Dov Samuel

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The Lion King | ShotOnWhat?

Assistant Editor

The Lion King (2019)

Directed by: Jon Favreau

Cinematography by: Caleb Deschanel

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA 65 Camera

Creed II | ShotOnWhat?

Additional Visual Effects Editor

Creed II (2018)

Directed by: Steven Caple Jr.

Cinematography by: Kramer Morgenthau

Edited by: Dana E. Glauberman, Saira Haider, Paul Harb

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Lenses, Zeiss Master Prime Lenses

The Other Side of the Wind | ShotOnWhat?

First Assistant Editor

The Other Side of the Wind (2018)

Directed by: Orson Welles

Cinematography by: Gary Graver

Edited by: Bob Murawski, Orson Welles

Cameras: Éclair NPR Camera

Allegiant | ShotOnWhat?

Assistant Editor

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Ben-Hur | ShotOnWhat?

First Assistant Editor

Ben-Hur (2016)

Directed by: Timur Bekmambetov

Cinematography by: Oliver Wood

Edited by: Dody Dorn, Richard Francis-Bruce

Cameras: ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Editing System: Avid Editing System

The Hateful Eight | ShotOnWhat?

Assistant Editor

The Hateful Eight (2015)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

Tammy | ShotOnWhat?

Editor: Extended Cut

Tammy (2014)

Directed by: Ben Falcone

Cinematography by: Russ T. Alsobrook

Edited by: Michael L. Sale

Cameras: Panavision Panaflex Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

We're the Millers | ShotOnWhat?

Editor: Extended Cut

We're the Millers (2013)

Directed by: Rawson Marshall Thurber

Cinematography by: Barry Peterson

Edited by: Michael L. Sale

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Oz the Great and Powerful | ShotOnWhat?

First Assistant Editor

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Seeking Justice | ShotOnWhat?

First Assistant Editor

Seeking Justice (2011)

Directed by: Roger Donaldson

Cinematography by: David Tattersall

Edited by: Jay Cassidy

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Priest | ShotOnWhat?

First Assistant Editor

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Forgetting Sarah Marshall | ShotOnWhat?

First Assistant Editor

Forgetting Sarah Marshall (2008)

Directed by: Nicholas Stoller

Cinematography by: Russ T. Alsobrook

Edited by: William Kerr

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Four Christmases | ShotOnWhat?

First Assistant Editor

Four Christmases (2008)

Directed by: Seth Gordon

Cinematography by: Jeffrey L. Kimball

Edited by: Mark Helfrich, Melissa Kent

Superbad | ShotOnWhat?

First Assistant Editor

Superbad (2007)

Directed by: Greg Mottola

Cinematography by: Russ T. Alsobrook

Edited by: William Kerr

Cameras: Phantom HD Camera

Editing System: Avid Editing System

The Interpreter | ShotOnWhat?

First Assistant Editor

The Interpreter (2005)

Directed by: Sydney Pollack

Cinematography by: Darius Khondji

Edited by: William Steinkamp

The Assassination of Richard Nixon | ShotOnWhat?

First Assistant Editor

The Assassination of Richard Nixon (2004)

Directed by: Niels Mueller

Cinematography by: Emmanuel Lubezki

Edited by: Jay Cassidy

X2 | ShotOnWhat?

First Assistant Editor

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Don't Say a Word | ShotOnWhat?

Assistant Editor

Don't Say a Word (2001)

Directed by: Gary Fleder

Cinematography by: Amir Mokri

Edited by: Armen Minasian, William Steinkamp

X-Men | ShotOnWhat?

First Assistant Editor

X-Men (2000)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Steven Rosenblum, Kevin Stitt, John Wright

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Sunshine | ShotOnWhat?

Assistant Editor: Canada

Sunshine (1999)

Directed by: István Szabó

Cinematography by: Lajos Koltai

Edited by: Michel Arcand, Dominique Fortin

54 | ShotOnWhat?

First Assistant Editor

54 (1998)

Directed by: Mark Christopher

Cinematography by: Alexander Gruszynski

Edited by: Lee Percy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Edge | ShotOnWhat?

First Assistant Film Editor: Canada

The Edge (1997)

Directed by: Lee Tamahori

Cinematography by: Donald McAlpine

Edited by: Neil Travis

The Sweet Hereafter | ShotOnWhat?

Assistant Editor

The Sweet Hereafter (1997)

Directed by: Atom Egoyan

Cinematography by: Paul Sarossy

Edited by: Susan Shipton

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

That Old Feeling | ShotOnWhat?

First Assistant Editor

That Old Feeling (1997)

Directed by: Carl Reiner

Cinematography by: Steve Mason

Edited by: Richard Halsey

Tommy Boy | ShotOnWhat?

Assistant Film Editor

Tommy Boy (1995)

Directed by: Peter Segal

Cinematography by: Victor J. Kemper

Edited by: William Kerr

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