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The Invisible Woman (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Ralph Fiennes | Cinematography by | Rob Hardy | Editing by | Nicolas Gaster

Starring | Ralph Fiennes, Felicity Jones, Kristin Scott Thomas, Tom Hollander

Cameras | ARRIFLEX 35 IIIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

Under the Skin (2013)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Jonathan Glazer | Cinematography by | Daniel Landin | Editing by | Paul Watts

Starring | Scarlett Johansson, Jeremy McWilliams, Lynsey Taylor Mackay, Dougie McConnell

Cameras | ARRI ALEXA Plus Camera, one-cam Camera

Lenses | Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses

Last Passenger (2013)

Motion Picture | 2D | Color | 2.40:1 | 97 Minutes

Directed by | Omid Nooshin | Cinematography by | Angus Hudson | Editing by | Joe Walker

Starring | Dougray Scott, Kara Tointon, Iddo Goldberg, David Schofield

Cameras | ARRI ALEXA Plus Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

A Long Way Down (2014)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Pascal Chaumeil | Cinematography by | Ben Davis | Editing by | Chris Gill, Barney Pilling

Starring | Pierce Brosnan, Toni Collette, Imogen Poots, Aaron Paul

Cameras | ARRI ALEXA Camera

20 ans d’écart (2013)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | David Moreau | Cinematography by | Laurent Tangy | Editing by | Cyril Besnard

Starring | Virginie Efira, Pierre Niney, Charles Berling, Gilles Cohen

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Quartet (2012)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Dustin Hoffman | Cinematography by | John de Borman | Editing by | Barney Pilling

Starring | Maggie Smith, Michael Gambon, Billy Connolly, Tom Courtenay

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Diana (2013)

Motion Picture | 2D | Color | 113 Minutes

Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck

Starring | Naomi Watts, Naveen Andrews, Cas Anvar, Charles Edwards

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Lenses

47 Ronin (2013)

Motion Picture | 3D | Color | 2.39:1 | 128 Minutes

Directed by | Carl Rinsch | Cinematography by | John Mathieson | Editing by | Stuart Baird

Starring | Keanu Reeves, Hiroyuki Sanada, Kô Shibasaki, Tadanobu Asano

Cameras | ARRI ALEXA Camera

Mad Max: Fury Road (2015)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel

Starring | Tom Hardy, Charlize Theron, Nicholas Hoult, Zoë Kravitz

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Nine (2009)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 118 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Claire Simpson, Wyatt Smith

Starring | Daniel Day-Lewis, Marion Cotillard, Penélope Cruz, Sandro Dori

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Panavision Primo Primes Spherical Lenses

London Boulevard (2010)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan

Starring | Colin Farrell, Keira Knightley, Ray Winstone, David Thewlis

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Swinging with the Finkels (2011)

Motion Picture | 2D | Color | 2.39:1 | 85 Minutes

Directed by | Jonathan Newman | Cinematography by | Dirk Nel | Editing by | Eddie Hamilton

Starring | Martin Freeman, Mandy Moore, Jonathan Silverman, Melissa George

Cameras | Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses

The Imaginarium of Doctor Parnassus (2009)

Motion Picture | 2D | Color | 1.85:1 | 123 Minutes

Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Mick Audsley

Starring | Christopher Plummer, Lily Cole, Heath Ledger, Andrew Garfield

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Zeiss Ultra Prime Lenses

Harry Brown (2009)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Daniel Barber | Cinematography by | Martin Ruhe | Editing by | Joe Walker

Starring | Michael Caine, Emily Mortimer, David Bradley, Charlie Creed-Miles

Cameras | Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

A Rat’s Tale (1997)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Directed by | Michael F. Huse | Cinematography by | Piotr Lenar | Editing by | Timothy McLeish

Starring | Josef Ostendorf, Beverly D'Angelo, Lauren Hutton, Jerry Stiller

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar II Camera

Lenses | Panavision C Anamorphic Flare Lenses, Panavision C Anamorphic Portrait Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Glamour Dolls (2016)

Motion Picture | 2D | Color | 2.35:1 | 95 Minutes

Directed by | John De Luca | Cinematography by | Graham Martyr | Editing by | Dominick Gallagher, Paul Lumsden

Starring |

Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Red One MX Camera

Lenses | Zeiss Lenses, Zeiss Super Speed Lenses

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