Re-recording Mixer
The Princess and the Frog (2009)
Cinematography by: Rasoul Azadani
Edited by: Jeff Draheim
Re-recording Mixer
The Santa Clause 2 (2002)
Directed by: Michael Lembeck
Cinematography by: Adam Greenberg
Edited by: David Finfer
Re-recording Mixer
The Princess Diaries (2001)
Directed by: Garry Marshall
Cinematography by: Karl Walter Lindenlaub
Edited by: Bruce Green
Re-recording Mixer
The Majestic (2001)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Jim Page
Re-recording Mixer
The Emperor's New Groove (2000)
Directed by: Mark Dindal
Cinematography by: Thomas Baker
Re-recording Mixer
Instinct (1999)
Directed by: Jon Turteltaub
Cinematography by: Philippe Rousselot
Edited by: Richard Francis-Bruce
Re-recording Mixer
Music of the Heart (1999)
Directed by: Wes Craven
Cinematography by: Peter Deming
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Re-recording Mixer
10 Things I Hate About You (1999)
Directed by: Gil Junger
Cinematography by: Mark Irwin
Edited by: O. Nicholas Brown
Cameras: Moviecam Compact Camera
Re-recording Mixer
Teaching Mrs. Tingle (1999)
Directed by: Kevin Williamson
Cinematography by: Jerzy Zielinski
Edited by: Debra Neil-Fisher
Re-recording Mixer
Krippendorf's Tribe (1998)
Directed by: Todd Holland
Cinematography by: Dean Cundey
Edited by: Jon Poll
Cameras: Panavision Cameras
Re-recording Mixer
Holy Man (1998)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Re-recording Mixer
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Re-recording Mixer
Telling Lies in America (1997)
Directed by: Guy Ferland
Cinematography by: Reynaldo Villalobos
Edited by: Jill Savitt
Re-recording Mixer
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Re-recording Mixer
Anna Karenina (1997)
Directed by: Bernard Rose
Cinematography by: Daryn Okada
Edited by: Victor Du Bois
Re-recording Mixer
101 Dalmatians (1996)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
2 Days in the Valley (1996)
Directed by: John Herzfeld
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Homeward Bound II: Lost in San Francisco (1996)
Directed by: David R. Ellis
Cinematography by: Jack Conroy
Re-recording Mixer
Eddie (1996)
Directed by: Steve Rash
Cinematography by: Victor J. Kemper
Edited by: Richard Halsey
Re-recording Mixer
Mr. Holland's Opus (1995)
Directed by: Stephen Herek
Cinematography by: Oliver Wood
Edited by: Trudy Ship
Re-recording Mixer
Houseguest (1995)
Directed by: Randall Miller
Cinematography by: Jerzy Zielinski
Edited by: Eric A. Sears
Re-recording Mixer
Operation Dumbo Drop (1995)
Directed by: Simon Wincer
Cinematography by: Russell Boyd
Edited by: O. Nicholas Brown
Re-recording Mixer
Holy Matrimony (1994)
Directed by: Leonard Nimoy
Cinematography by: Bobby Bukowski
Edited by: Peter E. Berger
Sound Re-recordist: Buena Vista Sound
Exit to Eden (1994)
Directed by: Garry Marshall
Cinematography by: Theo van de Sande
Edited by: David Finfer
Sound Re-recording Mixer: Post-production
In the Army Now (1994)
Directed by: Daniel Petrie Jr.
Cinematography by: William Wages
Edited by: O. Nicholas Brown
Re-recording Mixer
A Far Off Place (1993)
Directed by: Mikael Salomon
Cinematography by: Juan Ruiz Anchía
Edited by: Ray Lovejoy
Cameras: Panavision Panaflex Camera
Re-recording Mixer
Heartbeat (1993)
Directed by: Michael Miller
Cinematography by: Kees Van Oostrum
Edited by: David A. Simmons
Re-recording Mixer
Son in Law (1993)
Directed by: Steve Rash
Cinematography by: Peter Deming
Edited by: Dennis M. Hill
Re-recording Mixer
Cool Runnings (1993)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Rerecording Mixer: Buena Vista Sound
Homeward Bound: The Incredible Journey (1993)
Directed by: Duwayne Dunham
Cinematography by: Reed Smoot
Edited by: Jonathan P. Shaw
Re-recording Mixer
The Three Musketeers (1993)
Directed by: Stephen Herek
Cinematography by: Dean Semler
Edited by: John F. Link
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Stop! Or My Mom Will Shoot (1992)
Directed by: Roger Spottiswoode
Cinematography by: Frank Tidy
Re-recording Mixer
Dead Again (1991)
Directed by: Kenneth Branagh
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Ultracam 35 Camera
Lenses: Cooke Lenses
Re-recording Mixer
Changes (1991)
Directed by: Charles Jarrott
Cinematography by: Chuck Arnold
Edited by: Michael S. McLean
Re-recording Mixer
Toy Soldiers (1991)
Directed by: Daniel Petrie Jr.
