Visual Effects Executive Producer
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Visual Effects Executive Producer: VenSat America
The Help (2011)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Hughes Winborne
Stereoscopic Conversion Executive Producer: VenSat America
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Stereoscopic Conversion Executive Producer: VenSat America
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Stereoscopic Conversion Executive Producer: VenSat America
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Visual Effects Executive Producer: Prime Focus VFX Mumbai
The Twilight Saga: New Moon (2009)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Director Of Production: Image Processing
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Visual Effects Executive Producer
The Flock (2007)
Directed by: Andrew Lau Wai-Keung
Cinematography by: Enrique Chediak
Digital Executive Producer
What Love Is (2007)
Directed by: Mars Callahan
Cinematography by: David Stump
Visual Effects Executive Producer
The Kingdom (2007)
Directed by: Peter Berg
Cinematography by: Mauro Fiore
Digital Executive Producer: Technicolor Digital Services, Burbank
All the Days Before Tomorrow (2007)
Directed by: François Dompierre
Cinematography by: Gavin Kelly
Visual Effects Executive Producer
The Darjeeling Limited (2007)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Panavision Cameras
Visual Effects Executive Producer: Technicolor
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Head Of Production: MetroLight Studios
Gods and Generals (2003)
Directed by: Ron Maxwell
Cinematography by: Kees Van Oostrum
Edited by: Corky Ehlers
Visual Effects Producer: ZVFX
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Head Of Production: MetroLight Studios
View from the Top (2003)
Directed by: Bruno Barreto
Cinematography by: Affonso Beato
Visual Effects Head Of Production: MetroLight Studios
My Boss's Daughter (2003)
Directed by: David Zucker
Cinematography by: Martin McGrath
Head Of Production: MetroLight Studios
Below (2002)
Directed by: David Twohy
Cinematography by: Ian Wilson
Edited by: Martin Hunter
Head Of Production: MetroLight Studios
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Head Of Production: MetroLight Studios
Blow (2001)
Directed by: Ted Demme
Cinematography by: Ellen Kuras
Edited by: Kevin Tent
Head Of Production: MetroLight Studios
Antitrust (2001)
Directed by: Peter Howitt
Cinematography by: John Bailey
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Head Of Production: MetroLight Studios
Driven (2001)
Directed by: Renny Harlin
Cinematography by: Mauro Fiore
Head Of Production: MetroLight Studios
Shaolin Soccer (2001)
Directed by: Stephen Chow
Edited by: Kit-Wai Kai
Visual Effects Supervising Producer
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Visual Effects Producer: MetroLight Studios
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Head Of Production: MetroLight Studios
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Head Of Production: MetroLight Studios
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Visual Effects Producer: MetroLight Studios
Bride of Chucky (1998)
Directed by: Ronny Yu
Cinematography by: Peter Pau
Visual Effects Producer: MetroLight Studios
Leave It to Beaver (1997)
Directed by: Andy Cadiff
Cinematography by: Thomas Del Ruth
Edited by: Alan Heim
Visual Effects Supervising Producer
McHale's Navy (1997)
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove
Cameras: Panavision Cameras
Head Of Production: MetroLight Studios
For Richer or Poorer (1997)
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove
Special Effects Producer: Main Title Sequence
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Supervising Producer: MetroLight Studios
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Producer: MetroLight Studios
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Visual Effects Producer: MetroLight Studios
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Supervising Producer: MetroLight Studios
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Visual Effects Supervising Producer
Under Siege 2: Dark Territory (1995)
Directed by: Geoff Murphy
Cinematography by: Robbie Greenberg
Edited by: Michael Tronick
Visual Effects Producer
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Visual Effects Producer: MetroLight Studios
Virtuosity (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Visual Effects Producer: MetroLight Studios - 2001 Version
Siu nin Wong Fei Hung chi: Tit ma lau (1993)
Directed by: Woo-Ping Yuen
Visual Effects Producer
Children of the Corn II: The Final Sacrifice (1992)
Directed by: David Price
Cinematography by: Levie Isaacks
Edited by: Barry Zetlin