Digital Intermediate Colourist
The VVitch: A New-England Folktale (2015)
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Cameras: ARRI ALEXA Plus 4:3 Camera
Digital Intermediate Colorist
Please Kill Mr. Know It All (2012)
Cinematography by: Pasha Patriki
Edited by: Michael P. Mason
Cameras: Red Digital Cinema Cameras
Lenses: Red Digital Cinema Lenses
Editing System: Adobe Premiere Editing System
Colorist
Pretty Pieces (2012)
Directed by: Leigh Ann Bellamy
Cinematography by: George Fisher
Edited by: Curtis Miller
Digital Intermediate Colorist
An Insignificant Harvey (2011)
Directed by: Jeff Kopas
Cinematography by: Cabot McNenly
Digital Intermediate Colorist
Hangnail (2011)
Directed by: Cavan Campbell
Cinematography by: Daniel Grant
Edited by: Baun Mah
Colorist
The Collapsed (2011)
Directed by: Justin McConnell
Cinematography by: Pasha Patriki
Edited by: Justin McConnell
Digital Intermediate Colourist
Moon Point (2011)
Directed by: Sean Cisterna
Cinematography by: Carl Elster
Edited by: Michelle Szemberg
Digital Intermediate Colourist
Trailer Park Boys: Countdown to Liquor Day (2009)
Directed by: Mike Clattenburg
Cinematography by: Ted McInnes
Edited by: Roger Mattiussi
Digital Intermediate Colorist
Buffalo Bushido (2009)
Directed by: Peter McGennis
Edited by: William Kruzykowski
Digital Intermediate Colourist
Walled In (2009)
Directed by: Gilles Paquet-Brenner
Cinematography by: Karim Hussain
Edited by: Jackie Dzuba
Cameras: ARRIFLEX 535 B Camera
Colorist: High Definition Mastering
The Betrayal - Nerakhoon (2008)
Cinematography by: Ellen Kuras
Edited by: Thavisouk Phrasavath
Digital Intermediate Colourist
Pontypool (2008)
Directed by: Bruce McDonald
Cinematography by: Miroslaw Baszak
Edited by: Jeremiah Munce
Cameras: Red One Camera
Digital Intermediate Colorist
YPF (2007)
Directed by: Martin Gero
Cinematography by: Arthur E. Cooper
Edited by: Mike Banas
Cameras: ARRIFLEX 16SR3 Camera
Digital Intermediate Colorist, Digital Intermediate Colourist
Amal (2007)
Directed by: Richie Mehta
Cinematography by: Mitchell Ness
Edited by: Stuart A. McIntyre
Cameras: Panasonic AJ-HDX900 Camera
High-definition Preview Colorist
Eastern Promises (2007)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Zeiss Master Prime Lenses
Dailies Colorist
16 Blocks (2006)
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dailies Colorist
Tideland (2005)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Colorist: Dailies
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Dailies Colorist
Aurora Borealis (2005)
Directed by: James C.E. Burke
Cinematography by: Alar Kivilo
Edited by: Richard Nord
Colorist: Dailies
Resident Evil: Apocalypse (2004)
Directed by: Alexander Witt
Edited by: Eddie Hamilton
Colorist: Dailies
American Splendor (2003)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Editing System: Avid Editing System
Dailies Colorist
Narc (2002)
Directed by: Joe Carnahan
Cinematography by: Alex Nepomniaschy
Edited by: John Gilroy
Lenses: Zeiss Super Speed Lenses
Dailies Colorist
Undercover Brother (2002)
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Colorist: Dailies
The Shipping News (2001)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Colorist: Dailies
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson