Mark Emery Moore

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Lights Out | ShotOnWhat?

A Camera Operator

Lights Out (2016)

Directed by: David F. Sandberg

Cinematography by: Marc Spicer

Edited by: Michel Aller, Kirk M. Morri

Cameras: ARRI ALEXA Camera

Furious 7 | ShotOnWhat?

Camera Operator

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

San Andreas | ShotOnWhat?

Steadicam Operator: Second Unit

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

2 Guns | ShotOnWhat?

Camera Operator: "A Camera, Second Unit, New Orleans

2 Guns (2013)

Directed by: Baltasar Kormákur

Cinematography by: Oliver Wood

Edited by: Michael Tronick

Cameras: Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Scary Movie 5 | ShotOnWhat?

Camera Operator: "a" Camera

Scary Movie 5 (2013)

Directed by: Malcolm D. Lee, David Zucker

Cinematography by: Steven Douglas Smith

Edited by: Sam Seig

Cameras: ARRI ALEXA Camera

Bullet to the Head | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Bullet to the Head (2012)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Timothy Alverson

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Darling Companion | ShotOnWhat?

Camera Operator: "a" Camera

Darling Companion (2012)

Directed by: Lawrence Kasdan

Cinematography by: Michael McDonough

Edited by: Carol Littleton

Finding Bliss | ShotOnWhat?

Steadicam Operator

Finding Bliss (2009)

Directed by: Julie Davis

Cinematography by: Peter N. Green

Edited by: David Beatty

Serenity | ShotOnWhat?

Camera Operator: "a" Camera / Steadicam Operator

Serenity (2005)

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

The Clearing | ShotOnWhat?

Agent Sullivan, Steadicam Operator

The Clearing (2004)

Directed by: Pieter Jan Brugge

Cinematography by: Denis Lenoir

Edited by: Kevin Tent

Shallow Hal | ShotOnWhat?

Steadicam Operator: Boston

Shallow Hal (2001)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Russell Carpenter

Edited by: Christopher Greenbury

Deep Blue Sea | ShotOnWhat?

Camera Operator

Deep Blue Sea (1999)

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

The Parent Trap | ShotOnWhat?

Steadicam Operator

The Parent Trap (1998)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

Wild Things | ShotOnWhat?

Steadicam Operator

Wild Things (1998)

Directed by: John McNaughton

Cinematography by: Jeffrey L. Kimball

Edited by: Elena Maganini

Primary Colors | ShotOnWhat?

Steadicam Operator

Primary Colors (1998)

Directed by: Mike Nichols

Cinematography by: Michael Ballhaus

Edited by: Arthur Schmidt

Cameras: ARRIFLEX Camera

Clay Pigeons | ShotOnWhat?

Steadicam Operator

Clay Pigeons (1998)

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Stan Salfas

I Still Know What You Did Last Summer | ShotOnWhat?

Camera Operator: "b" Camera

I Still Know What You Did Last Summer (1998)

Directed by: Danny Cannon

Cinematography by: Vernon Layton

Edited by: Peck Prior

Air Force One | ShotOnWhat?

Camera Operator: "b" Camera

Air Force One (1997)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Variable Prime Lenses

Starship Troopers | ShotOnWhat?

Steadicam Operator

Starship Troopers (1997)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Omega Doom | ShotOnWhat?

Steadicam Operator

Omega Doom (1996)

Directed by: Albert Pyun

Cinematography by: George Mooradian

Edited by: Ken Morrisey, Joe Shugart

Outbreak | ShotOnWhat?

Camera Operator: "b" Camera / Steadicam Operator

Outbreak (1995)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis

Reservoir Dogs | ShotOnWhat?

Steadicam Operator

Reservoir Dogs (1992)

Directed by: Quentin Tarantino

Cinematography by: Andrzej Sekula

Edited by: Sally Menke

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Back to the Future Part III | ShotOnWhat?

Model Mechanical Designer

Back to the Future Part III (1990)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Scenes from the Class Struggle in Beverly Hills | ShotOnWhat?

Dolly Grip

Scenes from the Class Struggle in Beverly Hills (1989)

Directed by: Paul Bartel

Cinematography by: Steven Fierberg

Edited by: Alan Toomayan

At Close Range | ShotOnWhat?

Electrician

At Close Range (1986)

Directed by: James Foley

Cinematography by: Juan Ruiz Anchía

Edited by: Howard E. Smith

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