematography by: David Connell
Cameras: Red Epic Dragon Camera, Red One MX Camera
Editing System: Final Cut Pro Editing System
Visual Effects Consultant: Flash Film Works
Dolphin Tale 2 (2014)
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
Visual Effects Co-supervisor: Flash Film Works
'The Librarians' And the Horns of a Dilemma (2014)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Brian Gonosey
Visual Effects Co-supervisor: Flash Film Works
Dolphin Tale (2011)
Directed by: Charles Martin Smith
Cinematography by: Karl Walter Lindenlaub
Edited by: Harvey Rosenstock
Cameras: Red One MX Camera
Visual Effects Consultant
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Visual Effects Supervisor: Flash Film Works
All About Steve (2009)
Directed by: Phil Traill
Cinematography by: Tim Suhrstedt
Cameras: Panavision Cameras
Visual Effects Co-supervisor: Flash Film Works
Defiance (2008)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Consulting Supervisor: Flash Film Works
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Visual Effects Consultant: Flash Film Works
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Digital Compositor
'Ghost Whisperer' Pilot (2005)
Directed by: John Gray
Cinematography by: James Chressanthis
Edited by: Scott Vickrey
Visual Effects Supervisor: Flash Film Works
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Digital Compositor - 1 Episode, 2005
Ghost Whisperer (2005)
Directed by: Ian Sander, Eric Laneuville, John Gray, Peter Werner, Gloria Muzio, Peter O'Fallon, Frederick E.O. Toye, Kim Moses, James Frawley, James Chressanthis, Steven Robman, Jennifer Love Hewitt, Joanna Kerns, Mark Rosman, John Behring, Jefery Levy, Kevin Hooks, Ron Lagomarsino, Bill Norton, Victoria Hochberg, David Hugh Jones, John F. Showalter, Karen Gaviola, Kenny Leon, Jan Eliasberg, Ralph Hemecker
Cinematography by: James Chressanthis, Crescenzo G.P. Notarile, Bruce M. Pasternack, Scott E. Steele, Nancy Schreiber
Edited by: Neil Mandelberg, Anthony Miller, Michael N. Knue, Regis Kimble, John Duffy, Tom Walls, James Coblentz, William Flicker, Matthew Colonna, Scott Vickrey
Cameras: Panavision Cameras
Compositing Supervisor: Flash Film Works
Into the Blue (2005)
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
Visual Effects Supervisor
Sideways (2004)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Co-supervisor: Flash Film Works
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Visual Effects Consultant: Flash Film Works
Duplex (2003)
Directed by: Danny DeVito
Cinematography by: Anastas N. Michos
Co-visual Effects Supervisor
Holes (2003)
Directed by: Andrew Davis
Cinematography by: Stephen St. John
Co-visual Effects Supervisor: Flash Film Works
Collateral Damage (2002)
Directed by: Andrew Davis
Cinematography by: Adam Greenberg
Visual Effects Co-supervisor: Flash Film Works
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Visual Effects Co-supervisor: Flash Film Works
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Co-visual Effects Supervisor
The Deep End of the Ocean (1999)
Directed by: Ulu Grosbard
Cinematography by: Stephen Goldblatt
Edited by: John Bloom
Visual Effects Co-supervisor
Tale of the Mummy (1998)
Directed by: Russell Mulcahy
Cinematography by: Gabriel Beristain
Edited by: Armen Minasian
Visual Effects Supervisor: Flash Film Works
Very Bad Things (1998)
Directed by: Peter Berg
Cinematography by: David Hennings
Edited by: Dan Lebental
Visual Effects Artist
The Waterboy (1998)
Directed by: Frank Coraci
Cinematography by: Steven Bernstein
Edited by: Tom Lewis
Cameras: Panavision Cameras
Visual Effects Supervisor
Robinson Crusoe (1997)
Cinematography by: David Connell
Edited by: Sue Blainey, Richard Bracken, Tod Scott Brody, Gregg Featherman, Keith Reamer, Kevin Stitt, David Zieff
Visual Effects Technical Supervisor
Quicksilver Highway (1997)
Directed by: Mick Garris
Cinematography by: Shelly Johnson
Edited by: Norman Hollyn
Special Visual Effects Supervisor
Silent Fall (1994)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Ian Crafford
Visual Effects Supervisor
Jimmy Hollywood (1994)
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Jay Rabinowitz
Visual Effects Cameraman: Introvision
Fearless (1993)
Directed by: Peter Weir
Cinematography by: Allen Daviau
Special Effects
Out on a Limb (1992)
Directed by: Francis Veber
Cinematography by: Donald E. Thorin
Cameras: Panavision Cameras
Visual Effects Cameraman
Under Siege (1992)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Visual Effects Cameraman
Black Robe (1991)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Tim Wellburn
Visual Effects Cameraman
Billy Bathgate (1991)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Visual Effects Cameraman: Introvision
If Looks Could Kill (1991)
Directed by: William Dear
Cinematography by: Douglas Milsome
Edited by: John F. Link
Cameras: Panavision Cameras
Visual Effects Cameraman
Driving Miss Daisy (1989)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Cameraman
Lock Up (1989)
Directed by: John Flynn
Cinematography by: Donald E. Thorin
Cameras: Panavision Cameras
Visual Effects Cameraman
Megaforce (1982)
Directed by: Hal Needham
Cinematography by: Michael C. Butler
