Nic Sievers

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Senior Visual Effects Modeler: ILM

The Creator (2023)

Motion Picture

Directed by: Gareth Edwards

Cinematography by: Greig Fraser, Oren Soffer

Edited by: Hank Corwin, Scott Morris, Joe Walker

Cameras: Sony ILME-FX3 Camera

Lenses: Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)

Digital Artist: ILM

Skyscraper (2018)

Motion Picture

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Modeler: ILM

Solo: A Star Wars Story (2018)

Motion Picture

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Transformers: The Last Knight | ShotOnWhat?

Digital Models And Simulations: ILM

Transformers: The Last Knight (2017)

Motion Picture

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Modeler: ILM

Doctor Strange (2016)

Motion Picture

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Captain America: Civil War | ShotOnWhat?

Modeler: ILM

Captain America: Civil War (2016)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Modeling Supervisor: Rhythm & Hues

Seventh Son (2014)

Motion Picture

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Snow White and the Huntsman | ShotOnWhat?

Modeling Supervisor: Rhythm & Hues

Snow White and the Huntsman (2012)

Motion Picture

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Modeling Supervisor: Rhythm & Hues

Django Unchained (2012)

Motion Picture

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Modeling Supervisor: Rhythm & Hues

Hop (2011)

Motion Picture

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Alvin and the Chipmunks: Chipwrecked | ShotOnWhat?

Modeler: Rhythm & Hues

Alvin and the Chipmunks: Chipwrecked (2011)

Motion Picture

Directed by: Mike Mitchell

Cinematography by: Thomas E. Ackerman

Edited by: Peter Amundson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Alvin and the Chipmunks: The Squeakquel | ShotOnWhat?

Lighting Technical Director: Rhythm & Hues

Alvin and the Chipmunks: The Squeakquel (2009)

Motion Picture

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Modeler: Rhythm & Hues

Night at the Museum: Battle of the Smithsonian (2009)

Motion Picture

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Ghosts of Girlfriends Past | ShotOnWhat?

Modeler: Rhythm & Hues

Ghosts of Girlfriends Past (2009)

Motion Picture

Directed by: Mark Waters

Cinematography by: Daryn Okada

Edited by: Bruce Green

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Modeler: Rhythm & Hues

Land of the Lost (2009)

Motion Picture

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

Modeler: Rhythm & Hues

Aliens in the Attic (2009)

Motion Picture

Directed by: John Schultz

Cinematography by: Don Burgess

Edited by: John Pace

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

Modeler: Rhythm & Hues

The Mummy: Tomb of the Dragon Emperor (2008)

Motion Picture

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

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Nic Sievers

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Senior Visual Effects Modeler: ILM

The Creator (2023)

Digital Artist: ILM

Skyscraper (2018)

Modeler: ILM

Solo: A Star Wars Story (2018)

Digital Models And Simulations: ILM

Transformers: The Last Knight (2017)

Modeler: ILM

Doctor Strange (2016)

Modeler: ILM

Captain America: Civil War (2016)

Modeling Supervisor: Rhythm & Hues

Seventh Son (2014)

Modeling Supervisor: Rhythm & Hues

Snow White and the Huntsman (2012)

Modeling Supervisor: Rhythm & Hues

Django Unchained (2012)

Modeling Supervisor: Rhythm & Hues

Hop (2011)

Modeler: Rhythm & Hues

Alvin and the Chipmunks: Chipwrecked (2011)

Lighting Technical Director: Rhythm & Hues

Alvin and the Chipmunks: The Squeakquel (2009)

Modeler: Rhythm & Hues

Night at the Museum: Battle of the Smithsonian (2009)

Modeler: Rhythm & Hues

Ghosts of Girlfriends Past (2009)

Modeler: Rhythm & Hues

Land of the Lost (2009)

Modeler: Rhythm & Hues

Aliens in the Attic (2009)

Modeler: Rhythm & Hues

The Mummy: Tomb of the Dragon Emperor (2008)

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