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Digital Intermediate Finishing Process | 1761 Titles

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Lincoln (2012)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Daniel Day-Lewis, Sally Field, David Strathairn, Joseph Gordon-Levitt

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Oblivion (2013)

Motion Picture | 2D | 4K Project | Color | 1.85:1, 2.39:1 | 124 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Richard Francis-Bruce

Starring | Tom Cruise, Morgan Freeman, Andrea Riseborough, Olga Kurylenko

Cameras | Red Epic Camera, Sony CineAlta F65 Camera

Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Mike & Molly (2010)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Gary Baum, Gary Palmer | Editing by | Stephen Prime

Starring | Billy Gardell, Melissa McCarthy, Reno Wilson, Katy Mixon

Cameras | Sony CineAlta F23 Camera, Sony HDW-F900 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hawaii Five-0 (2010)

Television Series | 2D | Color | 1.78:1 (16x9) | 42 Minutes

Hawaii Five-0 | ShotOnWhat?

The Hobbit: An Unexpected Journey (2012)

Motion Picture | 3D | Color | 2.39:1 | 169 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen

Starring | Martin Freeman, Ian McKellen, Richard Armitage, Andy Serkis

Cameras | Red Epic Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Tornado Alley (2011)

Motion Picture | 2D | Color | 43 Minutes

Tornado Alley | ShotOnWhat?

Directed by | Sean C. Casey | Cinematography by | Sean C. Casey, Peter Rubi | Editing by | Sean C. Casey, Peter Rubi

Starring | Donald Burgess, Sean C. Casey, Mandell Frazier, Marcus Gutierrez

Cameras | IMAX Cameras, VistaVision Cameras

Taken 2 (2012)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre, Vincent Tabaillon

Starring | Liam Neeson, Famke Janssen, Maggie Grace, Leland Orser

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Cameras

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Ice Age: Continental Drift (2012)

Motion Picture | 3D | Color | 2.35:1, 2.39:1 | 88 Minutes

Ice Age: Continental Drift | ShotOnWhat?

Directed by | Steve Martino, Mike Thurmeier | Cinematography by | Renato Falcão | Editing by | Christopher Campbell, James Palumbo, David Ian Salter

Starring | Ray Romano, Denis Leary, John Leguizamo, Aziz Ansari

The Lorax (2012)

Motion Picture | 3D | Color | 1.85:1 | 86 Minutes

The Lorax | ShotOnWhat?

Directed by | Chris Renaud, Kyle Balda | Editing by | Claire Dodgson, Steven Liu, Ken Schretzmann

Starring | Zac Efron, Taylor Swift, Danny DeVito, Ed Helms

Madagascar 3: Europe’s Most Wanted (2012)

Motion Picture | 3D | Color | 1.85:1 | 93 Minutes

Madagascar 3: Europe’s Most Wanted | ShotOnWhat?

Directed by | Eric Darnell, Tom McGrath, Conrad Vernon | Editing by | Nick Fletcher

Starring | Ben Stiller, Jada Pinkett Smith, Chris Rock, David Schwimmer

The Twilight Saga: Breaking Dawn – Part 2 (2012)

Motion Picture | 2D | Color | 2.35:1 | 115 Minutes

The Twilight Saga: Breaking Dawn – Part 2 | ShotOnWhat?

Directed by | Bill Condon | Cinematography by | Guillermo Navarro | Editing by | Virginia Katz, Ian Slater

Starring | Kristen Stewart, Robert Pattinson, Taylor Lautner, Peter Facinelli

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Brave (2012)

Motion Picture | 3D | Color | 2.39:1 | 93 Minutes

Directed by | Mark Andrews, Brenda Chapman, Steve Purcell | Editing by | Nicholas C. Smith

Starring | Kelly Macdonald, Billy Connolly, Emma Thompson, Julie Walters

Jack and Jill (2011)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Jack and Jill | ShotOnWhat?

Directed by | Dennis Dugan | Cinematography by | Dean Cundey | Editing by | Tom Costain

Starring | Adam Sandler, Katie Holmes, Al Pacino, Elodie Tougne

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Celeste & Jesse Forever (2012)

Motion Picture | 2D | Color | 2.35:1 | 92 Minutes

Celeste & Jesse Forever | ShotOnWhat?

Directed by | Lee Toland Krieger | Cinematography by | David Lanzenberg | Editing by | Yana Gorskaya

Starring | Rashida Jones, Andy Samberg, Elijah Wood, Emma Roberts

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Broken City (2013)

Motion Picture | 2D | Color | 2.35:1 | 109 Minutes

Directed by | Allen Hughes | Cinematography by | Ben Seresin | Editing by | Cindy Mollo

Starring | Mark Wahlberg, Russell Crowe, Catherine Zeta-Jones, Jeffrey Wright

Cameras | ARRI ALEXA Camera, ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Here Comes the Boom (2012)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 105 Minutes

Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Scott Hill

Starring | Kevin James, Salma Hayek, Henry Winkler, Greg Germann

Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hello I Must Be Going (2012)

Motion Picture | 2D | Color | 95 Minutes

Hello I Must Be Going | ShotOnWhat?

Directed by | Todd Louiso | Cinematography by | Julie Kirkwood | Editing by | Tom McArdle

Starring | Melanie Lynskey, Christopher Abbott, Blythe Danner, John Rubinstein

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Ultra Prime Lenses

The Pact (2012)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

The Pact | ShotOnWhat?

Directed by | Nicholas McCarthy | Cinematography by | Bridger Nielson | Editing by | Adriaan van Zyl

Starring | Caity Lotz, Casper Van Dien, Mark Steger, Agnes Bruckner

Cameras | ARRI ALEXA Camera

This Is 40 (2012)

Motion Picture | 2D | Color | 2.35:1 | 134 Minutes

This Is 40 | ShotOnWhat?

Directed by | Judd Apatow | Cinematography by | Phedon Papamichael | Editing by | David L. Bertman, Jay Deuby, Brent White

Starring | Paul Rudd, Leslie Mann, Maude Apatow, Iris Apatow

Cameras | ARRI ALEXA Camera

Gods Behaving Badly (2013)

Motion Picture | 2D | Color | 90 Minutes

Gods Behaving Badly | ShotOnWhat?

Directed by | Marc Turtletaub | Cinematography by | Tak Fujimoto | Editing by | Alan Heim, Joe Landauer

Starring | Robin Weigert, Sharon Stone, Alicia Silverstone, Kathleen Turner

Cameras | ARRI ALEXA Camera

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