Digital Intermediate Finishing Process | 1761 Titles
Cloverfield (2008)
Directed by | Matt Reeves | Cinematography by | Michael Bonvillain | Editing by | Kevin Stitt
Cameras | Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses | Canon Lenses, Zeiss DigiPrime Lenses
High School Musical 3: Senior Year (2008)
The Switch (2010)
Directed by | Josh Gordon, Will Speck | Cinematography by | Jess Hall | Editing by | John Axelrad
Lenses | Cooke S4 Lenses
Merlin (2008)
| Cinematography by | Dale McCready, Ashley Rowe, Sam McCurdy, Geoffrey Wharton, Peter Greenhalgh, Jim O'Donnell | Editing by | Simon Reglar, Elen Pierce Lewis, Jeremy Strachan, Fiona Colbeck, Tom White, Mark Eckersley, Crispin Green, Mark Thornton, Bjorn Johnson, Andrew McClelland, Jackie Ophir, Belinda Cottrell, Tim Marchant, Annie Kocur, William Webb
Lenses | Cooke Lenses, Cooke S4 Lenses
She’s Out of My League (2010)
Django Unchained (2012)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Reparando (2010)
Directed by | Scott Owen Moore | Cinematography by | Bobby Marko, Scott Owen Moore | Editing by | Scott Owen Moore
For Colored Girls (2010)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Lenses | Panavision Primo Anamorphic Lenses
Burlesque (2010)
Directed by | Steve Antin | Cinematography by | Bojan Bazelli | Editing by | Virginia Katz
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Cooke S4 Lenses, Cooke Speed Panchro Lenses
Letters to Juliet (2010)
Tooth Fairy (2010)
Directed by | Michael Lembeck | Cinematography by | David Tattersall | Editing by | David Finfer
Lenses | Panavision Primo Anamorphic Lenses
Twilight (2008)
Directed by | Catherine Hardwicke | Cinematography by | Elliot Davis | Editing by | Nancy Richardson
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Jack Reacher (2012)
Directed by | Christopher McQuarrie | Cinematography by | Caleb Deschanel | Editing by | Kevin Stitt
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Bounty Hunter (2010)
Dinner for Schmucks (2010)
Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten, Jon Poll
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Dear John (2010)
Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Kristina Boden
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Valentine’s Day (2010)
Directed by | Garry Marshall | Cinematography by | Charles Minsky | Editing by | Bruce Green
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Silent Hill: Revelation 3D (2012)
Directed by | M.J. Bassett | Cinematography by | Maxime Alexandre | Editing by | Michele Conroy
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses
Julia X (2011)
Directed by | P.J. Pettiette | Cinematography by | Jason Goodman | Editing by | Rob Neal
Cameras | Red One Camera
Flight (2012)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Jeremiah O'Driscoll
Cameras | Red Epic Camera
Lenses | Zeiss Master Prime Lenses
