Finishing Systems » Blackmagic Design Finishing System

DaVinci Resolve Finishing System : 123

Blackmagic Design Finishing System | 125 Titles

Rate It

« Previous 1 2 3 4 5 6 7 Next »

LessUpdatedTitleYear

Johnny (2021)

Direct to Video | 2D | HD Project | Color | 2.35:1 | 107 Minutes

Directed by | John Charles Gerald | Cinematography by | John Charles Gerald

Starring | Bruce Bellinger, John Charles Gerald, Nick Gerald

Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses

A Spark in Nothing (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 146 Minutes

Directed by | Griffin Loch | Cinematography by | Rob McPeters

Starring | Arielle Gottesman, Nika Balina, Corrinne Mica

Cameras | Sony α7R II Camera

The Night of the Virgin (2016)

Motion Picture | 2D | 2K Project | Color | 2.70:1 | 116 Minutes

Directed by | Roberto San Sebastián | Cinematography by | Adrián Hernández | Editing by | Ibon Belandia

Starring | Javier Bódalo, Miriam Martín, Víctor Amilibia, Ignatius Farray

Cameras | ARRI ALEXA Camera, Sony PXW-FS7 Camera

Lenses | Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I Lenses

Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

A Good Reason (2018)

Short Film | 2D | 2K Project | Color | 2.39:1 | 6 Minutes

Directed by | August Holt Markwardt | Cinematography by | David J. Schweitzer | Editing by | August Holt Markwardt

Starring | Scot Scurlock, Daniel Grochowski, Andre L. Burch, Nando Palacios

Cameras | Aaton Penelope Camera

Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens

Skin: The Movie (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 51 Minutes

Directed by | Ronn Kilby | Cinematography by | Eric J. Addison, Tom Antl, Ronn Kilby | Editing by | Michael Towe

Starring | Mark Christopher Lawrence, Merrick McCartha, Michelle Way, Mark Atkinson

Cameras | Sony PXW-FS7 Camera

Lenses | Nikon - Nikkor Lenses, Sony G 18–110mm f4.0 Lens, Sony G Series Lenses

Liberty (2018)

Miniseries | 2D | HD Project | Color | 2.0:1 | 58 Minutes

| Cinematography by | Aske Foss | Editing by | Kristofer Nordin, Jacob Thuesen

Starring | Connie Nielsen, Carsten Bjørnlund, Sofie Gråbøl, Charlie Karumi

Cameras | ARRI ALEXA Mini Camera

Lenses | Cineovision Lenses, Optica Elite 35 Anamorphic 50-160 mm T4.9 Lens

Highly Ghosted (2018)

Television Episode, Web Series | 2D | UHD Project | Color | 2.76:1 |

Directed by | Rob Mulligan, Michael Boris | Cinematography by | Scott Migdol | Editing by | Chris Cope

Starring | Michael Boris, Scott Migdol, Natalie Hodges, Zairilla Bacon

Cameras | Blackmagic Pocket Cinema 4K Camera, Panasonic Lumix DMC-GH5 Camera

Hangnail (2011)

Short Film | 2D | Film Project | Color | 2.39:1 | 12 Minutes

Directed by | Cavan Campbell | Cinematography by | Daniel Grant | Editing by | Baun Mah

Starring | Tasha Lawrence, Dylan Smith

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Lenses

Tiempo de lluvia (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 89 Minutes

Directed by | Itandehui Jansen | Cinematography by | Iwao Kawasaki | Editing by | Macarena Sierra

Starring | Harold Torres, Noé Hernández, Ángeles Cruz, Baltimore Beltran

Cameras | Digital Bolex D16

Lenses | Zeiss Lenses

Al Medina (2015)

Movie | 2K Project | Color | 90 Minutes

Al Medina | ShotOnWhat?

