Sound Designer / Supervising Sound Editor
Alex Cross (2012)
Directed by: Rob Cohen
Cinematography by: Ricardo Della Rosa
Sound Designer / Supervising Sound Editor
Source Code (2011)
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Supervising Sound Editor
Dream House (2011)
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Supervising Adr Editor
Love Ranch (2010)
Directed by: Taylor Hackford
Cinematography by: Kieran McGuigan
Edited by: Paul Hirsch
Supervising Adr Editor
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Supervising Adr/dialogue Editor
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Supervising Sound Editor
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
Supervising Sound Editor
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Supervising Sound Editor
Fracture (2007)
Directed by: Gregory Hoblit
Cinematography by: Kramer Morgenthau
Edited by: David Rosenbloom
Supervising Sound Editor
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Supervising Sound Editor
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Supervising Sound Editor
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Supervising Sound Editor
The Last Shot (2004)
Directed by: Jeff Nathanson
Cinematography by: John Lindley
Edited by: David Rosenbloom
Supervising Sound Editor
13 Going on 30 (2004)
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor / Supervising Sound Editor
The Recruit (2003)
Directed by: Roger Donaldson
Cinematography by: Stuart Dryburgh
Edited by: David Rosenbloom
Supervising Sound Editor
Radio (2003)
Directed by: Michael Tollin
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Supervising Sound Editor
Hart's War (2002)
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Adr Editor
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Adr Editor
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Adr Spotting / Supervising Dialogue/adr Editor , Supervising Sound Editor
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Co-supervising Sound Editor
54 (1998)
Directed by: Mark Christopher
Cinematography by: Alexander Gruszynski
Edited by: Lee Percy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Supervising Sound Editor
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Supervising Sound Editor
One Fine Day (1996)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Supervising Sound Editor
Mission: Impossible (1996)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Camera, Wescam Cameras
Editing System: Lightworks Editing System
Supervising Sound Editor
Radioland Murders (1994)
Directed by: Mel Smith
Cinematography by: David Tattersall
Edited by: Paul Trejo
Cameras: ARRI ARRIFLEX Series Cameras
Supervising Sound Editor
Bingo (1991)
Directed by: Matthew Robbins
Cinematography by: John McPherson
Edited by: Maryann Brandon
Adr Editor
The Godfather Part III (1990)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Supervising Sound Editor
Narrow Margin (1990)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Adr Editor
Solar Crisis (1990)
Cinematography by: Russell Carpenter
Edited by: Richard Trevor
Adr Editor
Driving Miss Daisy (1989)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Editor
True Believer (1989)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Supervising Sound Editor
Steel Magnolias (1989)
Directed by: Herbert Ross
Cinematography by: John A. Alonzo
Edited by: Paul Hirsch
Adr Editor, Sound Effects Editor
Fletch Lives (1989)
Directed by: Michael Ritchie
Cinematography by: John McPherson
Edited by: Richard A. Harris
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Editor: Soundelux, Inc.
License to Drive (1988)
Directed by: Greg Beeman
Cinematography by: Bruce Surtees
Sound Editor
Big (1988)
Directed by: Penny Marshall
Cinematography by: Barry Sonnenfeld
Edited by: Barry Malkin
Sound Editor
The Princess Bride (1987)
Directed by: Rob Reiner
Cinematography by: Adrian Biddle
Edited by: Robert Leighton
Adr Editor
Gardens of Stone (1987)
Directed by: Francis Ford Coppola
Cinematography by: Jordan Cronenweth
Edited by: Barry Malkin
Sound Editor
Raw Deal (1986)
Directed by: John Irvin
Cinematography by: Alex Thomson
Edited by: Anne V. Coates
Sound Effects Editor
Amadeus (1984)
Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor
The Cotton Club (1984)
Directed by: Francis Ford Coppola
Cinematography by: Stephen Goldblatt
Cameras: Panavision Cameras
Supervising Sound Editor: Audio Restoration And Re-Mixing
The Terminator (1984)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Edited by: Mark Goldblatt
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Lenses
