Louis Zlotowicz

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Assassination Nation | ShotOnWhat?

Lighting Technician

Assassination Nation (2018)

Directed by: Sam Levinson

Cinematography by: Marcell Rév

Edited by: Ron Patane

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Mudbound | ShotOnWhat?

Additional Lighting Technician

Mudbound (2017)

Directed by: Dee Rees

Cinematography by: Rachel Morrison

Edited by: Mako Kamitsuna

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Geostorm | ShotOnWhat?

Lighting Technician: Second Unit

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Trumbo | ShotOnWhat?

Lighting Technician

Trumbo (2015)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Big Short | ShotOnWhat?

Add'l Lighting Technician

The Big Short (2015)

Directed by: Adam McKay

Cinematography by: Barry Ackroyd

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Terminator Genisys | ShotOnWhat?

Lighting Technician: Second Unit

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

22 Jump Street | ShotOnWhat?

Special Effects Technician

22 Jump Street (2014)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

Beautiful Creatures | ShotOnWhat?

Special Effects Production Assistant

Beautiful Creatures (2013)

Directed by: Richard LaGravenese

Cinematography by: Philippe Rousselot

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Baytown Outlaws | ShotOnWhat?

Still Photographer

The Baytown Outlaws (2012)

Directed by: Barry Battles

Cinematography by: David McFarland

Edited by: Sean Valla

Cameras: Red One Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens

Colombiana | ShotOnWhat?

Film Loader: New Orleans Unit

Colombiana (2011)

Directed by: Olivier Megaton

Cinematography by: Romain Lacourbas

Edited by: Camille Delamarre

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Arena | ShotOnWhat?

Second Assistant Camera: "a" Camera

Arena (2011)

Direct to Video

Directed by: Jonah Loop

Cinematography by: Nelson Cragg

Edited by: Robert Berman, Harvey Rosenstock

The Expendables | ShotOnWhat?

Second Assistant Camera: Second Unit

The Expendables (2010)

Directed by: Sylvester Stallone

Cinematography by: Jeffrey L. Kimball

Edited by: Ken Blackwell, Paul Harb

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Curious Case of Benjamin Button | ShotOnWhat?

Additional Assistant Camera - Unconfirmed

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Until Death | ShotOnWhat?

Camera Loader: Second Unit / Loader: New Orleans / Second Assistant Camera: New Orleans

Until Death (2007)

Directed by: Simon Fellows

Cinematography by: Douglas Milsome

Edited by: Matthew Booth

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