Sound Effects Recording
Feast of Love (2007)
Directed by: Robert Benton
Cinematography by: Kramer Morgenthau
Edited by: Andrew Mondshein
Additional Sound: San Francisco
An Inconvenient Truth (2006)
Directed by: Davis Guggenheim
Cameras: Sony HDC-F950 Camera
Sound Effects Recordist
Marie Antoinette (2006)
Directed by: Sofia Coppola
Cinematography by: Lance Acord
Edited by: Sarah Flack
Sound Effects Recording
Jarhead (2005)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Sound FX Recordist
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Sound Fx Recording
The Shipping News (2001)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Sound Effects Recordist
Chocolat (2000)
Directed by: Lasse Hallström
Cinematography by: Roger Pratt
Edited by: Andrew Mondshein
Sound Effects Recording
The Talented Mr. Ripley (1999)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Recordist
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Sound Mixer: Second Unit
Switchback (1997)
Directed by: Jeb Stuart
Cinematography by: Oliver Wood
Edited by: Conrad Buff IV
Sound Mixer: San Francisco
A Friend's Betrayal (1996)
Directed by: Christopher Leitch
Cinematography by: Robert Primes
Edited by: Martin Nicholson
Cable Sound
Copycat (1995)
Directed by: Jon Amiel
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
Sound Mixer: Second Unit
Made in America (1993)
Directed by: Richard Benjamin
Cinematography by: Ralf D. Bode
Edited by: Jacqueline Cambas
Sound Mixer
Baby Snatcher (1992)
Directed by: Joyce Chopra
Cinematography by: James Glennon
Edited by: Sidney Wolinsky
Boom Operator
Class Action (1991)
Directed by: Michael Apted
Cinematography by: Conrad L. Hall
Edited by: Ian Crafford
Boom Operator
True Believer (1989)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Boom Operator: ILM
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Boom Operator: ILM
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Sound Mixer
Johnnie Mae Gibson: FBI (1986)
Directed by: Bill Duke
Cinematography by: Hal Trussell
Edited by: Jack Harnish
Staff: Omni Zoetrope Studios
Apocalypse Now (1979)
Directed by: Francis Ford Coppola
Cinematography by: Vittorio Storaro
Lenses: Technovision Lenses, Todd-AO Lenses
Editing System: K.E.M. Editing System, Moviola Editing System
