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Avid Editing System | 388 Titles

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Love & Hip Hop: Atlanta (2012)

Television Series | 2D | Color | 41 Minutes

| Cinematography by | Joe Stallworth, Bianca Butti, Graham Willoughby | Editing by | Mark Augustine, Anthony Rosato, Allison Anastasio, Sylvia Waliga, Amir Adelar Minder, Erik Haslett, Tyler Fausnaught, Courtney Sommers, Scott Martin, Korey Caldwell, Grisel Grullon, Avery Harvin, Michael Niemcewicz, Brendan Sherman, Joe DeShano, Wesley Swinnen, Hudie Ayalon, Mary DeChambres, David Kuriyama, Jeremy Presner, Ben Slatkin, Sosse Misserlian, Q. DeChambres, Jeff Thurlow, Mike Verna, Brian Chamberlain, Tony Gargano, Eric Moorman

Starring | Karlie Redd, Mimi Faust, Rasheeda, Stevie J.

Cameras | Canon Cameras

Lenses | Canon Lenses

Diana (2013)

Motion Picture | 2D | Color | 113 Minutes

Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck

Starring | Naomi Watts, Naveen Andrews, Cas Anvar, Charles Edwards

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Lenses

All Is Lost (2013)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco, Peter Zuccarini | Editing by | Pete Beaudreau

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Kai Rabe gegen die Vatikankiller (1998)

Motion Picture | 2D | Color | 2.35:1 | 92 Minutes

Kai Rabe gegen die Vatikankiller | ShotOnWhat?

Directed by | Thomas Jahn | Cinematography by | Piotr Lenar | Editing by | Andrea Mertens

Starring | Steffen Wink, Klaus J. Behrendt, Sandra Speichert, Stefan Jürgens

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Lenses | Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens, Panavision Primo Anamorphic Lenses

Verrückt nach Paris (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Pago Bahlke, Eike Besuden | Cinematography by | Piotr Lenar | Editing by | Margot Neubert-Maric

Starring | Paula Kleine, Wolfgang Goettsch, Frank Grabski, Dominique Horwitz

Cameras | ARRIFLEX 16SR3 Advanced Camera, Sony HDW-F900 Camera

Lenses | Fujinon E Series Lenses, Zeiss Lenses

Don Jon (2013)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Joseph Gordon-Levitt | Cinematography by | Thomas Kloss | Editing by | Lauren Zuckerman

Starring | Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore, Tony Danza

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Out of the Furnace (2013)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Scott Cooper | Cinematography by | Masanobu Takayanagi | Editing by | David Rosenbloom

Starring | Christian Bale, Casey Affleck, Zoe Saldaña, Woody Harrelson

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

Before Midnight (2013)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Richard Linklater | Cinematography by | Christos Voudouris | Editing by | Sandra Adair

Starring | Ethan Hawke, Julie Delpy, Seamus Davey-Fitzpatrick, Ariane Labed

Cameras | ARRI ALEXA Camera

Blue Jasmine (2013)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Woody Allen | Cinematography by | Javier Aguirresarobe | Editing by | Alisa Lepselter

Starring | Cate Blanchett, Alec Baldwin, Peter Sarsgaard, Sally Hawkins

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

The Purge (2013)

Motion Picture | 2D | Color | 85 Minutes

Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Peter Gvozdas

Starring | Ethan Hawke, Lena Headey, Max Burkholder, Adelaide Kane

Cameras | ARRI ALEXA Plus Camera

The Heat (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Jay Deuby, Brent White

Starring | Sandra Bullock, Michael McDonald, Melissa McCarthy, Demián Bichir

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Oldboy (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Spike Lee | Cinematography by | Sean Bobbitt | Editing by | Barry Alexander Brown

Starring | Josh Brolin, Elizabeth Olsen, Samuel L. Jackson, Sharlto Copley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera

Lenses | ARRI / Fujinon Lenses, Cooke 5/i Lenses

Misdirection (2011)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Al Stoffel | Cinematography by | Ronn Kilby | Editing by | Ronn Kilby

Starring | Karl Backus, Josee Brisebois, Aleksander D'Avignon, Tricia DeLaRosa

Cameras | Sony PMW-EX1R Camera

Mission to Lars (2012)

Documentary | 2D | Color | 1.78:1 (16x9) | 74 Minutes

Mission to Lars | ShotOnWhat?

Directed by | James Moore, William Spicer | Editing by | Mags Arnold, Tom Herington, Ben Luria, James Moore

Starring | Kate Spicer, Tom Spicer, William Spicer, Jasmin St. Claire

Cameras | Sony PMW-EX3 Camera

Don’t Speak at Funerals (2012)

Short Film | 2D | Color | 10 Minutes

Directed by | Montserrat Gomez | Cinematography by | Salman Sajun | Editing by | Trevor Lareau, Zakim Nuraney

Starring | Michael Brian, Sean Depner, Matthew Hoglie, Bernard Houston

Cameras | Sony PMW-F3 Camera

Lenses | Zeiss DigiPrime Lenses

Nebraska (2013)

Motion Picture | 2D | Black & White | 115 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | Bruce Dern, Will Forte, June Squibb, Bob Odenkirk

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses

The Awakening (2011)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

The Awakening | ShotOnWhat?

Directed by | Nick Murphy | Cinematography by | Eduard Grau | Editing by | Victoria Boydell

Starring | Rebecca Hall, Dominic West, Imelda Staunton, Lucy Cohu

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Jack Ryan: Shadow Recruit (2014)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 105 Minutes

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh

Starring | Chris Pine, Kevin Costner, Keira Knightley, Kenneth Branagh

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses | Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Edge of Tomorrow (2014)

Motion Picture | 3D | Color | 2.39:1 | 113 Minutes

Directed by | Doug Liman | Cinematography by | Dion Beebe | Editing by | James Herbert, Laura Jennings

Starring | Tom Cruise, Emily Blunt, Bill Paxton, Brendan Gleeson

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Sin City: A Dame to Kill For (2014)

Motion Picture | 3D | Black & White, Color | 1.85:1 | 102 Minutes

Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt

Cameras | ARRI ALEXA M Camera

Lenses | Fujinon Premier Lenses

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