Digital HD | 137 Titles
Behold the Lamb (2011)
Directed by | John McIlduff | Cinematography by | Steeven Petitteville | Editing by | Nick Emerson
Cameras | ARRIFLEX 16mm Cameras
Lenses | Cooke Spherical Lenses, Cooke Varotal Lenses, Cooke Zoom Lenses, Leica R Series Lenses, Technovision Lenses
The Thistle in the Kiss (2023)
Directed by | Craig Andrew Robertson | Cinematography by | Calum Menzies | Editing by | C.J. Lazaretti
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses, Nikon - Nikkor Lenses
Operator (2016)
Directed by | Logan Kibens | Cinematography by | Steeven Petitteville | Editing by | Logan Kibens
Cameras | ARRI AMIRA Series Cameras, Sony α7S Camera
Lenses | Zeiss Lenses
Khaita Dance (2020)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Sony α7 II Camera
Lenses | Sony G Series Lenses
Cosmos (2019)
Directed by | Elliot Weaver, Zander Weaver | Cinematography by | Elliot Weaver, Zander Weaver | Editing by | Elliot Weaver, Zander Weaver
Cameras | Blackmagic Pocket Cinema Camera
Zombie Ed (2013)
Directed by | Ren Blood | Cinematography by | Shaun Dallas | Editing by | Scotty Baldwin, Russell Parks
Cameras | Nikon D4 Camera
Lenses | Nikon - Nikkor Lenses
Smart Guys (2016)
| Cinematography by | Gino Varisano, Ian Mosley-Duffy | Editing by | Nick Murphy, Paul Ritchey
Cameras | Canon EOS-7D Camera, Red One Camera
Killers Within (2018)
Directed by | Paul Bushe, Brian O'Neill | Cinematography by | Philip Graham
Cameras | Sony PXW-FS7 Camera
Small City (2021)
Directed by | Georgie Curran, Adriano Vilanova | Cinematography by | Mike Simpson
Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens
Terminator 2: Judgment Day (1991)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Chopper (2000)
Directed by | Andrew Dominik | Cinematography by | Geoffrey Hall, Kevin Hayward | Editing by | Ken Sallows
Cookie Sykes Goes (2019)
Johnny (2021)
Directed by | John Charles Gerald | Cinematography by | John Charles Gerald
Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses
A Spark in Nothing (2021)
Church of Fears (2018)
Directed by | Jaime Kepner | Cinematography by | Paul Kepner | Editing by | Paul Kepner
Cameras | Blackmagic Cinema Camera, Sony NEX-FS100 Camera
Lenses | Canon FD 100 mm f2.8 SSC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens
Better Call Saul (2015)
| Cinematography by | Arthur Albert, Marshall Adams | Editing by | Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Cameras | Panasonic Lumix DMC-GH4 Camera, Panasonic VariCam 35, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony α7R II Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Missed Connection (2017)
Directed by | Paul Abbaszadeh, Tyler Norman | Cinematography by | Paul Abbaszadeh | Editing by | Paul Abbaszadeh
Cameras | Sony NEX-FS700 Camera
Lenses | Nikon - Nikkor Lenses, Samyang Lenses
Fantastic Beasts and Where to Find Them (2016)
Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Drifter (2016)
Directed by | Chris von Hoffmann | Cinematography by | Tobias Deml | Editing by | Chris Visser
Cameras | Red Epic Dragon Camera