Directed by | Omar Shargawi | Cinematography by | Aske Foss | Editing by | Morten Højbjerg, Thomas Papapetros, Omar Shargawi

Starring | Sara Hjort Ditlevsen, Ashraf Farah, Omar Shargawi

Cameras | ARRI ALEXA Plus Camera, Beaulieu Cameras

Lenses | Canon K35 100 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 55 mm T1.4 Lens, Canon K35 85 mm T1.3 Lens

Modern Family (2009)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | James R. Bagdonas, Hugo Cortina, Brandon Mastrippolito, David Hennings | Editing by | Ryan Case, Tony Orcena, Christian Miglio, Giselle Murillo, Jonathan Schwartz, Steven Rasch, Shaheed Qaasim, Michael Kamens, Jamie Kennedy

Starring | Ed O'Neill, Sofía Vergara, Julie Bowen, Ty Burrell

Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Monsters. (2019)

Motion Picture | 2D | 3.4K Project | Color | 1.85:1 | 116 Minutes

Directed by | Marius Olteanu | Cinematography by | Luchian Ciobanu | Editing by | Ion Ioachim Stroe

Starring | Judith State, Cristian Popa, Alexandru Potocean, Serban Pavlu

Cameras | ARRI AMIRA Premium Camera

Lenses | Zeiss Super Speeds Mk II Lenses

Family Obligations (2019)

Direct to Video | 2D | HD Project | Color | 2.39:1 | 81 Minutes

Directed by | Kenneth R. Frank | Cinematography by | Kenneth R. Frank | Editing by | Chris Mollica, Kevin Wolfring

Starring | Angelica Adams, Eleanor Brandle-Frank, Peppa Brandle-Frank, Grace Chan

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Panasonic Lumix G X Vario 12-35mm f2.8 Lens

Bohemian Rhapsody (2018)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 2.39:1 | 134 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottman

Starring | Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Missing Girl (2017)

Short Film | 2D | HD Project | Black & White | 2.39:1 | 8 Minutes

Directed by | Jimmy Barranco | Cinematography by | Jimmy Barranco | Editing by | Jimmy Barranco

Starring | Sigfried Gonzalez, Brashell Santos

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Canon Lenses, Sigma Lenses

The Radicalization of Jeff Boyd (2017)

Motion Picture | 2D | HD Project | Black & White, Color | 2.39:1 | 117 Minutes

Directed by | Uwe Schwarzwalder | Cinematography by | Brian Pinkus, Uwe Schwarzwalder | Editing by | Uwe Schwarzwalder

Starring | Uwe Schwarzwalder, Yessica Sanchez, Zarina Tadjibaeva, Jörg Reichlin

Cameras | Blackmagic Pocket Cinema Camera

Hatred of a Minute (2002)

Motion Picture | 2D | 2K Project | Color | 1.66:1, 1.78:1 (16x9) | 83 Minutes

Directed by | Michael Kallio | Cinematography by | George Lieber | Editing by | Paul Hart, Michael Kallio, John W. Walter

Starring | Gunnar Hansen, Michael Kallio, Tracee Newberry, Tim Lovelace

Cameras | ARRI Cameras

Lenses | ARRI Lenses

Under the Bed (2017)

Motion Picture | 2D | HD Project | Color | 120 Minutes

Directed by | Daniel Myrick | Cinematography by | Stephanie Martin | Editing by | Daniel Myrick, Byron Wong

Starring | Hannah New, Beverly D'Angelo, Alexis Krause, Ryan O'Nan

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Panasonic Lenses, Sigma 18-35mm f1.8 DC HSM Lens

El Último Suspiro (2017)

Short Film | 2D | HD Project | Color | 1.85:1, 2.35:1 | 5 Minutes

Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo

Starring | Joaquim Girbau, Mercè Girbau, Clàudia Vicens, Pere Girbau Xalabarder

Cameras | Blackmagic Design Cameras, Canon Cameras

Lenses | Canon Lenses, Leitz Lenses

« Previous 1 2 3 4 5 6 7 Next »

©2012 - 2025 ShotOnWhat?

20254.20