Metropolitan Filmexport | 22 Titles
The Sugarland Express (1974)
Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Edward M. Abroms, Verna Fields
John Wick: Chapter 4 (2023)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Nathan Orloff
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses
John Wick: Chapter 2 (2017)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff
Cameras | ARRI ALEXA XT Plus Camera
John Wick (2014)
Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens
Suburbicon (2017)
Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
All the Money in the World (2017)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson
Cameras | ARRI ALEXA XT Series Cameras
Lenses | Panavision Super Speed Lenses
Free Fire (2016)
Wind River (2017)
Directed by | Taylor Sheridan | Cinematography by | Ben Richardson | Editing by | Gary Roach
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera
The BFG (2016)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRI ALEXA XT Series Cameras
The Spy Who Dumped Me (2018)
Directed by | Susanna Fogel | Cinematography by | Barry Peterson | Editing by | Jonathan Schwartz
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
Blindspotting (2018)
Directed by | Carlos López Estrada | Cinematography by | Robby Baumgartner | Editing by | Gabriel Fleming
Den of Thieves (2018)
Directed by | Christian Gudegast | Cinematography by | Terry Stacey | Editing by | David S. Cox, Joel Cox, Nathan Godley
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Zeiss Master Prime Lenses
12 Strong (2018)
Directed by | Nicolai Fuglsig | Cinematography by | Rasmus Videbæk | Editing by | Lisa Lassek
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Suspiria (2018)
Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano
Midsommar (2019)
Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston
Cameras | Panavision Millennium DXL2 Camera
Lenses | Panavision Primo Artiste Lenses
Hustlers (2019)
Directed by | Lorene Scafaria | Cinematography by | Todd Banhazl | Editing by | Kayla Emter
Cameras | Panavision Millennium DXL2 Camera
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert
Lenses | Zeiss Ultra Prime Lenses
Papillon (2017)
Directed by | Michael Noer | Cinematography by | Hagen Bogdanski | Editing by | John Axelrad, Lee Haugen
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Zeiss Ultra Prime Lenses
Hereditary (2018)
Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston, Jennifer Lame
Cameras | ARRI ALEXA Mini Camera
Destroyer (2018)
Directed by | Karyn Kusama | Cinematography by | Julie Kirkwood | Editing by | Plummy Tucker
Cameras | ARRI ALEXA Mini Camera
Lenses | Panavision Lenses
