Eastman Kodak Film Mfg | 1463 Titles
The Invisible Woman (2013)
August: Osage County (2013)
Leviathan (2014)
 Directed by | Andrey Zvyagintsev | Cinematography by | Mikhail Krichman | Editing by | Anna Mass 
 
  Cameras | ARRIFLEX Camera 
  Lenses | Zeiss Master Prime Lenses 
Warrior (2011)
 Directed by | Gavin O'Connor | Cinematography by | Masanobu Takayanagi | Editing by | Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall 
 
  Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera 
  Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses 
The Homesman (2014)
 Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi 
 
  Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera 
  Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses 
The Imitation Game (2014)
 Directed by | Morten Tyldum | Cinematography by | Oscar Faura | Editing by | William Goldenberg  
 
  Lenses | Zeiss Master Prime Lenses 
Snowpiercer (2013)
 Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Steve M. Choe, Changju Kim  
 
 Nightcrawler (2014)
 Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy  
 
  Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses 
Chocolat (2000)
RED (2010)
 Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Thom Noble  
 
  Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses 
The Butterfly Effect (2004)
 Directed by | Eric Bress, J. Mackye Gruber | Cinematography by | Matthew F. Leonetti | Editing by | Peter Amundson
 
 Breakfast at Tiffany’s (1961)
 Directed by | Blake Edwards | Cinematography by | Franz Planer, Philip H. Lathrop | Editing by | Howard A. Smith
 
 Recien cazado (2009)
 Directed by | Rene Bueno | Cinematography by | Alberto Lee | Editing by | Rene Bueno, Zeiddy Silva-Rios Viggiano 
 
  Cameras | ARRIFLEX Camera 
  Lenses | Zeiss Lenses 
600 kilos d’or pur (2010)
  My Fair Lady   (1964) 
 
    Directed by | George Cukor | Cinematography by | Harry Stradling Sr. | Editing by | William H. Ziegler 
 
  Cameras | Super Panavision-70 Camera 
  Patton   (1970) 
 
    Directed by | Franklin J. Schaffner | Cinematography by | Fred J. Koenekamp | Editing by | Hugh S. Fowler 
 
  Cameras | Mitchell FC 65mm Camera 
The Pianist (2002)
Fargo (1996)
 Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen 
 
  Cameras | ARRIFLEX 35 BL4 Camera 
  Lenses | Zeiss Standard Speed Prime Lenses 
Grace of Monaco (2014)
 Directed by | Olivier Dahan | Cinematography by | Eric Gautier | Editing by | Olivier Gajan  
 
  Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses 
Serpico (1973)
 Directed by | Sidney Lumet | Cinematography by | Arthur J. Ornitz | Editing by | Dede Allen, Richard Marks 
 
  Cameras | Panavision Cameras 
  Lenses | Panavision Lenses 
 




















































































