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Light Iron, Los Angeles | 22 Titles

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The Queen’s Gambit (2020)

Miniseries | 2D | 8K Project | Color | 1.78:1 (16x9) | 397 Minutes

| Cinematography by | Steven Meizler | Editing by | Michelle Tesoro

Starring | Anya Taylor-Joy, Chloe Pirrie, Bill Camp

Cameras | Red Monstro 8K Camera

Lenses | Zeiss Supreme Prime Series Lenses

Can You Ever Forgive Me? (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marielle Heller | Cinematography by | Brandon Trost | Editing by | Anne McCabe

Starring | Melissa McCarthy, Richard E. Grant, Dolly Wells, Ben Falcone

Cameras | Panavision Millennium DXL Camera

Lenses | Panavision Primo 70 Lenses

Hell or High Water (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts

Starring | Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham

Cameras | ARRI ALEXA XT Studio Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Kickstart Theft (2012)

Short Film | 2D | 4K Project | Color | 2.39:1 | 7 Minutes

Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe

Starring | Kimani Shillingford, Samuel Caruana, Mickaëlle X. Bizet, Frankie Ray

Cameras | Sony CineAlta F65 Camera

Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens

Cold in July (2014)

Motion Picture | 2D | Color | 109 Minutes

Directed by | Jim Mickle | Cinematography by | Ryan Samul | Editing by | John Paul Horstmann, Jim Mickle

Starring | Michael C. Hall, Sam Shepard, Don Johnson, Vinessa Shaw

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Tusk (2014)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Kevin Smith | Cinematography by | James Laxton | Editing by | Kevin Smith

Starring | Justin Long, Michael Parks, Haley Joel Osment, Genesis Rodriguez

Cameras | ARRI ALEXA Camera, Red Epic Camera

Good Kill (2014)

Motion Picture | 2D | Color | 102 Minutes

Directed by | Andrew Niccol | Cinematography by | Amir Mokri | Editing by | Zach Staenberg

Starring | Ethan Hawke, January Jones, Zoë Kravitz, Fatima El Bahraouy

Cake (2014)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Daniel Barnz | Cinematography by | Rachel Morrison | Editing by | Kristina Boden, Michelle Harrison

Starring | Jennifer Aniston, Adriana Barraza, Anna Kendrick, Sam Worthington

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Atlas Shrugged: Who Is John Galt? (2014)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9), 1.85:1 | 99 Minutes

Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo

Starring | Kristoffer Polaha, Laura Regan, Rob Morrow, Peter Mackenzie

Cameras | Canon EOS-C500 Camera

Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses

John Wick (2014)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe

Cameras | ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

The Expendables 3 (2014)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | Patrick Hughes | Cinematography by | Peter Menzies Jr. | Editing by | Sean Albertson, Paul Harb

Starring | Sylvester Stallone, Jason Statham, Jet Li, Antonio Banderas

Cameras | Blackmagic Cinema Camera, Red Epic Camera, Red Scarlet Camera

The Legend of Hercules (2014)

Motion Picture | 3D | Color | 2.39:1 | 99 Minutes

Directed by | Renny Harlin | Cinematography by | Sam McCurdy | Editing by | Vincent Tabaillon

Starring | Kellan Lutz, Gaia Weiss, Scott Adkins, Roxanne McKee

Cameras | Red Epic Camera

Enough Said (2013)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Nicole Holofcener | Cinematography by | Xavier Grobet | Editing by | Robert Frazen

Starring | Julia Louis-Dreyfus, James Gandolfini, Catherine Keener, Toni Collette

Cameras | ARRI ALEXA Studio Camera

Lenses | Leitz Summilux-C Series Lenses

In a World… (2013)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Lake Bell | Cinematography by | Seamus Tierney | Editing by | Tom McArdle

Starring | Lake Bell, Fred Melamed, Michaela Watkins, Rob Corddry

Cameras | Red Epic Camera

Lenses | Hawk C-Series Lenses

Ender’s Game (2013)

Motion Picture | 3D | Color | 114 Minutes

Ender’s Game | ShotOnWhat?

Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Lee Smith, Zach Staenberg

Starring | Harrison Ford, Asa Butterfield, Hailee Steinfeld, Abigail Breslin

Cameras | Red Epic Camera

42 (2013)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt

Starring | Chadwick Boseman, T.R. Knight, Harrison Ford, Nicole Beharie

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Odd Thomas (2013)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Odd Thomas | ShotOnWhat?

Directed by | Stephen Sommers | Cinematography by | Mitchell Amundsen | Editing by | David Checel

Starring | Anton Yelchin, Ashley Sommers, Leonor Varela, Matthew Page

Cameras | Red Epic Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Snitch (2013)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Ric Roman Waugh | Cinematography by | Dana Gonzales | Editing by | Jonathan Chibnall

Starring | Dwayne Johnson, Susan Sarandon, Jon Bernthal, Rafi Gavron

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Texas Chainsaw 3D (2013)

Motion Picture | 3D | Color | 92 Minutes

Directed by | John Luessenhop | Cinematography by | Anastas N. Michos | Editing by | Randy Bricker

Starring | Alexandra Daddario, Tania Raymonde, Scott Eastwood, Trey Songz

Cameras | Red Epic Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens

Hitchcock (2012)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Sacha Gervasi | Cinematography by | Jeff Cronenweth | Editing by | Pamela Martin

Starring | Anthony Hopkins, Helen Mirren, Scarlett Johansson, Danny Huston

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

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