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Panavision Lenses | 1288 Titles

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Sonic the Hedgehog 2 (2022)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Jeff Fowler | Cinematography by | Brandon Trost | Editing by | Jim May

Starring | James Marsden, Jim Carrey, Ben Schwartz

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Panavision T Series Anamorphic Lenses

Phantom Thread (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Paul Thomas Anderson | Editing by | Dylan Tichenor

Starring | Vicky Krieps, Daniel Day-Lewis, Lesley Manville

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

Ready Player One (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe

Cameras | ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

500 Days of Summer (2009)

Motion Picture | 2D | 2K Project | Color | 95 Minutes

Directed by | Marc Webb | Cinematography by | Eric Steelberg | Editing by | Alan Edward Bell

Starring | Zooey Deschanel, Joseph Gordon-Levitt, Geoffrey Arend, Chloë Grace Moretz

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Lenses

The Texas Chainsaw Massacre (2003)

Motion Picture | 2D | Film Project | Black & White, Color | 1.85:1 | 98 Minutes

Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Glen Scantlebury

Starring | Jessica Biel, Jonathan Tucker, Andrew Bryniarski, Erica Leerhsen

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

The Stroller Strategy (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 90 Minutes

Directed by | Clément Michel | Cinematography by | Steeven Petitteville | Editing by | Julie Dupré

Starring | Raphaël Personnaz, Charlotte Le Bon, Jérôme Commandeur

Cameras | ARRI ALEXA Plus Camera

Lenses | Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Promising Young Woman (2020)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 113 Minutes

Directed by | Emerald Fennell | Cinematography by | Benjamin Kracun | Editing by | Frédéric Thoraval

Starring | Carey Mulligan, Bo Burnham, Alison Brie, Clancy Brown

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision G Series Anamorphic Lenses

Tetris (2021)

Motion Picture | 2D | 4K Project | Color |

Directed by | Jon S. Baird

Starring | Taron Egerton, Togo Igawa, Ben Bradley

Cameras | Sony CineAlta VENICE Camera

Lenses | Panavision Anamorphic Zoom Lenses, Panavision AWZ2.3 37-85mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Lord of the Flies (1990)

Motion Picture | 2D | Film Project | Color | 90 Minutes

Directed by | Harry Hook | Cinematography by | Martin Fuhrer | Editing by | Harry Hook

Starring | Balthazar Getty, Chris Furrh, Danuel Pipoly, James Badge Dale

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Warlock (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 103 Minutes

Directed by | Steve Miner | Cinematography by | David Eggby | Editing by | David Finfer

Starring | Julian Sands, Lori Singer, Richard E. Grant, Mary Woronov

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

Event Horizon (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1, 2.55:1 | 96 Minutes

Directed by | Paul W.S. Anderson | Cinematography by | Adrian Biddle | Editing by | Martin Hunter

Starring | Laurence Fishburne, Sam Neill, Kathleen Quinlan, Joely Richardson

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Book of Henry (2017)

Motion Picture | 2D | Film Project | Color | 1.85:1, 2.0:1 | 105 Minutes

Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt

Starring | Naomi Watts, Jaeden Martell, Jacob Tremblay, Sarah Silverman

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Lenses

Greyhound (2020)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 91 Minutes

Directed by | Aaron Schneider | Cinematography by | Shelly Johnson | Editing by | Mark Czyzewski, Sidney Wolinsky

Starring | Tom Hanks, Elisabeth Shue, Stephen Graham, Matt Helm

Cameras | Panavision Millennium DXL Camera

Lenses | Panavision Sphero 65 Series Lenses

Law & Order: Special Victims Unit (1999)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee | Editing by | Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo

Starring | Mariska Hargitay, Christopher Meloni, Ice-T

Cameras | ARRI ALEXA Series Cameras

Lenses | ARRI Lenses, Panavision Lenses

Maniac (2018)

Miniseries | 2D | 4K Project | Color | 386 Minutes

Directed by | Cary Joji Fukunaga | Cinematography by | Darren Lew | Editing by | Pete Beaudreau, Tim Streeto

Starring | Emma Stone, Jonah Hill, Sonoya Mizuno

Cameras | Panavision Millennium DXL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Back to the Future Part III (1990)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 118 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Mary Steenburgen, Tom Wilson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future (1985)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 1.85:1 | 116 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover

Cameras | Panavision Panaflex Gold Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future Part II (1989)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Back to the Future Part II | ShotOnWhat?

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Tom Wilson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Watchmen (2009)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 162 Minutes

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy

Starring | Jackie Earle Haley, Patrick Wilson, Carla Gugino, Malin Akerman

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Contact (1997)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Jodie Foster, Matthew McConaughey, Tom Skerritt, John Hurt

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

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