Cinematography by: Thomas Burstyn
Edited by: Michael Kahn
Re-recording Mixer
Welcome Home, Roxy Carmichael (1990)
Directed by: Jim Abrahams
Cinematography by: Paul Elliott
Edited by: Bruce Green
Re-recording Mixer
Arachnophobia (1990)
Directed by: Frank Marshall
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Re-recording Mixer
Mr. Destiny (1990)
Directed by: James Orr
Cinematography by: Alex Thomson
Edited by: Michael R. Miller
Re-recording Mixer
Three Fugitives (1989)
Directed by: Francis Veber
Cinematography by: Haskell Wexler
Edited by: Bruce Green
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Re-recording Mixer
When Harry Met Sally... (1989)
Directed by: Rob Reiner
Cinematography by: Barry Sonnenfeld
Edited by: Robert Leighton
Re-recording Mixer
Chances Are (1989)
Directed by: Emile Ardolino
Cinematography by: William A. Fraker
Edited by: Harry Keramidas
Re-recording Mixer
The Big Picture (1989)
Directed by: Christopher Guest
Cinematography by: Jeffrey Jur
Edited by: Martin Nicholson
Re-recording Mixer
Big Business (1988)
Directed by: Jim Abrahams
Cinematography by: Dean Cundey
Edited by: Harry Keramidas
Re-recording Mixer
The Good Mother (1988)
Directed by: Leonard Nimoy
Cinematography by: David Watkin
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Re-recording Mixer
Cocktail (1988)
Directed by: Roger Donaldson
Cinematography by: Dean Semler
Edited by: Neil Travis
Cameras: Panavision Cameras
Re-recording Mixer
Rain Man (1988)
Directed by: Barry Levinson
Cinematography by: John Seale
Edited by: Stu Linder
Cameras: Panavision Panaflex Camera
Re-recording Mixer
Bad Dreams (1988)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Re-recording Mixer
Adventures in Babysitting (1987)
Directed by: Chris Columbus
Cinematography by: Ric Waite
Re-recording Mixer
Good Morning, Vietnam (1987)
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Stu Linder
Cameras: Panavision Cameras
Re-recording Mixer
Her Secret Life (1987)
Directed by: Buzz Kulik
Cinematography by: James Crabe
Edited by: Les Green
Re-recording Mixer
Tin Men (1987)
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Stu Linder
Re-recording Mixer
Fatal Attraction (1987)
Directed by: Adrian Lyne
Cinematography by: Howard Atherton
Re-recording Mixer
Like Father Like Son (1987)
Directed by: Rod Daniel
Cinematography by: Jack N. Green
Edited by: Lois Freeman-Fox
Re-recording Mixer
At Close Range (1986)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Sound Re-recording Mixer
Where the River Runs Black (1986)
Directed by: Christopher Cain
Cinematography by: Juan Ruiz Anchía
Edited by: Richard Chew
Re-recording Mixer
Hoosiers (1986)
Directed by: David Anspaugh
Cinematography by: Fred Murphy
Edited by: Carroll Timothy O'Meara
Cameras: ARRI Cameras
Re-recording Mixer
The Heavenly Kid (1985)
Directed by: Cary Medoway
Cinematography by: Steven Poster
Edited by: Christopher Greenbury
Re-recording Mixer
Wallenberg: A Hero's Story (1985)
Directed by: Lamont Johnson
Cinematography by: Charles Correll
Edited by: Paul LaMastra
Re-recording Mixer
Copacabana (1985)
Directed by: Waris Hussein
Cinematography by: Bobby Byrne
Edited by: Michael Jablow
Re-recording Mixer
The Woman in Red (1984)
Directed by: Gene Wilder
Cinematography by: Fred Schuler
Edited by: Christopher Greenbury
Re-Recording Mixer
The Terminator (1984)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Edited by: Mark Goldblatt
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
Re-recording Mixer
The Ratings Game (1984)
Directed by: Danny DeVito
Cinematography by: Tim Suhrstedt
Re-recording Mixer
Racing with the Moon (1984)
Directed by: Richard Benjamin
Cinematography by: John Bailey
Re-recording Mixer
All of Me (1984)
Directed by: Carl Reiner
Cinematography by: Richard H. Kline
Edited by: Bud Molin
Re-recording Mixer
Under the Volcano (1984)
Directed by: John Huston
Cinematography by: Gabriel Figueroa
Edited by: Roberto Silvi
Re-recording Mixer
The Osterman Weekend (1983)
Directed by: Sam Peckinpah
Cinematography by: John Coquillon
Cameras: Panavision Cameras
Re-recording Mixer
Star Trek II: The Wrath of Khan (1982)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Edited by: William Paul Dornisch
Cameras: Dykstraflex Camera, Panavision Cameras
Re-recording Mixer
The Seduction (1982)
Directed by: David Schmoeller
Cinematography by: Mac Ahlberg
Edited by: Anthony DiMarco
Re-recording Mixer
High Risk (1981)
Directed by: Stewart Raffill
Cinematography by: Álex Phillips Jr.
Edited by: Tom Walls
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Private Lessons (1981)
Directed by: Alan Myerson
Cinematography by: Jan de Bont
Edited by: Fred A. Chulack
