Visual Effects Supervisor: Iloura
Gods of Egypt (2016)
Directed by: Alex Proyas
Cinematography by: Peter Menzies Jr.
Edited by: Richard Learoyd
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Visual Effects Supervisor: Method Studios
I, Frankenstein (2014)
Directed by: Stuart Beattie
Cinematography by: Ross Emery
Edited by: Marcus D'Arcy
Cameras: Red Epic Camera
Visual Effects Supervisor: Method Studios, Sydney
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor: Method Studios
The Sapphires (2012)
Directed by: Wayne Blair
Cinematography by: Warwick Thornton
Edited by: Dany Cooper
Visual Effects: Method Studios
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Digital Effects Supervisor: Method Studios
Seven Psychopaths (2012)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Lisa Gunning
Visual Effects Supervisor
A Few Best Men (2011)
Directed by: Stephan Elliott
Cinematography by: Stephen F. Windon
Edited by: Sue Blainey
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor: Post Modern
Oranges and Sunshine (2010)
Directed by: Jim Loach
Cinematography by: Denson Baker
Edited by: Dany Cooper
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Postmodern
Knowing (2009)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Senior Visual Effects Supervisor: Postmodern
Daybreakers (2009)
Cinematography by: Ben Nott
Edited by: Matt Villa
Visual Effects Supervisor: Postmodern Sydney
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Visual Effects Supervisor: Post Modern
Death Defying Acts (2007)
Directed by: Gillian Armstrong
Cinematography by: Haris Zambarloukos
Edited by: Nicholas Beauman
Senior Compositor: Fuel International
Love's Brother (2004)
Directed by: Jan Sardi
Cinematography by: Andrew Lesnie
Edited by: Veronika Jenet
Digital Compositor: Rising Sun Pictures
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Senior Digital Effects Supervisor
Ghost Ship (2002)
Directed by: Steve Beck
Cinematography by: Gale Tattersall
Edited by: Roger Barton
Digital Effects Supervisor: Photon Stockman
Paradise Road (1997)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Tim Wellburn
