23.976 fps Distribution | 163 Titles
Hegira (2018)
Directed by | William Blevins | Cinematography by | William Blevins | Editing by | William Blevins
Cameras | Sony PXW-FS5 Camera
Divergence (2007)
Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead
Lenses | ARRI / Fujinon Lenses
The Weed Whacker Massacre (2017)
Directed by | Benjamin R. Dover | Cinematography by | W.L. Walker | Editing by | W.L. Walker
Cameras | Blackmagic Cinema Camera
Lenses | Rokinon Lenses
PEN15 (2019)
| Cinematography by | Andy Rydzewski, Adam Silver, Bella Gonzales | Editing by | Taichi Erskine, Matt McBrayer, Amelia Allwarden, John Daigle, Michael Scotti Jr.
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4 Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Super Speeds Mk II Lenses, Zeiss Ultra Prime Lenses
Leap: Rise of the Beast (2011)
Directed by | Chris Tempel | Cinematography by | Chris Tempel | Editing by | Chris Tempel
Cameras | Canon EOS Rebel T2i Camera
Lenses | Canon EF-S 18-55mm f4 Lens
Spider-Man: Homecoming (2017)
Directed by | Jon Watts | Cinematography by | Salvatore Totino | Editing by | Debbie Berman, Dan Lebental
Lenses | Angenieux Lenses, Cooke S4/i Lenses
Don’t Read This on a Plane (2020)
Directed by | Stuart McBratney | Cinematography by | Scott Devitte, László Kun | Editing by | Stuart McBratney
Cameras | Panasonic Lumix DMC-GH5 Camera, Red Epic Camera
Scattered (2020)
Directed by | Mike Donis | Cinematography by | Bruce William Harper | Editing by | Mike Donis
Cameras | Red Epic Camera
Pete Winning and the Pirates (2015)
Directed by | Mike Donis, Jason Leaver, Navin Ramaswaran | Cinematography by | Josh Ary, Mike Donis, Bruce William Harper, Jason Leaver, Henry Sansom | Editing by | Mike Donis
A Christmas Prince (2017)
Directed by | Alex Zamm | Cinematography by | Viorel Sergovici | Editing by | Marshall Harvey
Cameras | Red Helium (Weapon) 8K
Lenses | Zeiss Ultra Prime Lenses
Reto Sangriento (2016)
Directed by | Ricky Gonzalez | Cinematography by | Ricky Gonzalez
Cameras | Blackmagic Cinema Camera
Lenses | Rokinon XEEN 16mm T2.6 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 35mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Rokinon XEEN 85mm T1.5 Lens
The Man in Room 6 (2022)
Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger
Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera
Lenses | Rokinon Lenses, SLR Magic Lenses
The Deleted (2016)
| Cinematography by | Steeven Petitteville, Michael Marius Pessah | Editing by | Joe Carugati, Nate Katz
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Lenses
The Veil (2016)
Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
An Enchanted (2019)
The Queen’s Gambit (2020)
| Cinematography by | Steven Meizler | Editing by | Michelle Tesoro
Cameras | Red Monstro 8K Camera
Lenses | Zeiss Supreme Prime Series Lenses
Blonde (2022)
Directed by | Andrew Dominik | Cinematography by | Chayse Irvin | Editing by | Adam Robinson
Lenses | ARRI Rental HEROES LOOK Lens
Nomadland (2020)
Directed by | Chloé Zhao | Cinematography by | Joshua James Richards
Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera