Shawn Torge

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Ride Along 2 | ShotOnWhat?

Electrician

Ride Along 2 (2016)

Directed by: Tim Story

Cinematography by: Mitchell Amundsen

Edited by: Peter S. Elliot

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

Furious 7 | ShotOnWhat?

Grip

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Dolphin Tale 2 | ShotOnWhat?

Dimmer Board Operator - 2014

Dolphin Tale 2 (2014)

Directed by: Charles Martin Smith

Cinematography by: Daryn Okada

Edited by: Harvey Rosenstock

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Rock of Ages | ShotOnWhat?

Dimmer Board Operator

Rock of Ages (2012)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Emma E. Hickox

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Tooth Fairy 2 | ShotOnWhat?

Lighting Technician

Tooth Fairy 2 (2012)

Direct to Video

Directed by: Alex Zamm

Cinematography by: Levie Isaacks

Edited by: Heath Ryan

Cameras: ARRI ALEXA Camera

Step Up Revolution | ShotOnWhat?

Dimmer Board Operator

Step Up Revolution (2012)

Directed by: Scott Speer

Cinematography by: Karsten Gopinath

Edited by: Matt Friedman, Avi Youabian

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Arena | ShotOnWhat?

Electrician

Arena (2011)

Direct to Video

Directed by: Jonah Loop

Cinematography by: Nelson Cragg

Edited by: Robert Berman, Harvey Rosenstock

Dolphin Tale | ShotOnWhat?

Dimmer Board Operator

Dolphin Tale (2011)

Directed by: Charles Martin Smith

Cinematography by: Karl Walter Lindenlaub

Edited by: Harvey Rosenstock

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Jack and Jill | ShotOnWhat?

Rigging Electrician

Jack and Jill (2011)

Directed by: Dennis Dugan

Cinematography by: Dean Cundey

Edited by: Tom Costain

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Battle Los Angeles | ShotOnWhat?

Dimmer Board Operator

Battle Los Angeles (2011)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Help | ShotOnWhat?

Electrician

The Help (2011)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Hughes Winborne

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

I Am Number Four | ShotOnWhat?

Rigging Electrician

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Transformers: Dark of the Moon | ShotOnWhat?

Rigging Electrician

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Why Did I Get Married Too? | ShotOnWhat?

Electrician

Why Did I Get Married Too? (2010)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Vampires Suck | ShotOnWhat?

Electrician

Vampires Suck (2010)

Directed by: Jason Friedberg, Aaron Seltzer

Cinematography by: Shawn Maurer

Edited by: Peck Prior

Cameras: Moviecam Compact Camera

The Crazies | ShotOnWhat?

Lighting Technician

The Crazies (2010)

Directed by: Breck Eisner

Cinematography by: Maxime Alexandre

Edited by: Billy Fox

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Master Prime Lenses

The Killing Room | ShotOnWhat?

Electrician

The Killing Room (2009)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Sean Carter

The Final Destination | ShotOnWhat?

Electrician

The Final Destination (2009)

Directed by: David R. Ellis

Cinematography by: Glen MacPherson

Edited by: Mark Stevens

Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera

Never Back Down | ShotOnWhat?

Set Lighting Technician

Never Back Down (2008)

Directed by: Jeff Wadlow

Cinematography by: Lukas Ettlin

Edited by: Victor Du Bois, Debra Beth Weinfeld

2 Fast 2 Furious | ShotOnWhat?

Electrician

2 Fast 2 Furious (2003)

Directed by: John Singleton

Cinematography by: Matthew F. Leonetti

Edited by: Bruce Cannon, Dallas Puett

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Bad Boys II | ShotOnWhat?

Lighting Technician

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

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