35mm Film Negative Width | 2711 Titles
The Last Magic Show (2007)
Directed by | Andy Conlan | Cinematography by | Duncan Cole | Editing by | Ahab Blin
Cameras | Aaton Cameras, Panasonic AJ-SDX900 Camera
Mglistye berega (1986)
Directed by | Yuli Karasik | Cinematography by | Plamen Vagenshtain | Editing by | Lyubov Filkina
Cameras | ARRI Cameras
Invictus (2009)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Whale Rider (2002)
Directed by | Niki Caro | Cinematography by | Leon Narbey | Editing by | David Coulson
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Wall Street: Money Never Sleeps (2010)
Directed by | Oliver Stone | Cinematography by | Rodrigo Prieto | Editing by | David Brenner, Julie Monroe
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Master Prime Lenses
Poltergeist III (1988)
Directed by | Gary Sherman | Cinematography by | Alex Nepomniaschy | Editing by | Ross Albert
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
The Forbidden Kingdom (2008)
Directed by | Rob Minkoff | Cinematography by | Peter Pau | Editing by | Eric Strand
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Passion of Mind (2000)
Directed by | Alain Berliner | Cinematography by | Eduardo Serra | Editing by | Anne V. Coates
Cameras | Panavision Cameras
The Beast of Bray Road (2005)
Directed by | Leigh Scott | Cinematography by | Steven Parker | Editing by | Leigh Scott
Cameras | ARRI Cameras
The Hitchhiker (2007)
Directed by | Leigh Scott | Cinematography by | Steven Parker | Editing by | Kristen Quintrall, Leigh Scott
Cameras | Sony HDW-F900 Camera
Demekingu (2009)
Revenge of the Dead (1983)
Directed by | Pupi Avati | Cinematography by | Franco Delli Colli | Editing by | Amedeo Salfa
Cameras | Technovision Cameras
Lenses | Technovision Lenses
Moneyball (2011)
Directed by | Bennett Miller | Cinematography by | Wally Pfister | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Wheels (2002)
Hak kuen (2006)
Directed by | Dennis Law | Cinematography by | Herman Yau | Editing by | Chi Wai Yau
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Nothing to Lose (1997)
Directed by | Steve Oedekerk | Cinematography by | Donald E. Thorin | Editing by | Malcolm Campbell
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Gremlins 2: The New Batch (1990)
Stardust Memories (1980)
Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Susan E. Morse
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Corruptor (1999)
Directed by | James Foley | Cinematography by | Juan Ruiz Anchía | Editing by | Howard E. Smith
Cameras | Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Killer Joe (2011)
Directed by | William Friedkin | Cinematography by | Caleb Deschanel | Editing by | Darrin Navarro
Cameras | ARRI ALEXA Camera
Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Zeiss Ultra Prime Lenses
