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Julia X (2011)

Motion Picture | 3D | Color | 92 Minutes

Julia X | ShotOnWhat?

Directed by | P.J. Pettiette | Cinematography by | Jason Goodman | Editing by | Rob Neal

Starring | Valerie Azlynn, Kevin Sorbo, Alicia Leigh Willis, Joel David Moore

Cameras | Red One Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens

Se Puder… Dirija! (2013)

Motion Picture | 3D | Color |

Se Puder… Dirija! | ShotOnWhat?

Directed by | Anita Barbosa, Paulo Fontenelle | Cinematography by | Nonato Estrela, Pedro Guimaraes

Starring | Luiz Fernando Guimarães, Leandro Hassum, Lavínia Vlasak, Bárbara Paz

Cameras | Red Epic Camera

Lenses | Zeiss Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens

Everything Put Together (2000)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Everything Put Together | ShotOnWhat?

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Radha Mitchell, Megan Mullally, Catherine Lloyd Burns, Jacqueline Heinze

Cameras | Sony DSR-PD100 Camera

Sick Boy (2012)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Sick Boy | ShotOnWhat?

Directed by | Tim T. Cunningham | Cinematography by | Sean C. Cunningham

Starring | Skye McCole Bartusiak, Marc Donato, Debbie Rochon, Cas Rooney

Cameras | Canon EOS-7D Camera

Frankenweenie (2012)

Motion Picture | 3D | Black and White | 1.85:1 | 87 Minutes

Frankenweenie | ShotOnWhat?

Directed by | Tim Burton | Cinematography by | Peter Sorg | Editing by | Chris Lebenzon, Mark Solomon

Starring | Winona Ryder, Catherine O'Hara, Martin Short, Martin Landau

Cameras | Canon EOS-5D Mark II Camera

Drowning Mona (2000)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Drowning Mona | ShotOnWhat?

Directed by | Nick Gomez | Cinematography by | Bruce Douglas Johnson | Editing by | Richard Pearson

Starring | Danny DeVito, Bette Midler, Neve Campbell, Jamie Lee Curtis

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses

Get Smart (2008)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Get Smart | ShotOnWhat?

Directed by | Peter Segal | Cinematography by | Dean Semler | Editing by | Richard Pearson

Starring | Steve Carell, Anne Hathaway, Alan Arkin, Dwayne Johnson

Cameras | Panavision Genesis Camera, Panavision Panastar Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Stranger Than Fiction (2006)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Will Ferrell, Emma Thompson, Dustin Hoffman, Queen Latifah

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Atlas Shrugged II: The Strike (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 111 Minutes

Atlas Shrugged II: The Strike | ShotOnWhat?

Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert

Starring | Samantha Mathis, Jason Beghe, Esai Morales, Patrick Fabian

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Neighbor (2009)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Robert A. Masciantonio | Cinematography by | MJ Schirmer | Editing by | R. Emmett Sibley

Starring | America Olivo, Christian Campbell, Joseph Aniska, Pete Postiglione

Cameras | Red One MX Camera

The Bourne Ultimatum (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse

Starring | Matt Damon, Edgar Ramírez, Joan Allen, Julia Stiles

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

The Sons of Tennessee Williams (2010)

Motion Picture | 2D | Color, Black and White | 1.78:1 (16x9) | 75 Minutes

The Sons of Tennessee Williams | ShotOnWhat?

Directed by | Tim Wolff | Cinematography by | Eric Adkins | Editing by | Matt Bucy, Tim Wolff

Starring | Charles Maddox, Tommy Dietsch, Ed Herlihy, George Roth

Cameras | Sony CineAlta F23 Camera, Sony PMW-EX1 Camera

The Big Slice (1991)

Motion Picture | 2D | Other Project Resolution | Color | 86 Minutes

Directed by | John Bradshaw | Cinematography by | Ludek Bogner | Editing by | Nick Rotundo

Starring | Casey Siemaszko, Leslie Hope, Louis Ferreira, Kenneth Welsh

Cameras | ARRI ARRIFLEX Series Cameras

The Controller (2008)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 100 Minutes

Directed by | Frank Michels | Cinematography by | Steve Wargo | Editing by | Frank Michels, Jeff Niemoeller

Starring | Bob Rue, Tank Jones, Lolita Sahwany, John Dobradenka

Cameras | Sony HDW-F900 Camera

Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9

Mørke sjeler (2010)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | César Ducasse, Mathieu Peteul | Cinematography by | César Ducasse, Mathieu Peteul | Editing by | César Ducasse, Mathieu Peteul

Starring | Johanna Gustavsson, Kristian Holter, Ida Elise Broch, Morten Rudå

Cameras | Aaton LTR 54 Camera, Aaton XTR Prod Camera, Leicina Special Camera

Local Color (2006)

Motion Picture | 2D | Color | 107 Minutes

Directed by | George Gallo | Cinematography by | Michael Negrin | Editing by | Malcolm Campbell

Starring | Armin Mueller-Stahl, Trevor Morgan, Ray Liotta, Charles Durning

Cameras | Panavision Cameras

Lenses | Angenieux Optimo Zoom Lenses

Act of Valor (2012)

Motion Picture | 2D | Color | 110 Minutes

Act of Valor | ShotOnWhat?

Directed by | Mike McCoy, Scott Waugh | Cinematography by | Shane Hurlbut | Editing by | Michael Tronick, Scott Waugh

Starring | Alex Veadov, Roselyn Sanchez, Nestor Serrano, Rorke Denver

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Shark Night 3D (2011)

Motion Picture | 3D | Color | 1.85:1 | 90 Minutes

Shark Night 3D | ShotOnWhat?

Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Dennis Virkler

Starring | Sara Paxton, Dustin Milligan, Chris Carmack, Katharine McPhee

Cameras | Sony CineAlta F35 Camera

Lenses | Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens

Sin City (2005)

Motion Picture | Black and White, Color | 1.85:1 | 124 Minutes

Sin City | ShotOnWhat?

Directed by | Frank Miller, Robert Rodriguez, Quentin Tarantino | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Mickey Rourke, Clive Owen, Bruce Willis, Jessica Alba

Cameras | Sony HDC-F950 Camera, Sony Other Camera

Southern Justice (2006)

Motion Picture | 2D | Color | 96 Minutes

Directed by | M.D. Selig | Cinematography by | Jorge Diaz-Amador | Editing by | Robert Cipriano, Michael Ekalo, M.D. Selig

Starring | M.D. Selig, Michael Childers, Lisa Robert, Rico Cymone

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Angenieux 11.5-138 mm T2.5 Lens, Kinoptik Tégéa 5.7mm f1.8 Lens, Optar Illumina S16 9.5 mm T1.3, Zeiss Super Speeds Mk II Lenses

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