Production Assistant
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Assistant: Mr. Hirsch , Technician
Miracles from Heaven (2016)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Lenses: ARRI Lenses
Editorial Production Assistant, Production Assistant
Term Life (2016)
Directed by: Peter Billingsley
Cinematography by: Roberto Schaefer
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Production Assistant
Triple 9 (2016)
Directed by: John Hillcoat
Cinematography by: Nicolas Karakatsanis
Edited by: Dylan Tichenor
Production Assistant
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Assistant: Mr. Greenfield, Man In Line
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Assistant: Mr. Villeneuve, Man On Bridge
Prisoners (2013)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Stage Assistant
Beautiful Creatures (2013)
Directed by: Richard LaGravenese
Cinematography by: Philippe Rousselot
Edited by: David Moritz
Audience Page
'Whitney' Private Parts (2012)
Directed by: Andy Ackerman
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' Something Old, Something New (2012)
Directed by: Andy Ackerman
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' Faking It (2012)
Directed by: Fred Savage
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' Mind Games (2012)
Directed by: Linda Mendoza
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' Lance! (2012)
Directed by: Andy Ackerman
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' Homeland Security (2012)
Directed by: Andy Ackerman
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' The Ex Box (2012)
Directed by: Andy Ackerman
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' G-Word (2012)
Directed by: Andy Ackerman
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' Something Black, Something Blue (2012)
Directed by: Betsy Thomas
Cinematography by: Patti Lee
Edited by: Richard Candib
Intern
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Audience Page
'Whitney' Getting to Know You (2011)
Directed by: Henry Chan
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' First Date (2011)
Directed by: Andy Ackerman
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' Silent Treatment (2011)
Directed by: Andy Ackerman
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' A Decent Proposal (2011)
Directed by: Andy Ackerman
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' Two Broke-Up Guys (2011)
Directed by: Andy Ackerman
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' The Wire (2011)
Directed by: John Fortenberry
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' Clarence! (2011)
Directed by: Mark Cendrowski
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page
'Whitney' Christmas Is Cummings (2011)
Directed by: Andy Ackerman
Cinematography by: Patti Lee
Edited by: Richard Candib
Audience Page - 19 Episodes, 2011-2012
Whitney (2011)
Directed by: Andy Ackerman, Linda Mendoza, David Trainer, Betsy Thomas, Mark Cendrowski, Henry Chan, John Fortenberry, Fred Savage, Steve Zuckerman
Edited by: Richard Candib
Cameras: Panavised Sony HDW-F900 Camera
Audience Page
'Hot in Cleveland' Funeral Crashers (2011)
Directed by: David Trainer
Cinematography by: Gary Baum
Edited by: Ron Volk
Audience Page
'Hot in Cleveland' Indecent Proposals (2011)
Directed by: Andy Cadiff
Cinematography by: Gary Baum
Edited by: Ron Volk
Audience Page - 4 Episodes, 2011
Hot in Cleveland (2010)
Directed by: Andy Cadiff, David Trainer, John Whitesell, Gil Junger, Joe Regalbuto, Dennis Capps, Peter Filsinger, Shelley Jensen, Anthony Rich, Michael Lembeck, Jonathan Buss, Phill Lewis
Edited by: Ron Volk, Scott Ashby, Jason Hardwick, Mark Dashnaw, Mike Flanagan, Darryl Bates, Sven Nilsson, Ryan Rothmaier, Brian Halopoff
Cameras: Sony HDW-F900 Camera
Lenses: Panavision Lenses
