Post Production Executive: A24
MaXXXine (2024)
Directed by: Ti West
Cinematography by: Eliot Rockett
Edited by: Ti West
Post Production Executive: A24
The Iron Claw (2023)
Directed by: Sean Durkin
Cinematography by: Mátyás Erdély
Edited by: Matthew Hannam
Post Production: Netflix
Rustin (2023)
Directed by: George C. Wolfe
Cinematography by: Tobias A. Schliessler
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Rental DNA LF Lenses
Head Of Post-production: Millennium Films
The Hitman's Bodyguard (2017)
Directed by: Patrick Hughes
Cinematography by: Jules O'Loughlin
Edited by: Jake Roberts
Executive In Charge Of Post Production
The Institute (2017)
Cinematography by: Pedro Gómez Millán
Cameras: Red Epic Dragon Camera
Post-production Supervisor
Mechanic: Resurrection (2016)
Directed by: Dennis Gansel
Cinematography by: Daniel Gottschalk
Cameras: Red Epic Camera, Red Scarlet Camera
Post-production Coordinator
Criminal (2016)
Directed by: Ariel Vromen
Cinematography by: Dana Gonzales
Edited by: Danny Rafic
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Post-production Coordinator
London Has Fallen (2016)
Directed by: Babak Najafi
Cinematography by: Ed Wild
Cameras: Red Epic Dragon Camera
Post-production Coordinator
The Expendables 3 (2014)
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Post-production Coordinator
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Post-production Coordinator
Olympus Has Fallen (2013)
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Post-production Coordinator
Lovelace (2013)
Cinematography by: Eric Alan Edwards
Cameras: ARRIFLEX 416 Camera
Post-production Coordinator
Killing Season (2013)
Directed by: Mark Steven Johnson
Cinematography by: Peter Menzies Jr.
Edited by: Sean Albertson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Post-production Coordinator
Homefront (2013)
Directed by: Gary Fleder
Cinematography by: Theo van de Sande
Edited by: Padraic McKinley
Cameras: ARRI ALEXA Camera
Post-production Coordinator
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Post-production Coordinator
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Post-production Coordinator
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Post-production Coordinator
The Iceman (2012)
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Post-production Coordinator
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Post-production Coordinator
Trespass (2011)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Post-production Coordinator
The Son of No One (2011)
Directed by: Dito Montiel
Cinematography by: Benoît Delhomme
Edited by: Jake Pushinsky
Post-production Coordinator
The Mechanic (2011)
Directed by: Simon West
Cinematography by: Eric Schmidt
Post-production Coordinator
Elephant White (2011)
Directed by: Prachya Pinkaew
Cinematography by: Wade Muller
Edited by: David M. Richardson
Post-production Coordinator
Drive Angry (2011)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Post-production Intern
Stone (2010)
Directed by: John Curran
Cinematography by: Maryse Alberti
Edited by: Alexandre de Franceschi
Post-production Coordinator
Trust (2010)
Directed by: David Schwimmer
Cinematography by: Andrzej Sekula
Edited by: Douglas Crise
Post-production Coordinator
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Post-production Assistant
Halloween (2007)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
